1,103 ロイヤリティフリー オーディオトラック の "ブラジル"

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07:40
Recorded with zoom h4n xy. Field recording from brazilian countryside.
著者: Zecraum
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00:45
Sounds from 3 continents: south american brazilian pandeiro (downloaded here from user plotzki), mixed with asian afghani rubab and african talking drum, both used from garageband's loop library.
著者: Belamalta
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03:28
Plantation on rural land, without any machine sounds. Mono sound, registered with microphone sennheiser me66 on boompole and recorder tascam hd-p2. Brazil, october, 2013.
著者: Jmbphilmes
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07:23
A small woodpecker in the morning in the forest close to tauary (part of the flona of tefé). Microphones ab setup 2x b&k; 4006recorder sound devices 633sound ref: br-170909t02gps: 3º38'20''s 64º56'59''owave, 96khz, 24bit. More sounds on http://www. Felixblume. Com/.
著者: Felix
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01:43
We were staying at an eco hostel outside of foz do iguaçu in southern brazil, and i had a moment to go over to the edge of the forest and record the sounds of the animals on my phone. You can hear a faint wind overhead. It was a peaceful afternoon.
著者: Tvilgiat
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02:27
Owl at night. Interior of minas gerais, brazil. Recorded by a ms setup schoeps ccm41+ccm8in a cinela windscreen pianissimoon a mixpre-6 – sound devices recorderoriginal recording in wave 48k 24bit.
著者: Saralana
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06:17
You may use this file alone, in a stereo track, or with the mono file with the same name in this package, making a lcr track.
著者: Cristiano Scherer
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00:58
The sabiá-laranjeira (turdus rufiventris) is a common bird in south america and the best known of all thrushes, identified by the color of rust on the belly and by its melodious song during the reproductive period and popularly considered national bird of brazil.
著者: Flavia
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03:35
Recorded with roland r05 - noisy street in tatuape, sao paulo, brazil.
著者: Droeee
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03:05
People talking in the sidewalks of a crowded brazilian restaurant. Mostly chatter.
著者: Castleguard
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02:05
Accordion player on a sidewalk of the japanese quarter liberdade, sao paulo, brazil. He plays and sings a popular tune of the interior region of north-eastern brazil, the so-called sertão, using a sound system with a strong echo effect. In the background one can hear the traffic sound of a big city, pedestrians walking by and talking.
著者: Reinsamba
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02:26
Factory machine 02: mono sound, registered with microphone sennheiser me66 and recorder tascam hd-p2. Brazil, june, 2013. Useful like fx or background.
著者: Jmbphilmes
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00:20
The context of this audio is as follows: the brazilian youtuber gabs was playing a game made in the rpg maker and in the game he had the option of "sleeping alone" or "sleeping with his mother" after he chose to sleep with his mother shortly after an audio of moan is reproduced wanting to imply an incest after what happened the youtuber is totally disgusted and surprised. And gives rise to this audio.
著者: Wesleyextreme Gamer
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00:11
Iron wheels from a noisy library cart. Recorded under permission at the divisao de biblioteca e documentação do conjunto das químicas from university of sao paulo, brazil.
著者: Eudes
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00:07
Iron wheels from a noisy library cart. Recorded under permission at the divisao de biblioteca e documentação do conjunto das químicas from university of sao paulo, brazil.
著者: Eudes
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78:43
Holy easter procession in araçuaí-brazil. Recorded with zoom h4n xy. Procissão da semana santa em araçuaí-brasil, com canto da verônica. Gravado com zoom h4n xy.
著者: Zecraum
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04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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05:54
Walla recorded in medium sized church. Language indefinite most of the time. Catholic church of the nineteenth century in são luiz, maranhão, brazil. Stereo xy 120º recorded with built-in zoom h4n mics.
著者: Jmbphilmes
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03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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03:06
Atmosphere with crickets and dogs at night. Rural land, without any machine sounds. Mono sound, registered with microphone sennheiser me66 on boompole and recorder tascam hd-p2. Brazil, october, 2013.
著者: Jmbphilmes
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00:33
Drumjam latin surround.
著者: Szegvari
00:00
18:43
This is my first recording using my binaural mic. I took a walk to meet my wife for lunch and decided to record it. It was windy outside, and even with the standard foam wind protection, you can still hear some wind rumble. It might be fixed using some low cut filtering but i wanted to post it as is. This take started inside my recording studio and ended in a fairly large avenue with lots of traffic (cars and motorcycles). There is a pause on the recording by 01:59, when i had to change the mic cable position. Signal chain: roland cs-10em (with foam windscreen) > sony pcm-m10 (rec level: manual, at about 3,5; mic sensitivity: low; limiter: off; low cut filter: disabled).
著者: Sonoplastico
00:00
03:31
Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).
著者: Composition: Claudio S. Grafulla; Performance: United States Air National Guard Band of the Southwest, Concert Band; Recording: United States Air Force
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12:19
A walk through a street market in são paulo - brazil (feira). Recorded with a zoom h4n. Stereo - 48khz - mp3 320 kbps.
著者: Amoyssiadis
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01:13
Der Tag bricht an und zeiget sich; Evang. Gesangbuch 438; Wach auf, wach auf, ’s ist hohe Zeit; Evang. Gesangbuch 244
著者: Melodie: Melchior Vulpius 1609; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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01:24
This is the soundscape i've recorded in my neighboorhood of cidade tiradentes, a district from são paulo, brazil. We name these events as pancadão (big punch) or fluxo (flow). When a flow occurs, you know that the sound is very high and it invades all surroundings. It happened in april 4, 2021, during our worst period in the the global covid-19 pandemic. Plent of people, vehicles, multiple speakers and so on in a street. I'm writing in the exact moment police came to repress, but in my conclusion only education can solve city problems, not repression, not paliative atitudes. I think this is interesting to share it here, as a cultural manifestation, showing that when the state fails, everyone fails. This is disrespectful at all, but i try to look it as a construction of city. In a country where its president goes for a for a swim at a crowded beach amid 200 thousand pandemic deaths, how can i criticize suburban people?. I'm not conservative, i like the kind of music playing known as"brazilian funk" or "funk carioca", this is our culture, even if i do not participate actively. Plot twist: i was working in a asmr video. *-*. Recorded in mp3 320 kbps, using a zoom h1n and compressed in ableton live to bring on the dynamics.
著者: Kelvincristi
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02:43
Ambience from 5th floor balcony, sao paulo capital city (consolacao neighborhood) with foundation pile driver machine on background at augusta street building site, downtown, traffic, urban, cars and buses passing, construction, horns, pedestrians, walla. Recorded in november 2012 with zoom h1 stereo internal mics and edited with audacity.
著者: Anapb
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03:54
I'm Just Wild About Harry song (instrumental version). 78 RPM vertical cut photograph. Noise removed. Some equalization and compression to adjust for "tinny" sound. Some mild adjustments to even out the volume. Українська: «Я просто божеволіє від Гаррі», написана Юбі Блейком і на слова Нобла Сіссла, виконана в 1922 році.
著者: Eubie Blake, composer (with Sissle, Noble, lyrics), performance conducted by Vincent Lopez, published by Edison
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04:08
Stephen Foster's music to "We Are Coming, Father Abraham", played by the United States Marine Band. Performed February 16, 2009 at The Music Center at Strathmore. Col. Michael J. Colburn, conducting; Gy.Sgt. Kevin Bennear, baritone.
著者: Untitled
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00:03
Short sound effects made with minikorg 700s + kenton midi to cv converter.
著者: Hast
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02:43
著者: John McCormack
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02:44
著者: John McCormack
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00:03
Manipulated recording of the back of headphones being rubbed together.
著者: Ismailmasha
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00:03
Glass bottle shattering.
著者: Sgarrison
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00:02
Recording of a phone screen being flicked.
著者: Ismailmasha
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00:02
Fork being scraped around in a trash can.
著者: Evanmack
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02:01
Students talking between classes, near microphone.
著者: Claudiooliveira
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00:13
Telephone 70s circle dial dialing recorded using a sennheiser wireless dynamic ew135g2 microphone through a yamaha dm1000 digital console with cubase software.
著者: Yakkall
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00:02
Struck the back side of a metal tablespoon with another spoon, and let it ring.
著者: Bcimmet
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00:23
Tapping of hand on plastic sheet film. Recorded with mono microphone and ensemble. No post processing.
著者: Amrita
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00:03
A slowed down hit on a trash can with added reverb.
著者: Evanmack
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01:32
Standing on a platform for the s-bahn (overground) train in berlin. Train approaches, stops, small people get on board. Tannoy makes announcement and train leaves.
著者: Skjor
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00:09
First recording with the sound devices mix pre 6with my oldschool vintage philips 50's microphonefrom the rommelmarkt ! just being nice to thelittle device. . . Recording: 18 november 2020. 11 dec 2020, late at nighta+josé.
著者: Antwerpsounddesign
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00:21
Two sustained voice samples i subsequently pitch shifted and layered for an ambient work (to achieve an 80's choir pad effect). The key is almost in middle c, but slightly off. . . Because i can't sing. The second, lower voice sample was recorded extremely close to the mic to achieve clipping; i wanted to get a buzzy, boomy sound out of it.
著者: Housedj
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00:40
This is the sound of my nails slowly scraping the plastic back of a chair.
著者: Maryamseraji
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00:30
Light rain drizzle, recorded from basement window. M-s recorded with neumann rsm191 (decoded while recording)16bit 48khzisrael.
著者: Gadiraz
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