1,113 ロイヤリティフリー オーディオトラック の "三叉槍"

00:00
00:11
Recorded for efldev2. Feel free to send me a message if you think my voice would be good for your project!.
著者: Alivvie
00:00
00:01
20 hz sawtooth.
著者: Cakillac
00:00
00:04
Hello and welcome everyone from istanbul. This is emin. I'm really happy if you like my audio recordings and sound effects. I'm trying so hard to improve myself on this. I'd really appreciate it if you'd like to support me. Thanks. Litecoin (ltc) adresslftxm1w4p8w7yrh69ppwffb2bnsqczebbg. **i'm sending my personal archive to everyone who donated.
著者: Eminyildirim
00:00
00:04
A funny scream i did for a video. Recorded with a turtle beach headset and audacity. Enjoy.
著者: Lasciviousgork
00:00
00:23
A mofia discussing a reckless members actions. A young assistant is included. All the voices are by me, edited in audacity. Use wherever you want.
著者: Deleted User
00:00
00:12
Sample of the doepfer a-110-1 triangle output. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.
著者: Cabled Mess
00:00
00:31
Four samples of triangle - musical instrument.
著者: Tosha
00:00
00:10
This is a drum pattern played by me for a song. It's a full mix of three microphones - one behind the kit, along with snare and kick drum mics.
著者: Marvman
00:00
00:06
Simple ringtone for mobile phones.
著者: Mayanxibalba
00:00
00:07
Simple ringtone for mobile phones.
著者: Mayanxibalba
00:00
00:02
This is version 2 of my 3 knocking on a door sound i used audacity to edit it and i recorded it with my yeti microphone. I thought that you could use it too. Use it for what ever you want but if you make over 1 million dollars off you aaa game / movie than you share the wealth lol but i would like to know what you use it for that is it credit would be nice but not necessary.
著者: Drfx
00:00
00:20
Sound originally recorded by enjoypa. Edited to exactly 60bpm.
著者: Carmelious
00:00
01:16
Synthesized sound of a flying helicopter. The patter is as follows:. Sound 1 || sound 2 || sound 3 || sound 4 || sounds 1+2 || sounds 2+3 || sounds 3+4 || sounds 1+3 || sounds 2+4 || sounds 1+2+3 || sounds 1+3+4 || sounds 2+3+4 || sounds 1+2+4 || sounds 1+2+3+4 || sounds 1+2 again || sounds 1+2 with phaser effect (pitch up and down). Each sound above is exactly 2 seconds long except the second-to-last sound (4 seconds long) and the last sound (8 seconds long). All sounds synthesized in propellerheads reason's thor polyphonic synthesizer. Here's how i did it: used two oscillators (one noise oscillator and another multiple-wave oscillator), and then passed them through two different filters. In each filter, i lfo'd the frequency knob at 2. 0hz (120bpm), and the pattern you see above is each oscillator-filter combination muted in different ways. For the last sound, i applied a phaser effect and automated the frequency knob or some other knob to give that pitch-up pitch-down effect.
著者: Afleetingspeck
00:00
00:08
Sound of triangle. Sound recorded with a zoom h4n pro. Son d’un triangle. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).
著者: Samuelgremaud
00:00
00:10
Sound of triangle. Sound recorded with a zoom h4n pro. Son d’un triangle. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).
著者: Samuelgremaud
00:00
00:06
Sound of triangle. Sound recorded with a zoom h4n pro. Son d’un triangle. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).
著者: Samuelgremaud
00:00
00:12
Sound of triangle. Sound recorded with a zoom h4n pro. Son d’un triangle. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).
著者: Samuelgremaud
00:00
00:34
Recording of various metal & plastic tripods being dropped and hit with a dryer ball.
著者: Pickanothername
00:00
00:32
Soft, medium, and loud single hits on a triangle.
著者: Jcdecha
00:00
00:01
The sound was made from a fabric poster being quickly pulled out of a cardboard tube. Recorded on sony pcm-a10.
著者: Crinkem
00:00
00:01
Three boys screaming whooo.
著者: Vacekh
00:00
00:34
A mono recording of the cheapest triangle i could find at the music store. 3 single hits of the bars, a few closed hits and a finger cymbal ding as a bonus. Gear:neumann ltm-103arturia audifuse. Format:wav 48khz 24bit mono.
著者: Brunoboselli
00:00
00:56
著者: controllerhead
00:00
04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
00:00
03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
00:00
00:10
A c major note being played reversed using fl keys in fl studio, softened. Recorded and processed in audacity.
著者: Rvgerxini
00:00
00:13
Future bass supersaws, created with xfer serum in reaper. Decided not to use this chord progression for my track, but perhaps it can be of use to someone!. License: cc0.
著者: Newagesoup
00:00
00:07
Comp-master 1. 7 band eq-telephone. Effector-lo fi. Delay-short analog. C4. Tempo140.
著者: Gmortizwavs
00:00
00:01
This is a series of basic single cycle waveforms sampled from open source synthesizers, for use in tracker software or other sample based synths.
著者: Soneproject
00:00
00:10
Another scary shout i created today.
著者: Brainclaim
00:00
01:49
Re: http://www. Freesound. Org/forum/sample-requests/32458/.
著者: Tekgnosis
00:00
00:08
Spoken countdown sequence with the words "five four three two one fire" recorded and edited in audacity.
著者: Oddworld
00:00
00:04
Just a few numbers counted from a vocaloid voice pack set.
著者: Isitlocal
00:00
03:31
Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).
著者: Composition: Claudio S. Grafulla; Performance: United States Air National Guard Band of the Southwest, Concert Band; Recording: United States Air Force
00:00
00:03
Female counting from 1 to 4, cut from a file downloaded from mp3bear. #counting #vocal #female #woman.
著者: Waveplaysfx
00:00
04:47
Created with a korg electribe 2 processed by a zoom multistomp ms-70cdr guitar multi-fx pedal, using the particle reverb. The manual states that it models the line6 m9 particle verb. Particle reverb. In this piece of audio the electribe only uses triangle oscillators. Here's a video showing the setup: https://youtu. Be/zytc4gofwmq. It's always nice to hear what projects you use these sounds for. Let me know. ;-). Please also check out my pond5 and unity asset store profiles for more:http://www. Pond5. Com/artist/cabled_messhttps://www. Assetstore. Unity3d. Com/en/#!/search/page=1/sortby=popularity/query=publisher:20154.
著者: Cabled Mess
00:00
00:06
Hi! this is my first upload. This is a recording on a bbb tuba of an a natural (below staff), a low b natural (also below), and an f natural (below again). Edited for ominous-ness with expstudio audioeditor and cyberlink waveeditor. Mostly an experiment in those suites. Sorry for low quality/wrong pitches!.
著者: Wolf
00:00
00:15
Counting 1 to 10 - australian female voice. Recorded with zoom h4n pro.
著者: Funnyvoices
00:00
01:13
Der Tag bricht an und zeiget sich; Evang. Gesangbuch 438; Wach auf, wach auf, ’s ist hohe Zeit; Evang. Gesangbuch 244
著者: Melodie: Melchior Vulpius 1609; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
00:00
00:01
Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
著者: Joao Janz
00:00
00:03
著者: Ben Jaszczak & Brian Nelson
00:00
00:03
著者: Ben Jaszczak & Brian Nelson
00:00
00:32
著者: Ben Jaszczak & Brian Nelson
00:00
00:03
著者: Ben Jaszczak & Brian Nelson
00:00
00:06
著者: Ben Jaszczak & Brian Nelson
00:00
00:09
著者: Ben Jaszczak & Brian Nelson
00:00
00:04
著者: Ben Jaszczak & Brian Nelson
00:00
00:05
著者: Ben Jaszczak & Brian Nelson
00:00
00:07
著者: Ben Jaszczak & Brian Nelson
51 - 100 の 1,113 から次のページ
/ 23