1,134 ロイヤリティフリー オーディオトラック の "ウィスパー"

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Request. 126bpm i think. If you loop, clicking noise should go away.
著者: Teacoma
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00:10
Vocal: mr rotpbrecorded tascam dr-05xsfx conversion edited: adobe + fxs + mastered.
著者: Szegvari
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00:21
Myself saying nonexistent words. Recorded with echo and reverb effects. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2020.
著者: Danlucaz
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00:13
A woman whispers, confessing her inner most secret to someone else. (please note: this does not reflect my thoughts!).
著者: Carmsie
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00:52
A scary ghost whispering. Four styles included, edited using audacity.
著者: Carmsie
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00:10
Vocal: mr rotpbrecorded tascam dr-05xsfx conversion edited: adobe + fxs + mastered.
著者: Szegvari
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01:12
Very annoying cry and some people cant even last 3 seconds listening.
著者: Bash
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29:17
Some wind was blowing through some wooden blinds in my house and making this obnoxious howling sound, so i captured some of it :p. Recorded with a rode nt1.
著者: Jsilversound
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04:08
Stephen Foster's music to "We Are Coming, Father Abraham", played by the United States Marine Band. Performed February 16, 2009 at The Music Center at Strathmore. Col. Michael J. Colburn, conducting; Gy.Sgt. Kevin Bennear, baritone.
著者: Untitled
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00:29
A scary tune i did in garageband for something called victors crypt. I made the beat first and added a weird bass-line. On top of that i added the words "i'm shaking, so scared" along with some violins and anxious sounds. Would suit fine for anything creepy. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt on youtube. Https://youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.
著者: Victor Natas
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00:03
Short sound effects made with minikorg 700s + kenton midi to cv converter.
著者: Hast
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02:43
著者: John McCormack
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02:44
著者: John McCormack
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00:03
Manipulated recording of the back of headphones being rubbed together.
著者: Ismailmasha
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00:03
Glass bottle shattering.
著者: Sgarrison
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00:02
Recording of a phone screen being flicked.
著者: Ismailmasha
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00:02
Fork being scraped around in a trash can.
著者: Evanmack
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02:01
Students talking between classes, near microphone.
著者: Claudiooliveira
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00:13
Telephone 70s circle dial dialing recorded using a sennheiser wireless dynamic ew135g2 microphone through a yamaha dm1000 digital console with cubase software.
著者: Yakkall
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00:02
Struck the back side of a metal tablespoon with another spoon, and let it ring.
著者: Bcimmet
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00:23
Tapping of hand on plastic sheet film. Recorded with mono microphone and ensemble. No post processing.
著者: Amrita
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00:03
A slowed down hit on a trash can with added reverb.
著者: Evanmack
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01:32
Standing on a platform for the s-bahn (overground) train in berlin. Train approaches, stops, small people get on board. Tannoy makes announcement and train leaves.
著者: Skjor
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00:09
First recording with the sound devices mix pre 6with my oldschool vintage philips 50's microphonefrom the rommelmarkt ! just being nice to thelittle device. . . Recording: 18 november 2020. 11 dec 2020, late at nighta+josé.
著者: Antwerpsounddesign
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Two sustained voice samples i subsequently pitch shifted and layered for an ambient work (to achieve an 80's choir pad effect). The key is almost in middle c, but slightly off. . . Because i can't sing. The second, lower voice sample was recorded extremely close to the mic to achieve clipping; i wanted to get a buzzy, boomy sound out of it.
著者: Housedj
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00:40
This is the sound of my nails slowly scraping the plastic back of a chair.
著者: Maryamseraji
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Light rain drizzle, recorded from basement window. M-s recorded with neumann rsm191 (decoded while recording)16bit 48khzisrael.
著者: Gadiraz
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S-bahn passing by. Recorded with zoomh5, in berlin südkreuz.
著者: Klangmaler Lutz
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The recording you will hear children's-rattle.
著者: Lux
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These field-recordings were captured for a radioplay. You can hear various moves (where possible described in german in the filename). The files are recorded in m/s-stereophony, so you have the m-signal on the left channel, the side-information on the right.
著者: Mbezzola
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