1,394 ロイヤリティフリー オーディオトラック の "デザイナー"

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Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:03
Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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Effects created with behringer crave semi modular, recorded in audacity, wav stereo 44100hz 24 bits pcm.
著者: Dj Somar
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00:02
A simple sound for a futuristic weapon. Done by mixing a champagne cork and a synthesised sound. Done on protools and audacity.
著者: Pedroguyman
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A simple bang.
著者: Gianmaria V
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04:00
Sound design assignment 1 by becky jones uclan.
著者: Bljones
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This is how to pronounce my name.
著者: Mattielbrown
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Sound of timpani's with cow bells and other tuned percussion to give it its unique sound. I also used sound techniques of reversing eqing ect to create this sound.
著者: Paul
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Nothing special just some fun with a few of my favorite tools.
著者: Vajrapani
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01:38
A strange sound design i did for a project, with my voice as material- high quality 48khz-24bits.
著者: Nakhas
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01:12
Ambience sound effect of water coming out from a pool;. Sample rate: 48 khzbit depth: 24 bits. Mfma_sonic.
著者: Mfma Sonic
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Crackle sound effect made with a bag of chip, useful for a lot of things. Recorded with the dr 40.
著者: Tule
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Dozy pilchard vocal vox voice sound design 120bpm.
著者: Dozypilchard
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Was messing around resampling a guitar recording and it got a little out of hand, in a cool intense glitchy way //cc0.
著者: Deadrobotmusic
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07:25
Synths.
著者: Chnlnine
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This is a short sound i created from snippet of very old recording (pre war) of an old parisian song : la java bleu.
著者: Kalikay
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An heavy sweep for your transiitons.
著者: Tmpz
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00:05
A simply bass swoosh for you.
著者: Tmpz
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00:29
This sound took me a while i used warehouse machinery at the beginning as the gun is turning to its target and when it finished with an alarm and light sound indicating its powering. The charge & fire sound is all synthesis layered several sounds on top with each other also using eq, compressor ect.
著者: Paul
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Low and ominous sound; gathering storm; paramount.
著者: Craigsmith
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For sound design.
著者: Keus
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Industrial sound design.
著者: Carlmartin
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Brief sound for an alarm short reverb.
著者: Soundwarf
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03:60
Granulation of robin hood's horror drone followed by arpeggiated triggering using a modulated filter on the bass station ii.
著者: Countnemo
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Dark techno sound design.
著者: Jalastram
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Creado en ableton para ampliar impacto del tom :d.
著者: Gabymmp
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General noise ext. Market (24 bit, 48 khz). Wav.
著者: Wildersound
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General noise market (wider perspective) bike passing, dog barking. 24 bit, 48 khz. Wav.
著者: Wildersound
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Church bells ringing market (general noise) bike & people passing. 24 bit, 48 khz. Wav.
著者: Wildersound
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A random vocoder thing i did.
著者: Devern
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Lazer sound. I made this lazer sound with the use of operator in ableton as well as adding a few effects to help round it out. I started with a basic sine wave and then began to adjust the frequency range to cut out some of the low end of the sound and enhance the high end to make it more realistic and movie accurate. I also had to shorten the decay time so it is more of a short zap sound than a prolonged note. Another step was giving it an initial high pitched sound and this was achieved by having the sound start higher up the scale with semitones and then dropping down giving the effect of shooting and something traveling from the source sound.
著者: Untitled
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Explosion sound. The explosion sound was a mixture of a the initial explosion, the a wind sound that may be heard when there is an explosion and the rumble effect that would also be picked up on. I had to re sample all of these separate operator sounds and then put the audio track in a sampler the add some final touches. These included large hall reverb and utility for the large impact explosion and rumble sound as well as panning, reverb and delay for the wind sound to give it the effect of traveling around a surrounding area with the sound slowly decaying.
著者: Untitled
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Ambient echo sound. This sound required the combination of operator using the triangle wave and plenty of reverb. I layered this sound by using two different octaves to cover most frequency ranges that sounded best and to fill any gaps in the sound effect. This sound is inspired by scene transitions and wide shots where there may be a lack of other sounds so this frees up a space for a calm ambient sound that uses plenty of sustain and reverb. The triangle wave in the operator gave it more of a high pitched calm flowing sound. The other options for example sine wave sounds to harsh and sharp for this type of sound.
著者: Untitled
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Ruler on paper in design classroom.
著者: An Na Ba Na Na
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Synthetized using a vintage yamaha psr-36 keyboard. Processed in daw with various effects and sound design techniques.
著者: Joao Janz
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Blizzard wind cold; canvas wind machine.
著者: Craigsmith
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Sound i made using vital synth.
著者: Sciera
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A design of time.
著者: Msxp
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Science-fiction fantasy film designed.
著者: Sastoryteller
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A metal ping.
著者: Jarredgibb
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A metal ping.
著者: Jarredgibb
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A metal ping.
著者: Jarredgibb
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A metal ping.
著者: Jarredgibb
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Multiple pings.
著者: Jarredgibb
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This was a shotgun i recorded with 6 mics then layered it to big it sound very fat and powerful for the screan then added eq and compression.
著者: Paul
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The sound of office in istanbul.
著者: Turguthatip
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I made this sound only with sounds effect on audacity. With chirp sounds from 50 hz to 300hz + dtmf tones at the end. Copy + paste 2 times for a "double jump" effect like in retro videogames.
著者: Iut Paris
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Ratchet being handled, recorded with a neumann tlm103.
著者: Romulofs
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