6,044 ロイヤリティフリー オーディオトラック の "声"

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00:03
Someone says "yeehah".
著者: Unclesigmund
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00:05
Someone says "yahoo".
著者: Unclesigmund
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00:02
Someone says "yeehah".
著者: Unclesigmund
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00:27
A busy avenue in panama, it's crhistmas time in 1999, recorded with panasonic rqa-171 casette recorder just the build in mic.
著者: Milton
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00:02
A weird and a little spooky sound that i somehow have in my collection for years now, but i don't have the slightest idea of how or when it was created. . . I think it has something unique. I wish it was longer.
著者: Nid
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00:12
Re: http://www. Freesound. Org/forum/sample-requests/17814/?page=2. (djdyd).
著者: Tekgnosis
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00:09
I am your automatic lover.
著者: Kalashnikov V
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02:16
Radio broadcast for http://dropshock. Net.
著者: Syphex
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00:34
This is my donald duck voice impression and if people want my donal duck voice for their project, then i would love to provide voice samples.
著者: Huminaatio
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00:07
Voxy synth bass.
著者: Ani Music
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00:12
Countdown computer voice vocoder. I recorded this countdown, and added a vocoder effect using reasons producer software.
著者: Gnotesoundz
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00:16
Countdown vocoder, computer voice. I recorded this countdown, and added a vocoder effect using reasons producer software.
著者: Gnotesoundz
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00:01
Me saying iye with some flanger and chorus added. Also high/low passed between 250 and 4400. Enjoy, feel free to use freesounds.
著者: Charx Darkfin
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04:46
Skipper is dead mai, 89 years this year of 2018. This is his last speak and play on his harmonica. He was amazing. In danish.
著者: Das Rattenpack
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01:06
A pad i created a few years back. If you decide to use this, credit me using the name, samtrobson. Happy to make my first contribution, i will add some more pads when i find them.
著者: Samtrobson
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00:19
Testing a laptop, cellphone headset, and samson condenser cardioid microphone.
著者: Zyphlar
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00:04
Voice asking "where are we?".
著者: Tmgallagh@Gmail
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00:01
This is a recording of a sound that is generated by a vocal cord but altered through various filters.
著者: Von Gardener
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00:01
This is a manipulated vocal record.
著者: Von Gardener
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00:07
Accordion band filtered imitating voices.
著者: Phonosupf
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00:05
Weird voice.
著者: Audroger
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00:02
Voz no reconocible.
著者: Ureuchiha
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00:17
Voice mail message for b2b track.
著者: Bruster
00:00
00:27
Small town, weekday, approx. 23:00no tv, quality recorded musicabout 10 visitors, everyone knows each other, no one is sitting - everyone is standing around the bar. Dr-05.
著者: Kedarda
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00:05
Human voice saying "i am god".
著者: Charly
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00:18
Nothing but 3 channel recorded sm-57 on reaper.
著者: Inflowers
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03:47
A mix of whispering voices recorded as part of the flow project commissioned by lancaster arts. The source text was devised by participants in workshops. The project was based on revealing the history of the buried mill race water course in the city, here as a river of voices. Project supported by historic england.
著者: Lozkaye
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00:02
A big weird laugh.
著者: Thejaguar
00:00
03:07
Halloween night, rain, voices. Sony m10. 2012.
著者: Trp
00:00
01:15
Digitally garbled and distorted voices on skype call in 2012. Sony m10.
著者: Trp
00:00
03:10
My take on a voice file requested in the forums.
著者: Mcthespian
00:00
00:07
Hmmm.
著者: Julalvr
00:00
00:03
Simple sound for vocal chopssounds like "a".
著者: Darktemps
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00:02
Clarify voice.
著者: Citeyo
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00:11
This is a very important message for freesound.
著者: Rosa Orenes
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00:22
Great sounding voice.
著者: Michaelguest
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00:04
An odd sounding voice saying "two weeks later" - kinda had a monty python-esque feel in mind when i made it.
著者: Ladyimperatrix
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00:12
Grabación de sonido de minions. Grabado con zoomh4n.
著者: Rdpipo
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00:42
A short text in a strong sicilian accent.
著者: Uinten
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09:32
This is a man saying how to use audacity.
著者: Marcospurziani
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00:10
Rapid fire, semi-auto fire and single shot. Lots of distortion :)this is with a synth.
著者: Greenbird
00:00
00:08
A single bang from a theatre prop gun, not well recorded (2010). Sony m10.
著者: Trp
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00:27
People singing karaoke in another room, while you lay downstairs.
著者: Carla
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00:23
Elevator voice as it hits a floor and goes down.
著者: Thankzalotz
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00:05
Annas first sound.
著者: Annalynnmit
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00:17
It is simple countdown made a synthy sound. No voice, 60bpm when 6sec, 120bpm when 7~9sec. And end fcord.
著者: Taebeum
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00:01
Gunshot.
著者: Erkanozan
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00:04
Someone says "woohoo".
著者: Unclesigmund
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03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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Two sustained voice samples i subsequently pitch shifted and layered for an ambient work (to achieve an 80's choir pad effect). The key is almost in middle c, but slightly off. . . Because i can't sing. The second, lower voice sample was recorded extremely close to the mic to achieve clipping; i wanted to get a buzzy, boomy sound out of it.
著者: Housedj
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