1,240 ロイヤリティフリー オーディオトラック の "古代"

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This is the sound of someone shaking a kinder surprise egg trying to guess what's inside (like in the tv advert). This is a simple sound that i recorded with a zoom h2n handy recorder. I just cut the extra recording parts, and added a noise reduction effect to clean it in audacity.
著者: Iut Paris
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I was making a video for youtube and needed some painful sounding grunts so decided to pretend that i was in pain like in idiot in my room. Some of them are really good others just sound like the hulk got angry. Lol enjoy these! feel free to use these where ever you want. . . Commercials. . . Videos. . . I don't care how you use them. :).
著者: Kuzyaburst
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Little breakbeat with skippy snares using one of the chemical kits in reason. Kick and snare were processed separately. A bit of fuzz used across the board to dirty it up a bit and some gentle re verb on the snares and hats.
著者: Jaffa
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A digital, old-school gaming style bounce, generated with a sine wave.
著者: Someguy
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01:03
An old 1970 buick wildcat convertible starting and purring.
著者: Blizzard
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15:26
Young german couple has great sex in a lot of positions, including missionary, doggystyle and of course fellatio.
著者: Amina Koyim
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21:09
Young german couple has sex in various positions, including missionary, cowgirl and finishing inside her while taking her doggystyle.
著者: Amina Koyim
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08:33
Young german couple has great sex in a lot pf positions, including missionary, doggystyle and fellatio.
著者: Amina Koyim
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04:14
Some sounds from my analog modular synthyou my notice the typical ring modulation sound :-)a self playing (generative) patch making noise. . . .
著者: Gis Sweden
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01:35
Fiat taxi starting up its engine and then the sound of it moving away.
著者: Chhavi
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00:12
Going through the gears of a triumph dolomite car from underneath the car. The car is stationary with the engine off.
著者: Mincedbeats
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Sound effect for old computer game [cc zero].
著者: Beetlemuse
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I created this sound to add to the freesound. Org library of sound, because, to obtain use on a sound here, one of the stipulations was that i had to add a sound here at freesound. Org. I love sounds. My senses have always naturally been fine tuned to appreciate the subtle cues in sounds, although, as an artist, i am more drawn to create music or visual art, rather than sounds, but i gave it my best try here. This is a sound i have been doing for years, since a very young child actually. Basically the sound is achieved by making three sounds with my mouth. . . 1. Sucking my lips together, and then opening my mouth, 2. Bringing lips back together and forcing air out 3. And then the sound of my tongue pressed just under my front teeth, and flicking my tongue down. I do this very fast. Enjoy!.
著者: Ranger
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02:23
A simple old music box, probably from the 1950's. Recorded on a hp computer with a sony esm-ms907 microphone. Location: iceland, keflavik.
著者: Pax
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00:33
Young people bawl and celebrate summer recorded outside with mixpre 6 and two audio technica 4022 in ab-stereo. If you want to support me, you are welcome to have a look here: https://richardatmo. Bandcamp. Com/. You can play albums there and also buy single sounds from me for small money. It's a way to support me. Or just have fun and chill with nature sounds. Have a nice day.
著者: Garuda
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19:24
Young german couple has sexual intercourse in many different positions, starting with fellatio and cunnilingus, missionary, doggystyle and finally ejaculation in the girl's mouth.
著者: Amina Koyim
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04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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A nice old-school hi-hat for hip-hop beats (hq). Have fun.
著者: Sorinious Genious
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A beat i programmed in caustic 2. 1 for my track caustic antics. This is a clean render. See break delay for this beat with a slight ping pong delay. Very little eq/processing so process away. Caustic 2. 1, the best music creation app for android.
著者: Jaffa
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The fully processed beat i used for my caustic 2. 1 track caustic antics. Very liitle eq but slight ping pong delay that fitted the track great. 124 bpm.
著者: Jaffa
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06:28
Sound of dialing numbers on an old rotary phone from the 1980s (dutch model). Recorded with tascam dr-40. Mono recording.
著者: Pachipachi
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Lullaby melancholic loop, made with synth. 130 bpm.
著者: Raph
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07:47
An enjoyable, reflective soundscape of kids playing and swinging and laughing in a park in a small, midwestern usa town. This was recorded at 1:30 in the afternoon on a beautiful, mild november day in 2020. Very pleasing to listen to, and probably helps to bring back memories of your own, warm childhood memories. Even though covid-19 is causing a huge problem all over the world, i find it very soothing and comforting knowing, despite the pandemic, kids are still doing what they've been doing since, well, forever, playing and laughing and having the care-free fun time of their life. Recorded with sound device mixpre-6 and audio technica at8010 omni-directional condensor microphone.
著者: Kvgarlic
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01:48
A recording made at 4:30pm on saturday september 12th 2015 near a playground in a small town. A cool front had recently passed bringing with sharper temperatures and northwest winds sifting through the still green cholorophyll-laden leaves. You hear the sound of children fairly low in the background as they enjoy the playground. True stereo recording made with maantz pmd661 and two sennheiser me-66 microphones mounted in tripods.
著者: Kvgarlic
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02:27
A stereo recording made at 4:50pm on saturday september 12th 2015 of the ambience of a small town near a playground. Up until this day, the weather here in the midwest had been your typical high-heat high-humidity. But, the day before this field-recording was made the wonderful jet-stream had dropped down on us, a cool, mass of less-humid canadian air, making the leaves sing through the trees with the lifting of the northwest breezes. A gentle tinkling wind-chime can be heard from 1:05 to 1:20. Recording made in stereo with marantz pmd661 and two sennheiser me66 microphones mounted on tripods about 4 feet off the ground.
著者: Kvgarlic
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04:01
This is an ambient recording of the late night crowd of kids at 14th street unions square nyc. It's where the market usually is during the day. There is some traffic present but it's mostly about the voices and energy of teens. You can hear the clack and roll of skate boards, voices and gritty near by footsteps. The file contains walla quality voices and up close stuff that you can understand. It is a tad left heavy so you may have to adjust if you are using it for stereo.
著者: Ericstrausser
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*laughter* "i don't know. " *laughter*.
著者: Nfrae
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03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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You can use this sound in any project you want, if you want to support me patreon (1$) : https://bit. Ly/patreon22.
著者: Eponn
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You can use this sound in any project you want, if you want to support me patreon (1$) : https://bit. Ly/patreon22.
著者: Eponn
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You can use this sound in any project you want, if you want to support me patreon (1$) : https://bit. Ly/patreon22.
著者: Eponn
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You can use this sound in any project you want, if you want to support me patreon (1$) : https://bit. Ly/patreon22.
著者: Eponn
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You can use this sound in any project you want, if you want to support me patreon (1$) : https://bit. Ly/patreon22.
著者: Eponn
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You can use this sound in any project you want, if you want to support me patreon (1$) : https://bit. Ly/patreon22.
著者: Eponn
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You can use this sound in any project you want, if you want to support me patreon (1$) : https://bit. Ly/patreon22.
著者: Eponn
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You can use this sound in any project you want, if you want to support me patreon (1$) : https://bit. Ly/patreon22.
著者: Eponn
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You can use this sound in any project you want, if you want to support me patreon (1$) : https://bit. Ly/patreon22.
著者: Eponn
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You can use this sound in any project you want, if you want to support me patreon (1$) : https://bit. Ly/patreon22.
著者: Eponn
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You can use this sound in any project you want, if you want to support me patreon (1$) : https://bit. Ly/patreon22.
著者: Eponn
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You can use this sound in any project you want, if you want to support me patreon (1$) : https://bit. Ly/patreon22.
著者: Eponn
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You can use this sound in any project you want, if you want to support me patreon (1$) : https://bit. Ly/patreon22.
著者: Eponn
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You can use this sound in any project you want, if you want to support me patreon (1$) : https://bit. Ly/patreon22.
著者: Eponn
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You can use this sound in any project you want, if you want to support me patreon (1$) : https://bit. Ly/patreon22.
著者: Eponn
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Teenage engineering po-400 modular. Doctor dreamchipportland, orapril 2019.
著者: Doctor Dreamchip
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A variation on breakbeat 1,a few more snare hits and an extra kick to shuffle it up a bit. A bit of fuzz across the whole drum mix really does make a difference!normalise for extra volume.
著者: Jaffa
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