552 ロイヤリティフリー オーディオトラック の "線"

Recorded with a blue yeti in a treated room. Variations of a zipper zipping & unzipping. Jingle of metal. The rustle of fabric. ***don't forget to rate it***. Thank you for using my sound for your project. Send me some love by giving my youtube channel a like, share, or sub (https://www. Youtube. Com/@everydayeldritch). Check out my horror podcast at everydayeldritch. Com. Thank you!.

Clean recording of various sounds that would occur when maneuvering around an office space (specifically a desk) and manipulating common office objects. Recording features lots of paper rustling and sliding across a wooden desk, handling pens and a stapler, stuffing manila folders and plastic binders, and towards the end there are some sounds of small-medium sized personal bag being unzipped and zipped and then being filled with some of the office materials. Should work great for filling in general office noises in a scene or reinforcing actions that involve any of the materials featured in the recording. There should be enough variety to allow you to glean more isolated sounds or just use assortments of layered sounds. Recorded with an akg p170 into a tascam 208i audio interface at 48khz/24-bit. Microphone was positioned roughly 1. 5 - 2 feet away from the source. There is some slight room reverb present, which is intentional, and should match common office workspaces well. An 85hz high-pass filter was applied to remove any unintentional, unnatural low-frequency rumbling that may have been picked up during recording.

Field-recording on a railway platform in 2021 in belgium. A train is arriving, it glides on the tracks, brakes and comes to a standstill.

Ringmodulated inversion of my speech from the file https://freesound. Org/people/kb7clx/sounds/648443/ invertedspeechcq. Wav. I took the raw recording and used goldwave's mechanize effect to translate my voice to a center frequency of 14khz. I then demodulated it first at 10. 6 and then 10. 2khz meaning that what comes out is essentially the opposite sideband, offset by 3. 4 and 3. 8khz respectively. 3khz just didn't sound as good. The first i filtered with a low pass of 2. 9khz, the second was filtered to below 3. 4khz to emulate a communications receiver passband. I am speaking upside down as described in this video. Https://www. Youtube. Com/watch?v=q_ykxzcbh-g beginning at 00:03:16. Being blind i can't see their diagram, but i've got my own by ear intuitive method, keeping in mind that oo and ee are farthest from each other, all other vowells get closer the closer they are to the middle of the human voice frequency range. I say: huhlay sue quee, sue quee, sue quee do ux. Cahlloong sue quee sue quee sue quee do ux. The ay in huhllay is like when a spanish speaker says béisbol (baseball). The a in cahlloong is like the a in cat if you're opening wide for the doctor. The oo is like the oo in book. Listen to the other file and you'll hear: hello cq cq cq dx. Calling cq cq cq dx.

Fireworks 4th of july sound effects requested by Mike. The sounds are in the public domain.

Engine control unit utv atv fraser lens mint raspberry alveolus rack reptile dolphin shelf trail path channel efficiency mirror iso symmetry rheology energy battery jitter pilot navigator map track horizon.

Engine control unit utv atv fraser lens mint raspberry alveolus rack reptile dolphin shelf trail path channel efficiency mirror iso symmetry rheology energy battery jitter pilot navigator map track horizon.

Engine control unit utv atv fraser lens mint raspberry alveolus rack reptile dolphin shelf trail path channel efficiency mirror iso symmetry rheology energy battery jitter pilot navigator map track horizon.

Engine control unit utv atv fraser lens mint raspberry alveolus rack reptile dolphin shelf trail path channel efficiency mirror iso symmetry rheology energy battery jitter pilot navigator map track horizon.

I recorded myself running my fingers across a metal radiator, and myself saying i see dead people. I then edited it on audacity.