1,145 ロイヤリティフリー オーディオトラック の "バスドラム"

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Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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Bass drum though boss bd-2 blues driver. 145. 8bpm.
著者: Gis Sweden
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A short, basic bass drum/kick sound. Made in audacity.
著者: Ollieollie
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Industrial kick made by combining four heavily processed samples of household items.
著者: Tieswijnen
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A distorted kick build-up. Created in reaper with xfer serum.
著者: Newagesoup
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A simple kick/bass drum sound with a deep, sub-bass hum and a short infrasonic punch right at the onset (around 18hz), inspired by, and somewhat reminiscent of, the sounds of hip-hop/trap music. Made using audacity.
著者: Ollieollie
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Custom synthesized heavy dance kick 1 with little high end. License: cc 0. .
著者: Stereo Surgeon
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These are samples from the new korg electribe emx2 music production station not the best recording quality but some nice sounds anyway the weird naming is due to the autoslice function in renoise wich i used to separate the samples from a one shot recording.
著者: Soneproject
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A kick i made for my contribution to this: https://soundcloud. Com/disco-house-ensemble/corpse-exquisite-ii.
著者: Saltbearer
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Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).
著者: Composition: Claudio S. Grafulla; Performance: United States Air National Guard Band of the Southwest, Concert Band; Recording: United States Air Force
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Drum: pearl sensitone steel 14" x 5. 5". Head: genera dry. Mic configuration: mono room, two overheads [spaced pair], batter head, reso head. I did basic eq cuts and boosts with some compression. No limiting used. Each articulation was carefully played and gain adjusted to seem as natural as possible. My goal was to also create a multi sampled snare drum that could be drag and dropped into a sampler with ease. Articulations: x-soft, soft, medium, hard, and crack. ***i will post a link to the complete multisample pack for all to download soon.
著者: Yellowtree
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Der Tag bricht an und zeiget sich; Evang. Gesangbuch 438; Wach auf, wach auf, ’s ist hohe Zeit; Evang. Gesangbuch 244
著者: Melodie: Melchior Vulpius 1609; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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06. 22. 16: a punch created from the sound of a leather glove being whipped, processed alongside a thickly-layered kick drum.
著者: Newagesoup
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Piano lid gently taps as it is opened and rests against the upper front board. Organic reverberations can also faintly be heard from the detuned strings. Possibly could be used for something interesting, it has a wooden bass drum sound. 100+ year old upright piano, microphone placed directly inside. (sample 1 of 4).
著者: Werra
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06. 22. 16: a punch created from the sound of a leather glove being whipped, processed alongside a thickly-layered kick drum.
著者: Newagesoup
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It's this sound:http://www. Freesound. Org/people/unfa/sounds/217455/. . . . Pitched down with audacity and truncated. I also made a fade-in and fade-out to ensure no clicks will occur. The preview doesn't sound right (artifacts, distortion), download it to hear the real thing. Also - it's very low frequecy, so use headphones or a woofer, or you might miss it :).
著者: Unfa
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06. 22. 16: a punch created from the sound of a leather glove being whipped, processed alongside a thickly-layered kick drum.
著者: Newagesoup
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I'm Just Wild About Harry song (instrumental version). 78 RPM vertical cut photograph. Noise removed. Some equalization and compression to adjust for "tinny" sound. Some mild adjustments to even out the volume. Українська: «Я просто божеволіє від Гаррі», написана Юбі Блейком і на слова Нобла Сіссла, виконана в 1922 році.
著者: Eubie Blake, composer (with Sissle, Noble, lyrics), performance conducted by Vincent Lopez, published by Edison
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22" pacific kick drum. This sample has been reworked a countless number of times until i could get the most balls out of it. Great for many styles of music, maybe some slight eqing to get it in your mix.
著者: Yellowtree
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Ethnic/drum loop made in fl studio. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2020.
著者: Danlucaz
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Stephen Foster's music to "We Are Coming, Father Abraham", played by the United States Marine Band. Performed February 16, 2009 at The Music Center at Strathmore. Col. Michael J. Colburn, conducting; Gy.Sgt. Kevin Bennear, baritone.
著者: Untitled
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Short sound effects made with minikorg 700s + kenton midi to cv converter.
著者: Hast
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著者: John McCormack
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著者: John McCormack
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Manipulated recording of the back of headphones being rubbed together.
著者: Ismailmasha
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Fork being scraped around in a trash can.
著者: Evanmack
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Students talking between classes, near microphone.
著者: Claudiooliveira
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Glass bottle shattering.
著者: Sgarrison
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Recording of a phone screen being flicked.
著者: Ismailmasha
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Struck the back side of a metal tablespoon with another spoon, and let it ring.
著者: Bcimmet
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Tapping of hand on plastic sheet film. Recorded with mono microphone and ensemble. No post processing.
著者: Amrita
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A slowed down hit on a trash can with added reverb.
著者: Evanmack
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Telephone 70s circle dial dialing recorded using a sennheiser wireless dynamic ew135g2 microphone through a yamaha dm1000 digital console with cubase software.
著者: Yakkall
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