5,737 ロイヤリティフリー オーディオトラック の "消しゴム"

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01:01
Running my nails along the teeth of a comb.
著者: Reitanna
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00:04
Zoom h4n.
著者: Organicmanpl
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00:02
This sound is a 1-sample long impulse at 48 khz. It covers the whole frequency range with equal power. This is a perfect sample for exciting your guitar amp or reverb unit to capture it's impulse response (ir). You can also play it through a speaker in a reverbant room to capture it's reverb characteristics. Remember that the ir sample will be no flatter than your speaker's performance multiplied by your microphone's performance (frequency response characteristics). The sample has exaclty 1 second of silence, then the impulse, then another second of silence to ensure the impulse will be played clean and untruncated on any sound system or device. My test with ir lv2 convolution plugin have proven, that this sample has absolutely flat frequency response - convolved signal was identical to the source signal. After normalization and sample-alignment of the sound clips i have inverted the polarisatin of one of them and summed them - result was absolute silence, even no hiss was present as a result. This shows the accuracy of the convolution process and proves this sound to be perfect for sampling ir. The impusle was generated with c* dirac ladspa plugin. Created using audacity.
著者: Unfa
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00:58
Sounds from various cafes around wellington new zealand. Recorded on an ipod touch, so quality is not great and mono. Mostly the sounds are the general ambience of the cafe, people talking, music playing and coffee being made, a few are outside so there are the sounds from the street and traffic.
著者: Simongray
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00:03
A very hard noise sample, generated with buzzmachines.
著者: Garotasimpatica
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00:04
Ian dury used something like this in "what a waste". . . It's the gurgling noise made when the last of the water runs down a bathroom sink plughole. Conveys almost as much meaning as a cistern flushing, but in a shorter time (smaller file size). As ever (with my stuff) no "noises off" and so ready for mixing!.
著者: Nigelcoop
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00:38
I played this simple violin for a book on tape. Recorded with a high quality mono mic and preamp; reverb added in garageband.
著者: Cottager
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00:14
These are the sounds of background ducks in a pond quacking and making splashing sounds.
著者: Justin
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02:03
A cello being played at a large venue.
著者: Mikeonfire
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00:02
My accidental sneeze before i started recording lines.
著者: Domvoice
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00:56
Water splashing at a wharf.
著者: Pawsound
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00:35
Hairbrush brushing hair.
著者: Semccab
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00:03
Hairbrush brushing hair.
著者: Semccab
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00:13
Rocking synth riff i used in my latest track works well with hard drums.
著者: John Rayson
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00:28
This was recorded with a home-made hydrophone attached to my olympus ls-14. The hydrophone was just placed into the sink and the tap turned on. The recording was actually made 31st december 2015.
著者: Naturenotesuk
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00:06
A sink being turned on and off.
著者: Tyleram
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00:11
Hands moving around in water.
著者: Morganveilleux
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00:01
Sonido de pequeñas explosione usado un delay y un filtro pasa alto.
著者: Viliguis
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00:02
A slosh of water i made by moving a spoon through a bowl of water with thicker broth in it. I used this for water footsteps in my game lilly but i put this up for others to use.
著者: Samuelcable
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01:60
Fiddling with a disposable plastic comb, mainly by plucking and stroking the edge and side of its teeth with my fingers. I also play around with the comb in my mouth a bit, using the resonance of my vocal cavity to modify the sound, and also running the teeth of the comb over my own teeth.
著者: Alienistcog
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01:25
Fiddling with a disposable plastic comb, mainly by plucking and stroking the edge and side of its teeth with my fingers. I also play around with the comb in my mouth a bit, using the resonance of my vocal cavity to modify the sound, and also running the teeth of the comb over my own teeth.
著者: Alienistcog
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04:09
Midnight highway recorded on a tascam digital recorder. Few cars drive by including cars, trucks, and one high performance vehicle. Also captures a dark feel and how this lonely highway still holds character.
著者: Jacksonralston
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09:13
Test with my new zoom h1 recorder and the build in mic's. Not too bad i think.
著者: Beedy
00:00
00:20
One note slide of a acid. . Already distort and ready to make havoc in your song.
著者: Kkz
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00:02
Sink drain.
著者: Esperri
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00:12
Fosset turning on, running, and turning off.
著者: Rpew
00:00
00:11
Pulled the plug in the bathroom sink when it was filled with about half a liter of water.
著者: Rytmenpinnen
00:00
01:42
I bent one of my old roland synths and recorded it :p enjoy!.
著者: Hippy
00:00
00:16
Ten various splashes. I recorded sounds resulted from dropping small stones into a plastic bucket full of water.
著者: Vibe Crc
00:00
00:01
Verry good for hardstyle.
著者: Psycho Boomer
00:00
00:08
Quite sad melody clip i made with fl studio few months ago.
著者: Vrezerino
00:00
00:07
Water hitting cement. Splash.
著者: Zolopher
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00:05
You can use this as a intro for youre track , with a distorted vague sound coming up with volume.
著者: Indistinct
00:00
00:11
This synth , is very good to put on a bassline of 180 bpmmostly used for hardcore electronic music like gabber.
著者: Indistinct
00:00
00:04
Sneeze sneezy apsik.
著者: Organicmanpl
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00:01
Water splash recorded in wav 48khz 24bit using a zoom h4n and denoised.
著者: Rombart
00:00
00:02
Hard bass sample.
著者: Ani Music
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00:04
Oscillated filtered hard bass.
著者: Ani Music
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00:02
Hard resonant bass with a pitch bend.
著者: Ani Music
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01:54
著者: Kevin MacLeod
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00:03
Person sneezingrecorded with zoom h6.
著者: Matt Beer
00:00
00:34
Beautiful softpop atomosphere trippy.
著者: Dozypilchard
00:00
00:57
Beautiful softpop atomosphere trippy.
著者: Dozypilchard
00:00
01:19
Beautiful softpop atomosphere trippy.
著者: Dozypilchard
00:00
00:05
Dozy pilchard original hard kit.
著者: Dozypilchard
00:00
00:03
A fishing jumping out of water and then landing back in the water.
著者: Paulprit
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00:06
A fishing jumping out of water and then landing back in the water.
著者: Paulprit
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07:22
Recording of me gently moving the bells on an indian brass anklet. Recorded on an akg d5 through audacity, no post-production.
著者: Swarms
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