1,336 ロイヤリティフリー オーディオトラック の "フィルター"

00:00
01:01
Sound created from using the rings of saturn as a spectral source to a series of filters. When a 1 pixel high image of the rings is extracted it looks like a spectrogram (original: https://en. Wikipedia. Org/wiki/file:saturn%27s_rings_dark_side_mosaic. Jpg). The ring spectrogram was divided into three color planes, and the color intensity values were transformed into resonant filter cutoff frequencies. In essence one filter unit (per color plane) has 256 sounds playing simultaneously. The individual filters are placed along the x-axis so, that the stereo image consists of 256 steps from left to right. In this sound of the series the spectrum was compressed to a range of 20 - 1000 hz. A small variation in certain divider factor per color plane is introduced for a slight chorus like effect.
著者: Sarana
00:00
00:31
While outputting a file of sound effects, i ended up with a severely corrupted file. Playback results include incessant shrieking and slight pitch alterations. To create more variety, i used a lowpass filter and long reverb.
著者: Newagesoup
00:00
00:01
From my personal library, a packet of kick samples processed with tube input and triton extreme filters. All samples are normalized to 0 db and ready to use.
著者: Akustika
00:00
07:35
I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency low. That’s why there is a low humming wind noise between the “tops”. The output sound from filter goes to reverb. The sound is more a study of sloth behavior than an attempt to create a great wind sound.
著者: Gis Sweden
00:00
00:08
A digital imaginary bubble.
著者: Jrcard
00:00
01:04
808 + korg m3 + arturia minibrute.
著者: Doctor Dreamchip
00:00
00:02
This sound is part of a series and was originally a recorded finger snap. Recording gear:- 2 x behringer c2 small diaphragm condenser microphones with cardioid polar pattern- focusrite scarlett 2i4 audio interfacesoftware:- sound forge pro.
著者: Porphyr
00:00
00:07
A bass a made using the monophonic synth in logic x. My soundclouds:https://soundcloud. Com/theberrihttps://soundcloud. Com/rebir.
著者: Wonki B
00:00
00:59
Experimental sound.
著者: Preester
00:00
00:46
A loop. A dirty loop colored by dirt. This time edited i audacity. . . Compressor and limiter.
著者: Gis Sweden
00:00
01:21
Nice trick working with doepfer a-101-1 vactrol vcf. Noise to lp in. Gate to cvf in 1 out straight to mixer. Low frequency. High emph. Lp 0, bp about 5 and hp 0. Added a bass and my sampled voice. . .
著者: Gis Sweden
00:00
01:35
Synthesizer sound with very slow attack.
著者: Nesualc
00:00
04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
00:00
00:16
Heavily processed vst synth sounds using various filters and reverbs.
著者: Schmaddio
00:00
02:20
A sample i made years ago. Pitched way down to create a seamless loop of ambience with two automated notch filters and an automated bandpass filter on flstudio's pmeq2. If required, i can process this sound again with different filters for those who request it. This is not the fully opened sound. Hope you enjoy ^_^~byngsies.
著者: Karma Ron
00:00
01:14
Just a little bit o work i decided i decided i'd share tonight. Use as desired freely.
著者: Jetsmith
00:00
02:33
Or some acid sounds… and drone. All in oneused filters are> doepfer a-124 special edition, the wasp filter> uoki-toki polivoks vcf> intellijel μvcfdidnt plan to upload this to freesound, but read this. Okay filter freaks. . . The frequency analysis reveals a peak around 20khz. Through all of the track? almost. What is that? (when i converted the file to mp3 the peak disappears. . . ) one clue could be that i use the filter as vcas too?i have applied normalisation, compression and limiter in audacity. A "documentary" at https://www. Youtube. Com/watch?v=wtzfkg3mxcgin the film i use the mp3-file.
著者: Gis Sweden
00:00
00:36
A cryptic message from outerspace.
著者: Breviceps
00:00
00:05
A snippet of a jam session.
著者: Adh
00:00
03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
00:00
00:29
Heavily processed vst synth sounds using various filters, distortion, phasers and reverbs.
著者: Schmaddio
00:00
01:22
That's the security instructions you get when you enter the greyhound bus from new york to montrealrecorded 16bit 44,100 with h4n.
著者: Dronic
00:00
00:05
Cliche space-like sound, made by accident :).
著者: Slag
00:00
00:07
Created using lmms and the zynaddsubfx plugin with loads of automation on the filters.
著者: Mikobuntu
00:00
00:44
This sound was created using "the legend" synthesizerbpm: 134key: a minorcheck it out: https://presetshare. Com/preset/view?id=1710.
著者: Johnnie Holiday
00:00
00:08
A re-edit of this::. Https://freesound. Org/s/145592/. Filtered it a few times and added a few reverbs. All done in cool edit. . . I mean adobe audition.
著者: Drestortion
00:00
01:08
Electric guitar with a gliding time stretch.
著者: Zuben
00:00
04:51
I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 17 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor. For this record, i've deleted the major part of the notes. Some new settings of the echo filter, are applied.
著者: The Odds
00:00
04:07
This was a pretty hard work. I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 15 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor.
著者: The Odds
00:00
00:02
Doepfer a-118 white noise through an a-108 vcf8 using the band-pass out. Audio level: 4. 5emphasis/resonance: 9frequency: around 12khz. Recorded using a rme babyface and cubase 6. 5. I tried to cut seemless loops. It's always nice to hear what projects you use these sounds for. Let me know. ;-).
著者: Cabled Mess
00:00
00:01
Original sound captured using a zoom h5 recorder and a rode nt5 microphone. Cut and reversed in ocenaudio. Timestretching and filtering (pro-filter, talk wah) applied using reaper. It started here:http://freesound. Org/people/cabled_mess/sounds/352069/http://freesound. Org/people/cabled_mess/sounds/360734/. It's always nice to hear what projects you use these sounds for. Let me know. One more thing. Maybe check out my links, perhaps you'll find something you like. :o).
著者: Cabled Mess
00:00
00:13
A recording of my mini-fridge that i split into two components - the hum (this) and the evaporator thing that makes all the drippy sounds. I separated them so people can change the volume of each element, since i noticed with my fridge that you can only really hear the hum if you're really close, but hear the drippy sounds from quite a distance away, even if they're really quiet. Recorded with a zoom h4n pro, used rx7 to separate the elements. As always, i've got the un-modified loop in my "raw recordings" pack.
著者: Walllable
00:00
01:50
I filtered the flowing of the river and made it sound like a distant rumble like the storm is coming.
著者: Brainclaim
00:00
00:01
A very hard hitting sub kick drum. A filtered heavily compressed 808 that's been dropped half and octave.
著者: Noirpantalon
00:00
03:31
Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).
著者: Composition: Claudio S. Grafulla; Performance: United States Air National Guard Band of the Southwest, Concert Band; Recording: United States Air Force
00:00
00:60
Bubbly sounds from modular synth :-).
著者: Gis Sweden
00:00
03:08
I have created this bass out of my voice, it is pretty rough for ears if you have got a good headphones or repro. I had to widen it and make it sound more dynamically. Enjoy!.
著者: Brainclaim
00:00
01:26
Sounds generated by assigning the "wave out" or "line out" signal of the soundcard to a track in fl, and turnin it up. This acts as a digital delay effect with infinite feedback and a very high cycle rate. Basically the noise (similar to pink noise) is produced by the soundcard and the resonance is produced by the low pass filter and the convolution reverb mapping of the waldassen cathedral.
著者: Sim
00:00
00:17
This is a processed waveform of an engine. I made it with fruity loops granulizer. Enjoy :).
著者: Mikesh
00:00
00:08
A beat with filter and fx.
著者: Drriquet
00:00
00:05
Gently dipping below water. Filter added at the end. Foley.
著者: Adviseme
00:00
00:05
Gently dipping below water, a bit fuller than the first one. Filter added at the end. Foley.
著者: Adviseme
00:00
02:50
Crickets recorded at night, in my garden, in summer. Recorded with a tascam dr-05. The sound was post-processed with audacity to remove the background noise (it was a stormy weather). If you want the raw sound without post-process, find "crickets at night - raw sound". I recorded this sound intended to use it in the video game i'm currently developing : the elven decline.
著者: Defelozedd
00:00
00:14
Sfx conversion edited: adobe + fxs + mastered.
著者: Szegvari
00:00
00:06
Glitch sfx #1. Modify/use however you want. I made this by playing a couple sine waves on different notes, then i added a fruity waveshaper to add harmonics whenever one of the sine waves clips, then filtered out the original sine waves, leaving you with the distorted harmonics you have here. Made with fl studio 12, massive, waveshaper, and edison. If you use this in anything, please put it in the comments, me and other people may want to check it out!.
著者: Ianstargem
00:00
01:13
Der Tag bricht an und zeiget sich; Evang. Gesangbuch 438; Wach auf, wach auf, ’s ist hohe Zeit; Evang. Gesangbuch 244
著者: Melodie: Melchior Vulpius 1609; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
00:00
01:01
More creepy sounds! now in uncompressed. Wav form.
著者: Burning Mir
00:00
00:19
Synthetically made sound with reverbs and filtered. Enjoy!.
著者: Brainclaim
301 - 350 の 1,336 から次のページ
/ 27