1,266 ロイヤリティフリー オーディオトラック の "マイクロフォン"

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Recording of a contact mic hooked up to a tv aerial on the roof of my house during a gusty evening.
著者: Samueljustice
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02:01
A small square tin can, elastic rubber band and a bicycle spoke. Contact mic. Exploring how sound resonates 'trough' the object instead 'reflecting off' the object. -alexander.
著者: Antwerpsounddesign
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Originally made for the disquiet junto project 0433: "kit bits: create a kit’s worth of percussion samples. ". I used 1. Recordings with a telephone coil microphone recording sounds from an external blu ray drive and a smartphone (telephone coil recorded via behringer xenyx q1202 usb mixer, line-in) and 2. Random recordings from a soma ether device (recorded with zoom h1n, line-in). In these recordings i picked up those areas which i though to be useful for a drum kit, just as i would do it for myself. This track contains all samples in no special order in one file. All samples my own, released into cc0 public domain. Would be nice to hear if someone does something with it. August 2020, 44,1 khz, 16 bit, flac.
著者: Krakenkraft
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Opening a sliding glass door traffic sounds for 10 seconds sliding door closed and latching it.
著者: Hanulskygirl
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00:09
Recorded audio of a pencil writing on paper. Used the snowball mic on the lenovo laptop.
著者: Untitled
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Buzzing noise, which can be heard on recordings that i recorded with my headphones' microphone (i haven't uploaded or even saved any except this one). This is edited to be a loop.
著者: Krokulator
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00:19
Recorded stereo xy mic configuration with two akg ck93 capsule mic with zoom h6.
著者: Gokalp Gonen
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Needle scratch, also used as mic rustling.
著者: Daav
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00:23
Sound of opening the inner lid of new elite coffee. It consists of a clearly audible part, and a quiet part - opening the remaining paper. This is not a sound you can record often, because you can open coffee only once!. Sound was recorded with a mic "sony" (an inexpensive one). It was edited a bit, to cut unwanted mic-touch sounds. The packaging of coffee says, "elite platinum, 100% natural freeze dried instant coffee, 100 g".
著者: Kostas
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00:21
My pc chair squeaking that i used in an intro for my next ep. Recorded using a playstation 2 usb headset microphone into audacity.
著者: Trogdor
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00:14
Why does everything i upload sound like people screaming and/or chainsaws!?. Sound source is a contact mic producing feedback into various fx. The main fx used for the clip are a sirkut electronics gnarler, boss metal zone, dod grunge, and finally, a danelectro french fries auto wah. Recorded direct-to-sound card as usual. This is a sample taken from a longer piece.
著者: The Semen Incident
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00:09
This track is a mic recording of me taking a whiskey drink from a glass filled with ice cubes, just for fun. . . . .
著者: Bjohan
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It is what it is!!!.
著者: Bjohan
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Just some singing i did. I know im not the best.
著者: Untitled
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00:49
Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. Utilizado um microfone condensador, com uma sacola de plástico sendo mexida com a mão em algumas velocidades como no início moderadamente, meio rápido, e no final lentamente.
著者: Lufleischer
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00:25
Noises of a headphone mic being moved around and played with. Recorded from iphone 11.
著者: Khenshom
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00:36
More creative ways of spoiler alert.
著者: Bugradio
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02:27
Recorded with a broken hähnel microphone attached to sony camera while moving headphones around it.
著者: Kalmakolmio
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04:25
This file was recorded on november 19 2013 at london's euston railway station quite close to the arrivals board. It was achieved using an olympus ls-100 digital recorder with cad m179 microphones attached to a jecklin disk (see wikipedia) to obtain the best sound possible. As opposed to quasi-binaural recordings where the user attaches small diaphragm microphones to his/her shirt collar (my usual recording method), the jecklin disk can be mounted on a semi-fixed object such as a floor-standing microphone stand which it was in this case, and left for a few moments for the best possible outcome. Using a jecklin disk means that there are no minute movements from a person trying to stand as still as possible, and for some unknown reason, this setup is able to differentiate in front and behind sound image although i personally do not know why this is the case.
著者: Onj
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Just decided to upload it, sorry for the noise low humming, can easily be removed in most programs. Decent sound though.
著者: Cargio
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Exactly as described. Kicking an empty paint can.
著者: Cbakos
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00:53
I´ve recorded this sound produced by a large water wheel of 4 meters diameter, in the historical part of augsburg bavaria, part of town where early industry and work shops used water energy for different purposes. This water wheel does not drive any gear any more, it is just for to give an impression of that old water driven industry. The wheel is driven by one of many former industry channels, small rivers through that part of town.
著者: Tombinambur
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00:10
I recorded this little sample for youtube purposes and you can use it for anything you want! i just recerded a few notes, don't even ask for permissions etc. . ! just use it, if you think it's pleasant or usefull ;)to record it i used a samson c03 usb condenser mic.
著者: Soundsfromtheholeofmymind
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15:06
Recording of urban denver with birds chirping, the drone of the freeway, a few cars passing, and other urban ambient sounds. Microphones were arranged to match http://en. Wikipedia. Org/wiki/stereophonic_sound#near-coincident_technique:_mixed_stereophony.
著者: Xef
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Sounds of guy groaning when being shot. Use it for your short action films.
著者: Milkymilkshke
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00:22
I joke i made when i was bored about roblox bypassed audios, im not gonna mark it as explicit since i did say a few bad words, but i wahwahed, distorteded, and pitched them out of the song, just like bypassd audios.
著者: Helpmeplease
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00:22
Man licking the microphone.
著者: Shrekonlyfans
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Pop sound in mic.
著者: Lem
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00:02
To create this sound i recorded a disposable lighter in my bedroom. To record, i used my aston spirit microphone on cardioid polar pattern and my focusrite scarlett 18i20 second generation (2nd gen) interface running pro tools from my mac at 48khz, 24 bit. I also used a reflection filter to lower rt60 so this sound has minimal reverb to tape. The cable i used was made of canford hst cable and has neutrik xlr connectors.
著者: Whitelinefever
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00:03
To create this sound i recorded myself opening a can of coke in my bedroom. To record, i used my aston spirit microphone on cardioid polar pattern and my focusrite scarlett 18i20 second generation (2nd gen) interface running pro tools from my mac at 48khz, 24 bit. I also used a reflection filter to lower rt60 so this sound has minimal reverb to tape. The cable i used was made of canford hst cable and has neutrik xlr connectors.
著者: Whitelinefever
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02:54
While trying to get my microphone to work, it was having this unusual feed back buzzing pulsing sounds. Along with a strange noise. (this wasn't my voice, and the file hasn't been edited. ). "who's there?" and the "hello's" are of course me, trying to get the microphone to work. I decided to record it after i felt it was strange. The sound is of course free to use for whatever you desire, credit if you want and leave a comment below to be nice. :).
著者: Velazurian
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A "clip" sound recorded from an acutal cassette [cc zero].
著者: Beetlemuse
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04:18
Soundtrack created purely from audio recorded with a contact mic and stones, layered and sometimes slowed down. For immersive stories, the unheard voice. Made by thijmen boet and luka geelen.
著者: Lukageelen
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00:07
An impact on a train wheel with a contact mic.
著者: Jarredgibb
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An impact on a train wheel with a contact mic.
著者: Jarredgibb
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00:18
A uniden phone recorded with a consumer camera with built in microphone, (sony-cybershot). This was listened to on a television set and it sounds like the actual thing! on the computer it doesnt sound anything like the real thing. You're welcome and good luck using this sound.
著者: Diarchangeli
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00:10
This is a drum pattern played by me for a song. It's a full mix of three microphones - one behind the kit, along with snare and kick drum mics.
著者: Marvman
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03:14
Recorded using a shotgun mic and the zoom f8. Recorded this from an apartment in san diego, california. Mono 96khz, 24bit.
著者: Coilesfera
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02:13
Old session file. Check out the session here: https://www. Youtube. Com/watch?v=rk40_lg_vws. Went to the local grocery store to do some stealth recording for my library. This time i promised my self to make my cuts more musical, you guys know, good outside (or) inside recording can be esthetic in many ways. When you walk around and listen carefully, you can hear music everywhere. When i got home i began chopping, an then i realized i could turn this mini recording session into some cool loops as well. I think its a good way of practicing sound design(or anything musically), to just limit your self some times. Basically got the idea when i was studying musique concréte. (concrete music). Could upload the samples if some one is interested?. I used no effects at all, no panning (stereo recordings) or no limiters/compressors. Some of the recording where made by using binaural microphones. I recorded everything with my zoom h4.
著者: Msxp
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00:17
This sound was made purely with audacity and my laptop microphone. I basically moaned into my microphone then used paulstretch with certain settings then slowed down the speed. It sounds like something adjusting or breaking far away. Feel free to use without credit.
著者: Oddbro
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Undefined_laugh_dg.
著者: Untitled
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Este audio es un trabajo de clase en el cual tenemos que producir y editar un sonido con un objeto común. Para mi caso, se ha utilizado una moneda. En este primer audio, el sonido es de una moneda que se había caído. Después, el audio se editó con audacity. En este programa edité el sonido con efectos como reverberación, paulstrech, retraso y vocoder. This audio is a class´s homework where we have to produce and edit a sound with a common object. In this case, it has used a coin. In this first audio, the sound is a coin that it had fallen. After, the audio edited it with audacity. In this programme, i edited this sound with a lot of effects like reverb, paulstrech, delay and vocoder.
著者: Anaanita
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Just letting arecord -f cd record some silence in a room using an asus eeepc 1000h. Normalized in audacity.
著者: Qubodup
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Banging a broken light bulb against my microphone.
著者: Rossvanderh
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04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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An attempt to fill a request for the sound of rummaging through a wooden chest (trunk) filled with wooden toys. . . Tight mic placement for variation. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer, mounted on a tripod, various wooden toys/items. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.
著者: Rodincoil
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00:09
A very weird sound i stretched and manipulated of my computer mic giving off some kind of feedback. I thought it might be cool as a spaceship or sci-fi sound effect.
著者: Soundslikefunme
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01:07
A one minute sample that can be used as an ambient backround sound. A lot of hits, noise and a some other sounds. I made this sample in fl studio 12. Was recorded with "hd webcam c310".
著者: Igalblech
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00:20
One hit on a singing bowl.
著者: Zambolino
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