1,336 ロイヤリティフリー オーディオトラック の "フィルター"

Another beat. . . Made with my modular synth. But a beat is a beat. . . Or something. . .

Recording of fish tank water (filtered) spilling into the tank. Recorded with tascam dr-05.

It's sooo hot in sweden right now! 30 c where i live. Luckey me having a cool modular synth. All previous records are gone. This is the hottest may since 1850-ish.

Heavily processed vst synth sounds using various phasers, reverbs and filters.

Check out other sounds on my website: https://jakeeaton. Bandcamp. Com/.

Harp sample filtered 700-1200 hz.

A simple but effective white noise sweep up created using a white noise signal, using automation to change a simple filter and colour to the sound to create a sweep effect.

Sample and hold + vcf and manual filter sweeps.

Leftovers from reducing noise on a lavalier mic recording.

Filtered kicks.

A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.

The same sound thru two filters. No editing. 100% dry.

Sinus wave connected to the filter cv1 in sweeps sound from mfb osc-03some reverb from ladik d-330(i have modified my wasp filter to achieve more self resonance. ).

A bunch of various filtersweeps i created in adobe audition by generating whitenoise and using the filtersweep plugin. Useful for creating build-ups.

Strumming a guitar with lo-fi processing.

Sounds that were created during a mixing session. I cut out my favorite samples.

Reverb with a couple cool synth tones bleeding through.

Noise clap.

fluctuating random voltages patch example from doepfer. De/a100_man/a100_patch. Htmi made the patch in vcv-rack. The patch is meant to emulate the "fluctuating random voltages" of the buchla 266 source of uncertainty module. In this patch i use the "fluctuating random voltages" to modulate a filter. The filter is filtering a square wave tuned to a c (or close to a c).

This is random noise with low pass filter applied.

Spitty moogsub37 recording.

Defender air filter white noise.

Yep, analog filters. . . Everything is analog!no, wait the reverb is digital. And this recording. But the noise that reaches your ears is analog. My little modular synth is playing a patch just for you. Or world is a big ad/da converter!!!. I failed at the fade out. . . Sorry for that.

Heavily processed vst synth sounds using various phasers, reverbs and filters.

Cptnal's comment on muffwiggler was an big aha moment. He wrote "you could patch the output of one s&h into the input of the next and get yourself a 12-step shift register. " well i don't have 12 s/h. I have 10. . . I would need a lot of sequenced gates to build that shift register. . . In this patch i use 4 s/h. (s/h or s&h is sample and hold. ).

I was trying to make some fx you can hear in enigma’s tracks (for example ‘the eyes of truth’). Made with audition. P. S. Maybe it’d be a better sound if you listen to a downloaded file.

Thick, juicy kick drum sample with its highs taken out.

My roland jupiter 4 with resonance cranked up and filter modulated with lfo by a very low rate. The deep basses at the end of each sweet may be great for deep dub-basses. The sweep sounds great with effects and when gated. Have fun. . .

A simple square wave, done with chirp generator in audacity. Starts at 200hz then slides until 30hz. Bass booster and phaser added. Then enveloppe manualy modified (enveloppe tool) + fade out processing for the end of the tail. Then normalized.

This is a sound for videogame. I love notch filters, so, in order to keep the sound less raw and simple, i put some filter modulation and a bit of reverb.

This is a sound for videogame. In this sound, i used a low-pass filter instead of notch like the previous sound. That sound haves a slow lfo and reverb too.

I start with a standard reese, next i add a low-pass filter with some attack and a high resonance. Good for drum&bass tracks.

Another sound for videogame. I put some delay too in this version, and same lfo but now with a notch filter again. Second delay is low-passed.

Same as allydmg but bit crushed.

Little melody with one synthesizer and effect.

This time a more abstract sound clip which in that case was prerecorded (bell 1) altered to the extend and used from mono back to eight channel ending up l+r. Although its abstract atmosphere the modular effects rings on a specific structure using 20th century harmony "rules" and of course tempo. Enjoy!.

A simple filter sweep i created using white noise wave and a filter to create the sweep.

Hard deep bassy crackle soundeffect made with ni metaphysical function.

Mixing using rxmx and fxdf from makenoise quite an interesting background. Rendered in reaper @48khz 32 bit fp for morphagene fans. Enjoy!.

This caught my attention as an unfamiliar sound, and i actually had to investigate to learn what it was. It was the raindrops hitting some styrofoam bodyboards near a swimming pool, which at times sounded almost more like a hollow "pop" than a "drip. ". In the background one can hear thunder, rain, and the humming of a pool filtration system. Recorded with an iphone 7.

Anton Günther Gesang und Gitarre: "S ist Feierobnd" in erzgebirgisch

Morceau d'improvisation à la guitare électrique par Arthur P. (11 ans et quelques) pour l'émission Culture(s) Numérique(s) numéro 11 (juin 2019) sur Radio Pluriel. Publié ici avec son accord.

Testing/documenting my bartonmusicalcircuits (bmc21) full wave dual rectifier. "this is an all analog synthesizer module used to alter the timbre and create new harmonic content. " using the fact that it's a dual. 2 sinus waves through both of the rectifiers, through a filter and a little spring reverb.

Playing with lfos. 2 lfos are controlling the amplitude of the sample and hold generated blips. . . :-).

- reading audio file(stereo sound)-the audio is played with the sharpen function diskin; at a speed 5 times greater;-noise filtered for 8 seconds; in which the butterbp filter is applied so that it can be heard more in one channel on another: in this case, more is heard on the right. During the first 8 seconds you hear the filtered noise with the audio at higher speed. During the next 7 seconds the wav audio is heard only on the right channel and the last 15 seconds the wav audio is heard. For the left channel.

Heavily processed vst synth sound using various filters, reverbs and phasers.

Percussion sample band filtered remix.

Percussion sample filtered with long resonance.

This might be usefull for a brake;).

This loop was accidentally created when some input cables were connected wrong. It reminded me of something the crystal method could have created.