1,608 ロイヤリティフリー オーディオトラック の "序章"

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00:26
Produce with fl studio from a field-recording of a screwdriver.
著者: Piwilliwillski
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00:10
Synth sequence, kinda bassy c♭.
著者: Opticaillusions
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03:36
Exploring with ring modulation.
著者: Gis Sweden
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00:16
Random synth sound.
著者: Avreference
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00:09
Ancient drum loop sequenced by me c. A. 1995 in protracker. Smth like 5th module sequenced in my life. Not bad as for 13 y. O. Kid. Not bad at all!. Loop restored in flstudio by adding part of spectrum cut by sampling with low sampling frequency. 44100hz, 16bit restoration of 16khz, 8bit sample. 125bpm.
著者: Laffik
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00:16
A remix of this ::. Https://freesound. Org/s/172681/. Slow3d it down to 70/140, pitched it up a bit (preserve tempo), added another loop from looperman. Com.
著者: Untitled
00:00
01:21
Sometimes you must fight to survive.
著者: Sami Hiltunen
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02:33
A big fight sequence music, good for a boss fight for example.
著者: Sami Hiltunen
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00:43
Look at my page https://skibka-music. Blogspot. Com/.
著者: Skibkamusic
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00:30
As it says, i have got a sequencer. I'm testing it.
著者: Gis Sweden
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03:09
I'm trying to find a place for "rnd modul logistische gleichung" in my modular. Okay this is a to long sequence. . . ? and unstable. But interesting. Makes it a little generative.
著者: Gis Sweden
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00:29
Electronic fantasy accumulation of similar samples with different reverberation processes.
著者: Phonosupf
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00:09
String sequence that sounds like it's from a science program. Arp style sound.
著者: Notofficial
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00:57
A sequence of percussive cd skipping noises made in to a techno glitchcore rhythm. This is a hard rhythm not micro-beats. There is a splash of synth in there and possibly a key change.
著者: Notofficial
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02:51
I played a bit with the filters and oscillators of a free vst synth. This sound is useful for cutting and applying different effects over it. I think that it can be used standalone as well.
著者: Martinbeltov
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05:14
An '80s style electro bass line. Sound is a vermona lancet mono synth recorded into ableton live.
著者: Atzikas
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00:11
Very short square playing a very rancid and simple sequence.
著者: Blackie
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00:26
A random algorithmic generated soundscape. Nothing special.
著者: Kathakaku
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00:22
This sample was created solely from instruments downloaded on freesound. Org. Having experimented more, i created another break with lfo band frequencies adjusted to create a white noise type break. I then played them simultaneously and mixed one into the other to create the effect of moving the eq in real time. To fully appreciate this, you need to download and play it seemlessly looped. This is recorded at 90 bpm for the continuum 4 project. You can visit the thread here:. Http://www. Freesound. Org/forum/dare-the-community/32704/. Here are the sounds used in the break:. Snare: http://www. Freesound. Org/people/ltibbits/sounds/16306/kick boom: http://www. Freesound. Org/people/jobro/sounds/33523/short kick: http://www. Freesound. Org/people/crescendo/sounds/16709/closed hat: http://www. Freesound. Org/people/atomwrath/sounds/11394/rim: http://www. Freesound. Org/people/opm/sounds/2095/open hat: http://www. Freesound. Org/people/tictacshutup/sounds/423/static: http://www. Freesound. Org/people/hello_flowers/sounds/30974/rev crash: http://www. Freesound. Org/people/halleck/sounds/30938/.
著者: Snapper
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00:22
This sample was created solely from instruments downloaded on freesound. Org. Having experimented more, i created another break with lfo band frequencies adjusted to create a white noise type break. I then played them simultaneously and mixed one into the other to create the effect of moving the eq in real time. To fully appreciate this, you need to download and play it seemlessly looped. This is recorded at 90 bpm for the continuum 4 project. You can visit the thread here:. Http://www. Freesound. Org/forum/dare-the-community/32704/. Here are the sounds used in the break:. Snare: http://www. Freesound. Org/people/ltibbits/sounds/16306/kick boom: http://www. Freesound. Org/people/jobro/sounds/33523/short kick: http://www. Freesound. Org/people/crescendo/sounds/16709/closed hat: http://www. Freesound. Org/people/atomwrath/sounds/11394/rim: http://www. Freesound. Org/people/opm/sounds/2095/open hat: http://www. Freesound. Org/people/tictacshutup/sounds/423/static: http://www. Freesound. Org/people/hello_flowers/sounds/30974/rev crash: http://www. Freesound. Org/people/halleck/sounds/30938/.
著者: Snapper
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02:31
Just a simple scale arrangement played through dpo and mysteron from makenoise. Standard effects. Mimeophon karplus-strong sequenced from rené. Percussion, i´ll let you guess. . . Enjoy!.
著者: Jim Bretherick
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00:02
Ethnic percussion fill from from an old public domain film.
著者: Mediatheksuche
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01:14
René sequenced cś-l and dpo erbe-verbe used as well as mimeophon.
著者: Jim Bretherick
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00:02
Flute soundtrack cadence from an old public domain movie. For film or video.
著者: Mediatheksuche
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00:22
A rendition of this riff:. Http://www. Freesound. Org/people/bdwrekordings. Com/sounds/98108/. I'm working on a song in d, and i liked this riff when i heard it. So ran it through live, adjusted some stuff, and threw some effects etc. Free to use. : ).
著者: Untitled
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00:21
A chord progression loop i pulled from one of my remixes. Made with stacked synth pad and bass layers, and compiled in reaper.
著者: Newagesoup
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01:09
Experimenting a little. Gentle sounds.
著者: Gis Sweden
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02:03
Psychedelic mind bending druggie background music good for scene where someone is tripping on lsd.
著者: Kingvitaman
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00:08
Looping sequence phrase. Made in fl studio, harmor.
著者: Levelclearer
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00:08
Thick bass line sequence looped in fl studio.
著者: Levelclearer
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00:02
This is a zappy break i made many years ago on my akai xr10 drum machine. It's timing is 120 bpm.
著者: Snapper
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00:04
A breakbeat i created with vsti dr-008 808 hits in jeskola buzz, compressed for extra boom and eq'd to pump up the bass. C3 126 bpm.
著者: Snapper
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03:18
A sequence in a minor. Spring reverb feedback. Filter sweeps controlled by nlc sloth. I'm not using a sequencer. There are other was to obtain a sequence on a modular synth.
著者: Gis Sweden
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02:37
Semi-generative analog synth sequence (with delay) in random keys. One of a set (a - h). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Patch notes:matriarch self-patched & sequenced by noodleboxminimal post-processing in live.
著者: Imaginarynoises
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04:20
A recording. . . It's up to you to "master" it. Use it. Make it worth. Peace.
著者: Gis Sweden
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00:18
A synth riff i'm making for a goa song i'm working on. This is at 135 bpm and the notes are f, c#, c, b, g#, used the poizone in fl studio, pulse wave with pw modulating, and with a nic portamento. Enjoy and spread ohm through goa.
著者: Untitled
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04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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00:11
Look at my page https://skibka-music. Blogspot. Com/.
著者: Skibkamusic
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00:06
Look at my page https://skibka-music. Blogspot. Com/.
著者: Skibkamusic
00:00
01:11
Look at my page https://skibka-music. Blogspot. Com/.
著者: Skibkamusic
00:00
00:16
Look at my page https://skibka-music. Blogspot. Com/.
著者: Skibkamusic
00:00
00:18
Look at my page https://skibka-music. Blogspot. Com/.
著者: Skibkamusic
00:00
00:13
Look at my page https://skibka-music. Blogspot. Com/.
著者: Skibkamusic
00:00
00:11
Look at my page https://skibka-music. Blogspot. Com/.
著者: Skibkamusic
00:00
00:12
Look at my page https://skibka-music. Blogspot. Com/.
著者: Skibkamusic
00:00
00:10
Look at my page https://skibka-music. Blogspot. Com/.
著者: Skibkamusic
00:00
00:11
Look at my page https://skibka-music. Blogspot. Com/.
著者: Skibkamusic
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00:14
Look at my page https://skibka-music. Blogspot. Com/.
著者: Skibkamusic
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