1,097 ロイヤリティフリー オーディオトラック の "データ"

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This is the sound that technology makes in the future. I know cuz im from the future and recorded this at 24bit/44. 1 khz. This asset also loops perfectly without any pops, enjoy!.
著者: Colelakman
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00:23
Need a linear spectrogram to render the (circular) logo properly,( freesound's spectrogram scale is logarithmic, so image is distorted here. . . Https://cdn. Freesound. Org/displays/651/651015_1015240_spec_l. Jpg). See. . . Https://blog. Freesound. Org/?p=1438&. . . Https://soundlogo. Wikimedia. Org/. The competition specifies mix of at least 2 sounds. . ". . . Your sound logo should comprise at least two overlapping layers, textures, or sounds. "maybe this [cc0] sonification of the logo could be one of them.
著者: Timbre
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00:02
Short clips of static, tones, and blips cropped down from raw binary data read as an audio stream. There's a little sequence marked as 'fanfare' that tends to pop up fairly often.
著者: Mattlohkamp
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00:02
Drill sort of noise i got from editing raw data that was converted into audio.
著者: Rabidkiwi
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01:22
A tascam recorder recording itself with a telephone pickup coil. Idea from "handmade electronic music" by nicolas collins.
著者: Andy Gardner
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02:28
Created by cranking a filter to max resonance, adding distortion, then slowly sweeping the frequency control on a bit crusher.
著者: Jaegrover
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00:32
Synthesized sound of data transmission for sci-fi computers.
著者: Tim Verberne
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00:32
Synthesized sound of data transmission for sci-fi computers.
著者: Tim Verberne
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00:32
Synthesized sound of data transmission for sci-fi computers.
著者: Tim Verberne
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03:42
Raw data of the surge xt executable in audacity.
著者: Magmadiverrr
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00:10
10 second clip of automatic identification system (ais) packets recorded from the discriminator tap of a scanner.
著者: Sycophantic
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00:04
I've been messing around with putting raw data files of programs into a sound editor, and i liked this part. Hmm.
著者: Kumquaticus
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00:24
A modem or fax machine noise.
著者: KP
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01:16
Inductively coupled usb cable into an overly aggressive compressor with reverb, normalized. Maybe if you're a sigint guy you could pull stuff out. I hear things in there.
著者: Parabolix
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03:24
Anton Günther Gesang und Gitarre: "S ist Feierobnd" in erzgebirgisch
著者: Untitled
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01:47
Morceau d'improvisation à la guitare électrique par Arthur P. (11 ans et quelques) pour l'émission Culture(s) Numérique(s) numéro 11 (juin 2019) sur Radio Pluriel. Publié ici avec son accord.
著者: Untitled
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00:38
An sound has a geotag on it!this is so strange to make this custom geo sound?.
著者: Asdfgortazertoat
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00:11
Data signal on shortwave frequency of 15710 khz usb recorded 1619 utc december 6 2014.
著者: Vince Werber
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03:04
Believe it or not, this sound effect was created by a thunderstorm knocking out my power while audacity was encoding an mp3 of the van morrison song, "brown eyed girl. ". This sound effect is in the public domain. You may use and remix it how ever you see fit. .
著者: Grantorino
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01:28
Recorded radio signal using software defined radio (sdr) around 450 mhz. The sound is the result of demodulating a larger signal using cw-l mode in gqrx and skipping through the band with the signal. Therefore this sound has no real meaning it's just a part of a larger signal.
著者: Xm
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02:07
A late '90s desktop pc booting. The first few seconds are most eventful. Recorded with a zoom h1n, which was not completely stationary while recording (i was holding a small tripod). Includes pc speaker, fan, diskette drive and lots of hard drive noises.
著者: Freesound
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01:21
Experimenting with a coil pickup microphone on several electronic machines.
著者: Javierzumer
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00:16
An weird data noise is an look like.
著者: Asdfgortazertoat
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00:04
Sound for opening a program. Sound was made on a microkorg s and is a cmaj7 chord. **works well with close_program_a sound effect**.
著者: Beetlemuse
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00:28
A very own r2d2 droid from the classic star wars.
著者: Smokinghotdog
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00:48
An sample sound of the alien data voices!.
著者: Asdfgortazertoat
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02:34
Sound of raw data from a random file, processed with a tracker. Edited with audacity (converted to stereo).
著者: Felfa
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00:03
You can use this sound in any project you want, if you want to support mepatreon (1$) : https://bit. Ly/patreon22.
著者: Eponn
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00:18
Raw import of a non-audio binary file made with audacity in ubuntu studio.
著者: Wjoojoo
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05:01
Recorded from line-in from a 13-year-old boombox tuned to the bottom of the am dial and placed near the computer. You can hear the cd-player starting up, working, stopping, working again. At one point i skip through a track with winamp creating a choppy sound. When the cd player stops you can hear the base computer noise.
著者: Kbclx
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04:00
A huge screenshot of a facebook chat generated into an audio signal.
著者: Oliwoli
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00:23
A sci-fi file transfer sound. Could be used in a game or movie of what ever.
著者: Devern
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32:38
A long string of random corrupted computer noises created by importing different types of files into audacity as raw data.
著者: Yoyodaman
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01:00
Sound of electronic digital interference.
著者: Tosha
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01:00
Sound of electronic digital interference.
著者: Tosha
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01:00
Sound of electronic digital interference.
著者: Tosha
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01:30
A glitch sound made by importing a blender project as raw audio data in audacity. Blender is 3d modelling software if you didn't know. Made with audacity.
著者: Kierham
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00:03
This sound i created in 2019 for one of the projects for the appearance of the text. Sound was created in fl studio.
著者: Sky Motion
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04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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Random high-pitched tones. Created with audiomulch.
著者: Kinoton
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00:42
A radio communication of some sort.
著者: Smokinghotdog
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Add spice to your grooves with some dirty, rhythmic, data noise. 1 bar of 4 beats - recorded dry, for you to add your own delay and other effects. No. 4 in a set of 12.
著者: Nlux
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00:28
A data transmission sound or something recorded from 14664. 8 khz. It's probably a weather transmission.
著者: Nebulousroyale
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00:02
A digital sound effect intended for video game/menu use. Bright, digital windchimes. Will upload the full pack soon.
著者: Newagesoup
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03:31
Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).
著者: Composition: Claudio S. Grafulla; Performance: United States Air National Guard Band of the Southwest, Concert Band; Recording: United States Air Force
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Mobile phone signal is a sample of the data signal of a mobile phone.
著者: Contramundum
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00:10
Controlled sine generator with random values. Software: pro tools / audacity / ocenaudio. Your comments are greatly appreciatedcheers, piotr zaczek.
著者: Blukotek
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Data transfer in cinematic whoosh style. Incrementally sped up version of cc0 sound 17-broken transmission pads - spankmyfilth. Wav by spankmyfilth.
著者: Qubodup
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