1,289 ロイヤリティフリー オーディオトラック の "砂漠"

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05:15
Baltic beach, sea sound.
著者: Bartoszmatenko
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00:14
A person with a pair of adidas nmd's walked on a sandy playground in a park to execute the sound. A zoom h6 recorder was used, with the xy capsule, recorded in a park.
著者: Brendansound
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00:57
Recorded on sony nex6 camera. I am walking on a sandy trail in lapine state park in oregon. Sorry about the squeaky pants!.
著者: Gordoh
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00:31
Some artificial wind mixed with a weird metallic hum. Feels wave-like. Made/generated in audacity.
著者: Isaac
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00:02
This is a sound effect i created using chiptone. You don't need to credit me. You can download this sound effect as needed and use it for any project. I would appreciate it if you support me on ko-fi: https://ko-fi. Com/staycalm182.
著者: Brickdeveloper
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00:35
I made this recording by using a metal shovel and ramming it into the icy snow. The snow has been around for a couple months now and has been rained on and turned to tiny ice crystals. It sounds like it could be sand, grainy dirt or rock dust.
著者: Jobel
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00:13
Because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo.
著者: Hello Flowers
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00:22
Stick drawing in scratchy dirt. Made by dragging finger through loose dirt on concrete slab.
著者: Stubb
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00:32
Walking through pebbles at lake erie, buffalo shoreline. Late spring 2018 in the evening.
著者: Lukiacostello
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04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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01:11
It is the sound from seaside of gümüsdere in turkey. In winter seagulls and strong waves.
著者: Suukadi
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07:38
Second long recording of multiple paces of walking and running (in place). There is another similar recording with less "sandy" footsteps. Recorded with a samson q7 microphone through a phonic am85 analogue mixer. Cc0, so no hassle with giving credit.
著者: Rudmer Rotteveel
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00:38
The old bottle again, now over the sand.
著者: Loopbasedmusic
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00:06
Digging with a spaderecorded: iphone rode with videomic microphone.
著者: Szegvari
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00:45
We could see the beautiful, empty beach beneath us – but we couldn't reach it. Left hand: zoom h4n proright hand: empty water bottle.
著者: Tiramisuper
00:00
02:50
Footsteps in ground exterior and marble in interior.
著者: Yosoyhache
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00:50
The sound of waves on a sand beach in brittany. Recorded by me on a tascam dr-05.
著者: Siriusparsec
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03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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00:31
Onde del mare sulla battigia.
著者: Antonio
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00:46
Recorded with iphone 11 microphone in istanbul.
著者: Egealpsoysal
00:00
02:14
Recording of a saharan dust storm at night in a farm in southern spain.
著者: Samwd
00:00
00:14
The shovelling of gravelly sand (not overly authentic-sounding, as i had to do it with one hand).
著者: Yin Yang Jake
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01:08
2 guitars playing and zynaddsubfx makes drums and percussions and some carpet.
著者: Eltenjohn
00:00
00:28
Applied hourglass to glass-bowing sounds with transposition spread set to more than 1…2 semitones, resulting in tense dissonant sound.
著者: Arseniiv
00:00
02:03
Recorded in autumn 2014 at bjerregaard beach, danmark with a zoom h4n.
著者: Trn
00:00
00:24
Includes : seagulls, wind, rain, wavesall generated, footsteps are recorded.
著者: Pagh Sounds
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00:07
Four recordings of rocks rolling down stone stairs. Can be slowed down to sound like larger boulders. Recorded with a h4n pro on 12/07/2019.
著者: Fission
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01:09
Gravado em estúdio feito em garrafa de água contendo alguns grãos de arroz. Recording in studio made with a bottle of water containing some grain of rice. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. Recording for the discipline captation and edition of course radio, tv and internet from university anhembi morumbi. São paulo-sp/brazil.
著者: Amandha
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00:07
Walking on gravel on a hike with wind in the background. Recorded with a zoom h4n.
著者: Deffyme
00:00
00:07
Recorded while on a walk in myneighborhood. Washed up on the street was amixture of sand, rocks, and loose gravel. In the background a bug can be heard that i wasunfortunately unable to edit out, but i hope its ok. (re-uploaded because i forgot to trim unwanted audio sections). -----. This sound, like everything i upload here,is completely free for anyone to use. I hope it is useful. 🎶.
著者: Colorscrimsontears
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02:50
Small waves gently lapping on the sandy shoreline on an island in the atlantic ocean.
著者: Freezound
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06:48
Playa zicatela, en puerto escondido, méxico. Zicatela beach at puerto escondido, mëxico. Recorded wih omnidirectional stereo mics. Zoom f8n, november, 2020.
著者: Globofonia
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00:05
Eating a crunchy cookie. Last seconds also sound like footsteps on a sand like surface.
著者: Morgan
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01:05
Slow and fast sounds of a hand rubbing against dirty concrete. Very rough, wet sounding hand movement. Processed to remove some background noise.
著者: Prozaciswack
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00:13
A handful of shorebirds eat bread from tourist and chatter at the beach
著者: fws.gov
00:00
03:51
Just waves at the beach. Nightrecording with almost no other noise (no birds, people, cars; removed low frequency wind noise); 48/24-stereorecording with zoom h1, normalized, now in 48/16.
著者: Panamatom
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00:31
Excavator digging in sand, rocks falling sometimes. You can hear the engine from the excavator working.
著者: Ezzin
00:00
00:37
Walking on sand/gravel on concrete. Very crunchy. Recorded on a dr07 mkii in southwest florida. Please credit aaron port. If you can, please share the project you used this in.
著者: Cornwallis
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03:31
Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).
著者: Composition: Claudio S. Grafulla; Performance: United States Air National Guard Band of the Southwest, Concert Band; Recording: United States Air Force
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04:31
Binaural recording of the surf at vlissingen, nightfall. Recorded with roland roland cs-10em going into a sony icd sx-2000. Free to use, though i always appreciate listening to the end result, so feel free to send me a message if you decide to use it.
著者: Ondercast
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02:22
Recorded with an fl studio 10.
著者: Younoise
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00:46
Sheet based on mystic and ambient tones. From these came the ambient sound installation vision. Sfx conversion edited: adobe + fxs + mastered. Sound and loops https://freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.
著者: Szegvari
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00:33
Made with sophia.
著者: Younoise
00:00
00:44
Sounds of a woodshop in mexico, there is a saw in the background, some sanding and wood sounds.
著者: Vanberis
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01:17
Ocean sounds on the east coast.
著者: Sinforia
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00:17
Scratching on sandpaper sound of abrasive material being scraped on another hard surface over and over. Big thanks to Lisa Redfern for these high quality scratching sounds.
著者: Lisa Redfern
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01:13
Der Tag bricht an und zeiget sich; Evang. Gesangbuch 438; Wach auf, wach auf, ’s ist hohe Zeit; Evang. Gesangbuch 244
著者: Melodie: Melchior Vulpius 1609; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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01:05
Beach sounds at teluk batik, perak state of malaysia.
著者: Azrai
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