1,820 ロイヤリティフリー オーディオトラック の "手"

Nagra ares bb+ & 2 schoeps cmc 5u 2011. Bass drum hit on the hand.

Nagra ares bb+ & 2 schoeps cmc 5u 2011. Bass drum hit on the hand.

A beat made on the guitar in a studio.

It is a sound of the pen sliding in a paper writing something in a tallers class in poblenou campus.

Sound produced for a hand-dryer.

Applauding crowd in an outdoor football stadium.

Rotative sounds - 96000 hz.

Hand saw sawing wood.

Cracking hand joints. Recorded by shure mv88.

Cracking hand joints. Recorded by shure mv88.

Hand off a book cover slowly. Zoom h1 recorder, unprocessed.

A handful of objects being dropped on the floor. May require editing to fit your use.

Pack of 17 handclaps. In full stereo.

Claps of an office case.

Sound of brushing or cleaning something. The sound was made without a brush, instead the sound of hands to mimic the sound and edited with audaacity.

Literally me snapping.

Beat and beatboxing by primary school kids. Low quality iphone recording.

Clap 1.

Scrubbing rubber gloves over a thick glass surface producing typical squeak.

Slow clapping, recorded with zoom h2n.

Field-recording of a man using a rake to sweep up the autumn leaves in a park. Recorded with a zoom h4n.

sigil reel 2: percussion. Created by nathan moody, formatted for use in the make noise soundhack morphagene. This is one of two morphagene reels made from one-of-a-kind handmade electro-acoustic instruments and found objects created by sound designer and musician nathan moody, an outgrowth of his 2018 album, "the right side of mystery. ". This reel is focused on percussive, inharmonic content from found objects and one-of-a-kind handmade instruments including metal table tops, perforated steel gongs, stretched springs, steel tubes, a drum made from packing tape, shakers made of tin cat food lids, and much more. They were struck with rubber mallets, carbon fiber rods, drumsticks, and woolen tympani mallets. They were recorded with a variety of microphones (sennheiser mkh50, dpa 4061, audio-technica at4050, shure sm57 and beta 52a), through awtac channel amplifier and neve 511 preamps. The hits are gritty, raw, and harmonically complex often with long decays, holding up well to varispeed manipulation, decay-tail looping, and filtering. For more information about nathan moody and the sounds and instruments used on this reel, visit nathanmoody. Bandcamp. Com and music. Noisejockey. Net.

Slap.

Lazer sound. I made this lazer sound with the use of operator in ableton as well as adding a few effects to help round it out. I started with a basic sine wave and then began to adjust the frequency range to cut out some of the low end of the sound and enhance the high end to make it more realistic and movie accurate. I also had to shorten the decay time so it is more of a short zap sound than a prolonged note. Another step was giving it an initial high pitched sound and this was achieved by having the sound start higher up the scale with semitones and then dropping down giving the effect of shooting and something traveling from the source sound.

Explosion sound. The explosion sound was a mixture of a the initial explosion, the a wind sound that may be heard when there is an explosion and the rumble effect that would also be picked up on. I had to re sample all of these separate operator sounds and then put the audio track in a sampler the add some final touches. These included large hall reverb and utility for the large impact explosion and rumble sound as well as panning, reverb and delay for the wind sound to give it the effect of traveling around a surrounding area with the sound slowly decaying.

Ambient echo sound. This sound required the combination of operator using the triangle wave and plenty of reverb. I layered this sound by using two different octaves to cover most frequency ranges that sounded best and to fill any gaps in the sound effect. This sound is inspired by scene transitions and wide shots where there may be a lack of other sounds so this frees up a space for a calm ambient sound that uses plenty of sustain and reverb. The triangle wave in the operator gave it more of a high pitched calm flowing sound. The other options for example sine wave sounds to harsh and sharp for this type of sound.

Hard left/right stereo of 4 people clapping.

It's fantastic! listen! that's all i have. I created using beepbox.

Usamos um papel de caderno para ter o efeito sonoro rasgando rápido. E o microfone do modelo snnheiser mkh 46 boom.

Clapping.

On a table.

Noise clap.

My dog kept licking my hand so i decided to record it. Recorded with a sony ic recorder, cleaned up using edison in fl studio.

Me clapping my hands. Recorder on a neewer nw-800.

Large audience rhythmical clapping. Finlandia hall helsinki. November 2016. Just a poorly recorded file from a cell phone but when you need a sound it doesn't matter too much. We know how to fix it and make it work.

Sometimes voices in the background. Other placesrecorder: zoom h2 / other portable devicesoftware: pro tools / audacity / ocenaudio / reaper. Your comments are greatly appreciatedcheers, piotr zaczek.

Driver shelf a-ta vä.

Driver shelf a-ta vä.

Driver shelf a-ta vä.

Iso synchronous motor driver.

Iso synchronous motor driver.

Iso synchronous motor driver.

Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. Utilizado mirofone condensador. Abrindo pote de plástico, mexendo no silicone, esfregando as mãos umas nas outras, estralando o silicone.

I do it for dubstep tracks.

Drunken drumming.

Sound recording by typing a computer keyboard.

Hand against metal bumpy door.

Clapping under a bridge with a ridiculous echo.

Roce entre los dedos de la mano.

Skrow driver.