1,394 ロイヤリティフリー オーディオトラック の "デザイナー"

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Ascending synth jingle, usefull as an alert in your game or app.
著者: Tissman
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00:05
Magic motion or spell. Short vibraphone run with reverb.
著者: Hotlavaman
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04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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Synthetic sound of fantastic underwater ambience. Please check up my commercial portfolio. Your visits and listens will cheer me up!thank you.
著者: The Sacha Rush
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00:45
Not much to say, found a ceramic bell at a thrift store for 2$ and thought the sounds might be useful to someone.
著者: Destructo
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00:40
A sample i made using ableton grain's delay on pieces of my sample "crystal underwater".
著者: Earlcash
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00:38
Noisy motor from my coffee machine, recorded with a rode ntg4+ shotgun microphone.
著者: Dwums
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00:04
Quite simple sound of sawing wood made with a twine. Recorded with h1 zoom.
著者: Herkules
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00:03
Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
著者: Joao Janz
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00:18
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
著者: Joao Janz
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04:28
Aethernet-cc0 cc0 graphic motion 2d 3d engine shelf time slot iso synchronous station design symmetry isotropy ray wave light carrier analogic numeric signal wavelength wifi wimax qos.
著者: Awaka
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04:52
Aethernet-cc0 cc0 graphic motion 2d 3d engine shelf time slot iso synchronous station design symmetry isotropy ray wave light carrier analogic numeric signal wavelength wifi wimax qos.
著者: Awaka
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04:52
Aethernet-cc0 cc0 graphic motion 2d 3d engine shelf time slot iso synchronous station design symmetry isotropy ray wave light carrier analogic numeric signal wavelength wifi wimax qos.
著者: Awaka
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00:11
Ooh fantasy vocal fantasysfx conversion edited: adobe + fxs + mastered.
著者: Szegvari
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00:05
This sound was created by opening and closing a wooden wardrobe with a latch style lock. Hope you can use this sound in your sound design.
著者: Willsauntsounddesign
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00:03
This sound was creating by shutting a door.
著者: Willsauntsounddesign
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00:08
This was recorded by slamming a cupboard door shut.
著者: Willsauntsounddesign
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00:08
This was recorded by slowly shutting a door and recording the squeak.
著者: Willsauntsounddesign
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00:02
This was recorded by shutting my front door.
著者: Willsauntsounddesign
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00:05
This was recorded by recording closing a wardrobe with a latch lock.
著者: Willsauntsounddesign
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00:02
This was recorded by shutting my front door.
著者: Willsauntsounddesign
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00:04
This was recorded by closing a door slowly.
著者: Willsauntsounddesign
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02:26
The "concrete cello" pack is a collection of scraping, scratchy and droning improvisations on the cello focussing on the creation of sounds to be used as base materials for future compositions. They were originally recorded in 2019 to be used in as sound design elements for the documentary "hotel regina" by director matthias berger for which i composed the music. Part of the impetus of this sampling session was to create cello sounds that would be remiscent of construction machines. (if you look on the geotag you can see the machines, well, sort of). You can listen to the score here :https://doubleblindrec. Bandcamp. Com/album/regina-hotel. These are the close-micced mono raw studio recordings. Neumann u87 into a wa273 and a rme ufx. Recorded by barbara samla at studio aktis in france. Sounds are cco, use them as you will!(but feel free to let me know in what : it's always nice to find out!).
著者: Plukx
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04:07
Designed 5. 1 ambience of the cockpit of a small research submarine cruising submerged. Featuring small engine noises, electric ventilation and the steady gurgle of water passing the hull.
著者: Blaukreuz
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03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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Dear listener,helllooo. I made video game--like like sound in ableton. I used the surge vst and a hell of a lot of plugins. Please feel free to downloadleave a comment and let me know how you like it. Thanks! :).
著者: Jerichodesigns
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00:08
Warbely alien engine idle sound. Made with by scraping a guitar string and then manipulating the sound.
著者: Devern
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00:06
Sound fx for a machinery seal door. With air effects as the seal tightens.
著者: Paul
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00:52
Recorded with a zoom h4n in an arcade.
著者: Harrypeeks
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00:05
A combination of cracking noises.
著者: Jarredgibb
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00:34
Just a wee ambient sound!. Jarred gibb.
著者: Jarredgibb
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05:50
Every now and then i get on reaktor and jam out a load of abstract weirdness to cut up and be used or further processed, i am uploading some of the raw, continuous files for you to do the same. They tend to be kinda aggressive, but not always and not unusably so (in a commercial sense).
著者: Mzui
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10:33
Every now and then i get on reaktor and jam out a load of abstract weirdness to cut up and be used or further processed, i am uploading some of the raw, continuous files for you to do the same. They tend to be kinda aggressive, but not always and not unusably so (in a commercial sense).
著者: Mzui
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07:30
A 7 minute continuous clip of birds in my backyard. 24 bit 48khz recorded with a sound devices 552 and a matched stereo pair of akg c451b's. There are times where the wind distorts the recording - it was unavoidable even though i did have wind screens on the mics. Hopefully you can cut and paste. Enjoy. . . Peace!.
著者: Skyko
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01:01
1 minute close-up recording of the pulling steel cable of the san francisco cablecars. Good for sound design. Recorded on a sound devices 663, sennheiser 8060 microphone. 48k - 24 bit.
著者: Emanuele Correani
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Synthetized using a vintage yamaha psr-36 keyboard. Processed in daw with various effects and sound design techniques.
著者: Joao Janz
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00:03
Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
著者: Joao Janz
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00:09
Grating sfxrecorded tascam dr-05xsfx conversion edited: adobe + fxs + mastered.
著者: Szegvari
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00:08
This sound was created using the "surge" synthesizer. Bpm 128key a minorcheck it out: https://presetshare. Com/preset/view?id=1171.
著者: Johnnie Holiday
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00:12
Ran my original sample thru rc20, tweaked some knobs, added eq for the lofi touch. I believe i used my personal rc20 preset to give it the crunch. I followed up with this resample using my lotus echo pad.
著者: Rentless
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00:29
A sound created from bubbles of sparkling wine/dźwięk stworzony z bąbelków musującego wina.
著者: Monosfera
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00:50
For this last week of homeworks i have revamped my favorite audio experiment so far, because it connects to me personally and i wanted it to be better!i used the jazzy sound from foolboymedia https://freesound. Org/people/foolboymedia/the airplane captured amazingly by ramston https://freesound. Org/people/ramston/the doorbell sound from kwahmah_02 https://freesound. Org/people/kwahmah_02/.
著者: Amandakopper
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01:22
This is the latest homework i have done, for this one i imagined this:its as if you were hearing from the ears of the person in the cashier spot, at a busy restaurant, this person gets caught in a time wrap and they start to like trip on these sounds from the kitchen, the stage across the bar, and even them turning a page on their boring magazine. If you read this and haven't played it yet, close your eyes and imagine you're that person and tell me what you feel!. At this point i have learned about effects and all that(still no pro), so be sure to listen with earphones for the best experience!sounds i used:. The busy kitchen (but i used the texture i made from it, you can see it in my other uploads) from cpark12 https://freesound. Org/people/cpark12/the funky free saxophone from insigner https://freesound. Org/people/insinger/the water faucet from redafs https://freesound. Org/people/redafs/the pan bam (as i like to call it) from jonascz https://freesound. Org/people/jonascz/the page turn from lawnjelly https://freesound. Org/people/lawnjelly/.
著者: Amandakopper
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00:23
Space danger. Analog modulation, recorded in avid protools.
著者: Petruchio Ru
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Cliche space-like sound, made by accident :).
著者: Slag
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00:05
Big rolling barrel i made on game jam.
著者: Herkules
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00:01
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
著者: Joao Janz
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00:01
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
著者: Joao Janz
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00:01
Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
著者: Joao Janz
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