1,305 ロイヤリティフリー オーディオトラック の "ノート"

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00:14
Playing some echoing notes on my guitar.
著者: Dtdashdialup
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03:41
Playing with chuck. Playing with the notes b a c hnow i use only one script and alter it during the performance.
著者: Gis Sweden
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04:35
Playing with chuck. Playing with the notes b a c hnow i use only one script and alter it during the performance. Back with sinus. Love sinus.
著者: Gis Sweden
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00:42
A bit of random playing and noises from a small toy accordion for children. No particular notes, just playing around and trying to find interesting textures. Format: flac, stereo, 16 bit, 48 khzrecording device: huawei p10 lite.
著者: Trustyfox
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02:20
Modulating harp sound from mimeophon (using karplus-strong mode). Various effects. O-ctrl provides the sequence gates rhythm etc. Sequence also used with dpo passed through qmmg and qpas for "sub". Rendered @48khz 32-bit fp and marked for all you morphagene fans out there. Enjoy the trip!.
著者: Jim Bretherick
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00:03
Kalimba note.
著者: Panpiper
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00:03
Eliasheunincks musicbox-samplepack, i just cleaned it. Sounds less organic now.
著者: Cmdrobot
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00:04
Recording of my kalimba tuned to c-major (give or take a few cents), striking the lowest possible note. Recorded on a rode nt1-a through a scarlett 2i2 interface. Noise-reduced for clarity.
著者: Foochie Foochie
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00:08
Nine raw and dirty samples of my lovely hokema sansula. Probably used the rode nt5 microphone. Recorded in an untreated room. . Captured straight into ni's maschine. Enjoy!!! ;-).
著者: Cabled Mess
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00:02
Simple recording of the f# string of an 8-string electric guitar. Captured with an rme babyface and cubase 10. 5.
著者: Cabled Mess
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00:17
Writing pencil on paper. Codec- mono- 48 000 hz- bits.
著者: Y Ltr
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00:04
***note: this is not intented to be used for tuning purpouses. ***.
著者: Alex Fullam
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00:18
Electric guitar, heavy gain and some rapid note bending.
著者: Aceinet
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00:33
Trying to be clever with the wah pedal but not really.
著者: Aceinet
00:00
00:11
I've sampled one of my bass patches for zynaddsubfx. Enjoy :).
著者: Unfa
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00:05
Male voice singing note and whispering, recorded with at2020 microphone in audacity.
著者: Philsapphire
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00:06
Playing a note on a toy piano.
著者: Monotraum
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00:26
Crude arpeggio and single note taps of the inner strings of an early-20th-century chas m. Stieff upright piano. This particular model was made in baltimore and spent most of its life in the lobby of the willard intercontinental hotel in d. C. , and the last 30 years in our home in fairfax, virginia. We are dismantling part of the piano to repair, clean, and, unfortunately, sell it. The mechanism for one note is the only problem, and, of course, it needs tuning. Anyone willing to give this a good home?.
著者: Mswolf
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00:19
Little intro made on my phone with one of the guitar apps for android. With drums. 103 bpm(exact 102. 7) if you want to continue with the drums they are cakewalk si-drumkit program "smooth. Prog".
著者: Wmquincy
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00:16
This is a note played on my guitar and slowed down a ton. . . With some added filtration. . . Works very interestingly as a pad sound.
著者: Deleted User
00:00
02:30
Half-assed multisampling of highly damaged toy piano in my grandmother's attic. One strike of each key, then some random hits and glissandos. Recorded with a sony pcm-d50.
著者: Slumbermonkey
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00:04
Loop of short noisy bitcrushed bass notes at 125 beats per minute. Created from an existing freesound sample using a software sampler.
著者: Wouter
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00:03
For game development. Check my profile page for more information.
著者: Leszek Szary
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00:03
For game development. Check my profile page for more information.
著者: Leszek Szary
00:00
00:03
For game development. Check my profile page for more information.
著者: Leszek Szary
00:00
00:03
For game development. Check my profile page for more information.
著者: Leszek Szary
00:00
00:03
For game development. Check my profile page for more information.
著者: Leszek Szary
00:00
00:03
For game development. Check my profile page for more information.
著者: Leszek Szary
00:00
00:03
For game development. Check my profile page for more information.
著者: Leszek Szary
00:00
00:03
For game development. Check my profile page for more information.
著者: Leszek Szary
00:00
02:42
Female humming the notes c, d and a (for alexggqs). First dry sound, then with some eq, compressor and reverb.
著者: Drotzruhn
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00:05
Piano 3 notes c6-c7-c8, stereo, compress, 2 eq, chorus, modulation, reverb.
著者: Gmortizwavs
00:00
04:30
Playing with chuck. Playing with the notes b a c h.
著者: Gis Sweden
00:00
00:14
Some say 528hz and 741hz is a devil interval, and you can get hurt or even been dead by listening to one. Some don't give a crap what others are saying. So take it on your own risk. God bless!.
著者: Leaving
00:00
01:12
A looping note / drone sound.
著者: Oliwoli
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00:47
At the normal pitch of the 17 inch drum, i play several single notes. Feel free to use some sampling or anything!. Recorded with a sm58 in a sound-treated room.
著者: Wolfdoctor
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00:28
Eu escrevendo.
著者: Lemonadexpert
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00:34
Recorded with fl studio 10.
著者: Younoise
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01:18
Moving notes back and forth, some harmonics and messy notes to keep you guessing, clean tones.
著者: Aceinet
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00:05
I thought that i would record some slide playing on my acoustic guitar, and then cut the entire thing down to make up some licks and notes that people can use. I have used noise reduction, because there was some noise.
著者: Marvman
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00:08
Hit with another glass. Long decay time. Quite nice for sampling. 400 hz ≙ ~g4. Recorder/mic: zoom h4n pro (stereo x-y)processing: denoiser.
著者: Kinoton
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00:01
Single note from fetty wap 679 mainly for jokes.
著者: Pngn
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00:04
Container park_5_pianoone. Wav.
著者: Tusic
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00:07
Single long note, for suspense or drama opening of a movie/trailer/title. Made with vst.
著者: Xkeril
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00:10
I recorded this little sample for youtube purposes and you can use it for anything you want! i just recerded a few notes, don't even ask for permissions etc. . ! just use it, if you think it's pleasant or usefull ;)to record it i used a samson c03 usb condenser mic.
著者: Soundsfromtheholeofmymind
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00:10
Simple recording of the low b string of a 5-string electric bass guitar. Captured with an rme babyface and cubase 10. 5.
著者: Cabled Mess
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01:26
It sure sounds like something you’ve heard a million times before but from what exactly? something classical, maybe something modern? could probably be chopped up into smaller segments.
著者: Aceinet
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00:03
88 piano keys, long natural reverb: up to 13 seconds per note. This is me giving back. I love freesound. You guys saved my bacon back in the day. Recently i searched for free piano notes for a game i'm making, but the only ones i could find ended too quickly. I need long reverb! luckily i have an old piano, so i made my own. So this is me giving back. This is an old piano!!!. We had the piano tuned a year ago, but it is well over 60 years old, so be warned! these notes have character! if you want perfect tone, either edit them individually, generate something artificially, or buy a professional set. But if you want a piano with personality, this is for you. Being an old piano, it only has 85 keys. So i created the highest 3 notes by speeding up previous notes, to make the modern standard 88 keys. How the notes were created. The notes are created on an old (well over 50 years) steinhoff upright piano. It only has 85 keys, so i faked the highest 3 keys by taking previous keys and changing their pitch. I opened the top, balanced my trusty everesta bm-800 condenser microphone across the top near the high note end, and held down the "loud" pedal. Each note was then hit and kept pressed down until i could no longer hear any reverb. Notes were saved as mp3 using my laptop, using free sound recorder on the highest quality settings. Yeah, i know it isn't flac, but i am strictly amateur with budget to match, and that was the best i could do. After that, all editing was of course uncomopressed until the final save. How the notes were edited. Editing was kept to a minimum, mainly to enhance the reverberation. All editing took place on audacity on linux mint. First i cropped any silence from the start. Next, used the envelope function to gradually increae volume to 200% over a couple of seconds. That is, the quietest part of the reverb is twice as loud as you might expect. Because for my game i sometimes need a single piano key to last ten seconds. Next i maximised the volume. If there was just a single stray waveform that stuck out then i reduced that by 2db or so then maximised again. Because like i said, i want to hear that reverb! i then found the part where background noise starts to be noticeable, and faded out over 1 second or so. This meant that the lowest notes had as much as 13 seconds of reverb, whereas the highest notes might only have 2 or so. Finally i checked the result, and edited three or four notes that i felt were just too ugly (badly tuned, or for some reason the software suddenly got hissy when the note became too quiet. Weird. ) i also slightly changed the pitch of a couple of notes that were slightly out of tune but otherwise ok. No doubt a better ear than mine could teak all of the notes. But as i said, it's an old piano and we're keeping it real. Finally, files were compressed to ogg at the highest quality setting, using soundkonverter. Why not flac?. I live in the countryside with very slow broadband, so i apologise for including more of the original files. But as it was, uploading this zip file took about an hour. Enjoy. Legal. Use this for anything you want, commercial or not, credit me or not. Consider it public domain. My main concern is that i had completely legal sound for my game, with nice long reverb and character. Uploading it here provides proof that i created it first, just in case anybody comes back and says "those are mine" (it happens).
著者: Tedagame
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00:51
A seven note scale (c c# d# f f# g# a#) over separate octaves. Some notes repeat in the same octave, but are slightly different samples. Each note starts on the grid of 100bpm. Recorded the samples a few years ago. From memory the original sounds are sections of acoustic guitar notes, manipulated, pitched and fx added.
著者: Mooncubedesign
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00:04
Wine glass, tuned with water, being hit with an improvised percussion stick made from chopstick and a piece of plastic. Recorded with olympus ls-10 (no zoom) in a small reverberating bathroom, edited in audacity. The whole pack intended to be used as a virtual instrument. Note c#4 (root note c5, 440hz).
著者: Spectral
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