1,151 ロイヤリティフリー オーディオトラック の "灰色"

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Various coins dropped on a table. Sounds like coins dropping into a machine. Thanks to Willem Hunt for the donation.
著者: Willem Hunt
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I recorded myself typing on my corsair k95 rgb platinum. This is a keyboard with cherry mx brown mechanical switches and has a tactile feel to it. I recorded this with a audio-technica at2020 condenser microphone w/ pop filter and shock mount.
著者: Nickthh
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Night recording of ash trees with leaves blowing in the wind.
著者: Ratatosk
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Just a nod to negativland; a child says yellow, black and rectangular. Is there any escape, from noise?.
著者: Parabolix
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Dropping a phone book on a table and giving it a little push. Recorded with h5 zoom with ntg-3 mic. Please note: no phone books were harmed in the making of the audio (sorry about the trees).
著者: Toddcircle
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Hello,this is the_very_real_horst out of duisburg, germany. Sound you'r listening to belongs to two little tibetan silver bowls;those normaly were used in couples of two, three, seven or nine as sacrificial bowl on home altar of tantric buddhisme, with rice, water, salt etc. For they have different sound, i pushed them with my ancient pendant of alittle chinese sword; that i find it sounds good;. Thank you for sharing my interest for ancient musicinstruments. Joy and peace on your way,the_very_real_horst from duisburg, germany.
著者: The Very Real Horst
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04:02
A yellow jacket flying around the inside of my basement window. Though the recording was made at close range, it's a bit noisy. Nice stereo movement as the bug flies around the zoom h2 recorder.
著者: Alienistcog
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A yellow jacket flying around the inside of my basement window. Though the recording was made at close range, it's a bit noisy. Nice stereo movement as the bug flies around the zoom h2 recorder.
著者: Alienistcog
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04:26
Recorded at ash vale. Trains stop and new "south western railway" announcements play.
著者: Liam
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A digital imaginary bubble.
著者: Jrcard
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Typing (real words!) on a kinesis advantage keyboard with cherry mx brown mechanical switches. Recorded at my desk with rode procaster, triton fethead, focusrite scarlett 2i2 into audacity. Untreated room (hence dynamic mic) but noise remoived with audacity. I needed this for my own purposes so i thought i'd upload it. I hope someone finds it useful :).
著者: Darcyconroy
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04:01
A machine composition recording2 voices.
著者: Gis Sweden
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01:09
Recorded with fl studio 10.
著者: Younoise
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A recording made in sedona, arizona on february 14, 2014, utilizing a zoom h4n field recorder. The recording was taken at night, around 11 pm, and is at a 45 degree angle, toward the sound source. The sound source is a flowing fountain at a resort.
著者: Mffm
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A field recording created while sitting in a eucalyptus grove, beneath a canopy of native california birds, in the middle of golden gate park, san francisco. Geotag is an approximate location.
著者: Andron
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Accidently made this watery sound and it kind of speaks for itself. . . (you do not need to credit me in any way!). Leave a comment if you have any suggestions!. Thanks for reading!.
著者: Crushedloops
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Nicely looped bells, struck and spun together like potlids. It's a shorter loop so probably best along with other things.
著者: Electra
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Peeling of a mandarin orange in close detail. An original sound recorded and produced by harry geeves. Recorded in stereo with rode nt5s through a tascam us 16x08.
著者: Harrygeeves
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An edited recording of crashoverride61088 on trombone, edited to sound like the teacher ms. Othmar from the peanuts series. Recorded with an at-4040, pro tools 10, and some light eq. The original sound (http://www. Freesound. Org/people/crashoverride61088/sounds/146933/) was edited in audacity to set a new sampling frequency and to change stereo to mono format.
著者: Brote
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This an acapella that could be featured on your future hit. This is no copyright, i recorded this just for your free download and use. For me is bonus - my voice on your track. One ask: if you use it in your music, please send me a link to a track. I would love to listen.
著者: Paranoye
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An edited recording of myself on trombone, edited to sound like the teacher ms. Othmar from the peanuts series. Recorded with an at-4040, pro tools 10, and some light eq.
著者: Crashoverride
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Toilet flushing and refilling with drops of water at the end.
著者: Jpbillingsleyjr
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04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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This microsong is one of my micro compositions, inspired in the magic of disney but you can use in any situation. Recorded only with my roland gw-8 keyboard and audacity as a multitrack sesion.
著者: Milton
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And further a little joke with the moderators. You can here them discussing my job, and they are obviously upset. Luckily, they can't hit me, the atlantic is inbetween.
著者: Vumseplutten
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Audio recording art assignmenthow to make liquid water color from old markersart teacher tips for classroommusic is my son's original work - not copyright infringement materials.
著者: Deleted User
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Please check out the new and improved version 2 now!. Https://freesound. Org/s/403326/. Simply log in and slam that download button. Free to download and distribute!. Created completely from end-to-end with open-source software. What i present to you is a high quality ipod ready cd-length track of extremely "soft"- toned noise. Helps with many sound pollution problems and audio-stimulus problems such as: sleep, concentration, tinnitus, headaches, and so much more!. The goal of this project was to bring the listener some aid in life and because of the success of this file i have released a softer version for listeners who prefer it:. Https://freesound. Org/s/403326/. Thank you all for the 1,000+ downloads!!!if this has helped you, please leave your story and feel free to share a link to this all over the web to help others in need.
著者: Assett
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The new and improved ultra-soft noise v2 is here!. This has been optimized for itunes and other audio players. The file includes full tags and album art - 320kbps mp3. Simply log in and slam that download button. Free to download and distribute!. Created completely from end-to-end with open-source software. The audio has been updated to higher quality:3x the noise of the previous version, but with a slightly softer tone to increase effectiveness. Over 100 separate streams of noise was generated to create this. (v1 used 21 streams in 44khz/24-bit in a v0 mp3)the entire project was created, mixed, and mastered in 96khz/32-bit float. This file is limited to 1 hour because the use of a larger bit-rate and the amount of noise used. Helps with many sound pollution problems and audio-stimulus problems such as: sleep, concentration, tinnitus, headaches, and so much more!. If this has helped you, please share your story in the comments below and feel free to distribute this all over the web to help others!. I am leaving the original file https://freesound. Org/s/132275/ online for those who prefer it's tone and texture over this - v2 is a smoother and more relaxing texture.
著者: Assett
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Captured using a zoom h6 recorder and it's msh-6 “mid-side”-capsule. Date of the recording: 30/09/2017. Cut in ocenaudio. Also removed the s-channel. It's always nice to hear what projects you use these sounds for. Let me know.
著者: Cabled Mess
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This sound was created using audacity. First of all i chose a frequency of 432 hz ( a number which includes the golden rule/proportion), then i created a gradual rise in the first 4 seconds, leading into a peak which descends so it can go up again, creating an effect of confusion. At the end, the sound raises gradually and rapidly to reach its peak once again. This sound recreates, for me, a fast- moving ufo (unidentified flying object) and includes the notion of conspiracy in our society- the changing of the frequency of the tone “la “ from 432 hz to 440 hz in 1953 by the nazis. La règle d’or- 432 hertz. Le ton « la » est une pointe centrale dans le réglage des instruments musicaux. Le ministre de la propagande en allemagne pendant l’époque des nazis a fait un décret général avec lequel il a changé la tonalité « la »de 432 hz en 440 hz. On utilise cette hauteur à partir de 1939 jusqu’à nos jours. Il y a eu des protestes de la part de professeur dussault de la conservatoire parisienne qui a fait une pétition signé par 23 000 artistes françaises mais sans aucun résultat. L’organisation internationale de standardisation(iso) a accepté en 1953 les changements et on utilise la valeur de 440 hz depuis. Des recherches montrent que ce changement a des effets incontournables sur le corps et le cerveau humain- les gens entrent dans un chaos. Ce changement a été caché du monde entier parce que c’est le point de la balance dans la nature. 432 hz est la vibration qui inclue aussi le règle d’or (ou la proportion de dieu). Quand on écoute de la musique en 440 hz la première chose qu’on remarque c’est une fatigue, aucun envie de faire n’importe quoi et beaucoup d’autres ( y inclus le mouvement de notre adn) une étude récent montre que l’utilisation de 440 hz crée des mouvais effets dans la nature et dans toutes les êtres vivantes. Cette article m’a inspirée à recréer un son avec une fréquence de 432 hz qui monte et baisse graduellement. C’est un son seul de type complexe(nodal). Il est de type v( continu varié), il est éclatant,clair et lisse. L’attaque du début est graduelle et violente. Le son varie en « hauteur » de plus fort au moins fort et l’inverse, recréant un effet d’un ovni qui passe à côté de vous.
著者: Univ Lyon
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I shaked the cutlery drawer in our kitchen filled with metal objects like knifes, spoons, and forks. There was also some earthenware in there. Recorded with sony tcd d10 pro ii & sennheiser md21u.
著者: Rutgermuller
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Another little joke with the moderators, who judge our jobs.
著者: Vumseplutten
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A background retro rain loop, created in milkytracker fromwhite and brown sound waves. If you use the resampler of your audio editing software,you can create different effects with this sample. Sounds like: "rain from indoors", "heavy rain", "light rain" etc. . . -----------------------------------------------------------------------. This sound, as well as everything else i have uploaded here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.
著者: Colorscrimsontears
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After walking the dog she usually gets a piece of the crispy swedish bread called "knäckebröd". The sound is picked up with a se electronics usb2200a and my laptop using audacity. I'm afraid the dishwasher brings nome noice in the background.
著者: Hasselundin
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Brownian noise sounding like a flying plane at 3×10^4 feet above the earth. . . I created that in audacity! final peak amplitude: 0. 75000 (linear) -2. 49877 db. I applied a bunch of filter curves to make this 90 second loop, normalized to 75% volume. I started with 120 seconds, then made it 90 seconds. Estimated start pitch: d2 (75. 000 hz). Because of the 1024 mb limit, i can't upload the 108-minute version (2 channels, 24-bit, 48000 hz costs 1. 74 gib). Sorry. The final sample rate is 48000 hz, 24-bit wav. I created this myself in audacity 3. 1. 3, so no need to attribute! :). Note: this sounds like it's the 2370 screen ;o).
著者: Therandomsoundbyte
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Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).
著者: Composition: Claudio S. Grafulla; Performance: United States Air National Guard Band of the Southwest, Concert Band; Recording: United States Air Force
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Radio chatter from a san diego cab ride. Recorded in 2009.
著者: Filmscore
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stand well away, cctv and unattended baggage announcements at ash station, surrey. Also includes a passing first great western class 165 train.
著者: Liam
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A judge issuing a sentence. In space.
著者: Zatar
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A quick and determined bite into an apple (large attack). Recorded in a hifi sound studio at stanford u with a sony pcm d-50 very close to the source, a yellow/green golden delicious.
著者: Roofdog
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Some sounds i recorded on a very minimalist setup of a tascam dr-05 and a dream.
著者: Jamesabels
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Der Tag bricht an und zeiget sich; Evang. Gesangbuch 438; Wach auf, wach auf, ’s ist hohe Zeit; Evang. Gesangbuch 244
著者: Melodie: Melchior Vulpius 1609; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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Dropping coins from hand to hand. Noise reduction, pitch bend, and 38% speed reduction used. Recorded on conexant smart audio with at2020 mic, processed on audacity.
著者: Husky
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Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
著者: Joao Janz
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[brownian_noise_30_sec. Wav]. Brownian noise! disturbing to some, relaxing to some. This sound can for example be used in horror games; imagine a zombie apocalypse, when the player for example enters a silent, abandoned house, and hears this from a tv, or why not for example use this sound as a starting point when creating a wind-sound? - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.
著者: Matrixxx
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[brownian_noise_25_sec. Wav]. Brownian noise! disturbing to some, relaxing to some. This sound can for example be used in horror games; imagine a zombie apocalypse, when the player for example enters a silent, abandoned house, and hears this from a tv, or why not for example use this sound as a starting point when creating a wind-sound? - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.
著者: Matrixxx
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