1,761 ロイヤリティフリー オーディオトラック の "モジュラー"

A little soundscape of an ostinato sequencer pattern with variations in duty and slide values. Realised on a modular system consisting of doepfer, ajh minimod, sputnik and circuit abbey modules.

A sound made usingalienxxx sound http://freesound. Org/people/alienxxx/sounds/343864/and my (gis_sweden) sound https://www. Freesound. Org/people/gis_sweden/sounds/344087/.

Dybby am chord made on modular synth. The 3 voice oscillator mfb osc-03 is tuned to an am chord (saw tooth wave) (tuned by ear. . . ). The sound is going to an uoki-toki polivoks filter in band pass mode and to a vca. From vca to zoom ms-70cdr tape echo effect and back to modular and into the ladik r-330 reverb. From reverb to mixer and out module to computer and audacity. And to you :-).

Just had to make another stereo patch. Feels nice to be back in stereo. Need more patch cables. . .

Acid intermission.

Signal from left intermission.

In this sound i'm using a phonogene version of mithimightbe's sound https://freesound. Org/people/mithimightbe/sounds/407072/.

Morphagene reel from modular synth. Audio signal and wavefolder from mn maths processed in mn lxd lpg plus some reverb and delay.

Modular synth resynthesized through harmor into a percussive loop.

24 bit 44. 1 10+ minutes of mono modular noise maddness. I particularly like 9:57 to the end. Excellent for wavetable creation, cutting up for sound design, or just listening to fm synthesis noise based mostly in zerocillator.

A loop with hi-pass filtering in action!.

Result from a short session. Sequencing with cvlfo, s/h, attenuverter, step sequencer.

A collection of sounds loosely defined as high hats. Short, filtered noise bursts would be more accurate.

This is a lead synth sound i made for the xs24 on the nord modular g2 and universal audio uad emulations of the neve eqs, ln1176 limiter, 88rs, fairchild, and pultec eqs. Also used the joe meek eq from protools.

Mixing something new and something older. Stretching and mixing.

Some goa synth i created in fl studio a while ago using the pro 53 vst synth. Basically a saw wave form with glide or portamento, this nice lfo lpf in fl studio called fruity love synth, slight hpf, slight distorition (blood overdrive), a little compression, a little pannomatic, the right amount of delay and reverb. Presto!.

I don't have a modular system to speak of but after watching some of divkids videos i realised my xiao could sound really nice in an ambient eurorack setup. Anyway, here's a few improv sections on my flute, only been playing 4 weeks so pardon the few bum notes. Make of it what you will but would love to hear what people come up with. Concertina loops on the way after it's been serviced.

As i was playing with creating sequences with help of square waves i happen to make this beat. Annoying. . . Made with a small modular synth with love :-).

Electronic minute no 31 - scales with fnattyep down to cscales made with envelope generatorsonce in a while they get fnatt5 envelope generators in use. Don't miss it>>> there is a bonus sound at the end!!!basically the same patch! but on acid :-). Evaluation of patch/soundone cycle is - not that longonly short sounds - yep, good in this caseamplitude variation - well not muchpitch variation - controlled by envelopetimbre variation - nomusical value - maybe, but not the fnatt partentertaining - ambient bleeps ad bloops?.

Don't know what to call this patch jet. . .

4 cross modulated/connected looping envelopes phasing in and out of some sort of equilibrium. Cross connected in pairs. . . Lot of spring reverb. . .

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

A double krell patch making some bubbly sounds. Made on an analog modular synth.

Playing with krell. Modular synth sounds. Unedited.

Sounds made with analog modular synth.

From modular to tape to computer. . . Sounds degraded, murky and. . .

A self generating patch going though the zoom ms-70cdr. The synth generates weird noises etc and the fx adds reverb anda strange clipped pan fx. I recorded 5 minutes.

I thought i had a diy contact mic somewhere, but i did not find it. But i found another thing. A contact mic for an instrument tuner. But (again) it had a 1/4 inch mono plug. That meant i could not connect it to my computer mic in. But (i know) what if i plug it in to my modular synth. Surprise. . . Then i could add a little filter, pan and spring reverb. So clamped the mic on to my external 3,5 inch disc drive and recorded. This is my submission to dare 51.

Playing with lfos. 2 lfos are controlling the amplitude of the sample and hold generated blips. . . :-).

This sound is meant to be paired with thishttps://freesound. Org/people/gis_sweden/sounds/431375/this is an almost tonal machine composition recording. . . Annoying background sound. . . Check! i have selected my part. Made on analog modular synth.

Was playing with fm. Wasn't successful. Ended up with this. . . Something.

A self modulated a-110. A self modulated bermuda through filter with some res. Barton analog drum, spring reverb and analog delay stompbox. Sxxxe (you know what) sound is imperfect wave forms, or. . . ?.

Modular diary 2018-11-13. Struggled with an idea i had. I wanted random chords. Outcome. Just boring. Involved many patch cables. Mixed the sound with radio noise and"a creek in a forest" by nikeranhttps://freesound. Org/people/nikeran/sounds/321471/.

The selected track. . . Electronic it is. . .

I recorded one hour of machine composition. I did not listen to it. I did not open the file in audacity. I told my fb fiends to give me a number between 0 and 57. I got 42 (what else). This sound is minute 42 to 45 from my one hour recording. The rest is deleted. Gone.

My synth creates 24 tracks. No scale known to human. . . Track start are marked by a high-hat sound. Some are short!. 0:00 track 11:57 track 22:02 track 32:08 track 42:32 track 54:015:455:515:576:02 track 106:066:216:316:357:06 track 15 my favourite7:317:347:407:55 hmmm okay8:38 track 209:409:469:51 interesting11:53 track 24.

Making a switch with logic. Switching between quantized and sequenced cvand random for the oscillator.

Made this drone a couple days ago time to upload. . .

After some confused techno days i'm back with machine composition. This is a basic patch on my analog modular synth.

Modular drones. Selection from a longer recording.

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. Result a generative ambient patch and sound.

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. The oscillators where tuned to the same tone one octave apart. Well. . . Not exactly. After having recorded i measured the frequencies 228,8 hz and 117,7 hz. . . But that made the output from the ring modulator interesting. What is generative with this? i modulate amplitude of the sounds and the decay for all thee sounds. This also affects the rhythm sound.

3 cell quantussy patch. One cell acts as "controller cell". When the controller cell starts a new cycle a noise is heard defining the start of one cycle and at the same time the ending of the previous. Here we have three short cycle.

Used the vcv rack grains of wrath module to mangle a sample.

Kicks i've recorder with semi modular synth make noise 0-coast. No external processing was applied.

Woahhh a sound with wild dynamic and frequency width. Can you say "frequency width"? anyway, modular bleeps and bloops for you!.

Using clock divisions in composition.

I have made a pastiche (sw. Pastisch) on a simple track i, for one reason, like.

No soft sound. But interesting wave shapes if you take a close look. Much wave folding.

A patch i dare to call krellish. . . Both oscillators are tuned to 140hz.