1,138 ロイヤリティフリー オーディオトラック の "肥満"

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01:47
Morceau d'improvisation à la guitare électrique par Arthur P. (11 ans et quelques) pour l'émission Culture(s) Numérique(s) numéro 11 (juin 2019) sur Radio Pluriel. Publié ici avec son accord.
著者: Untitled
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04:10
End of summer. Field recording in the surface of a compost mound. Sound of several flies species (diptera) crickets(ortoptera) and a lot of undefined crackles blops and clicks result of the frenetic activity of various types of grubs and worms into the rotting organic matter. Perfect for corpse soundtracks.
著者: Galeku
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00:52
Here are many recordings of a full pint glass being put down on different surfaces (coaster, glass, and wood).
著者: Plumforestpodcast
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00:05
Small sniff and frustration.
著者: Meltormen
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00:09
The full learner loop. Sounds kind of like under the sea infotainment documentary ?.
著者: Notofficial
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00:57
A sequence of percussive cd skipping noises made in to a techno glitchcore rhythm. This is a hard rhythm not micro-beats. There is a splash of synth in there and possibly a key change.
著者: Notofficial
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00:01
So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.
著者: Reitanna
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00:41
Male grunts when he's examining or judging something. Equipment used : sony icd-sx800d, external microphone rode ntg-2.
著者: Cormi
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00:07
Pouring whiskey from full bottle to whiskey glass.
著者: Funkapache
00:00
00:60
Audio project.
著者: Ramon
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00:27
A short riff of gamelan bells created with logic pro x.
著者: F R A G I L E
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01:09
Car ac air conditioner full blast max ac.
著者: Deleted User
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00:04
Paper being thrown into the air with a full sound.
著者: Rossbell
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00:16
Here are two full cans clinking like two people are cheersing with undrank beers or sodas. There's many.
著者: Plumforestpodcast
00:00
00:02
So these are all real reactions to certain things i do, i. E, video games, narrations, etc. I myself need genuinely real vocal reactions. I often look for voice clips here on freesound, and there's just some stuff that isn't here. I know i'm not the only one, either, so i post mine as well so others may use them. Interestingly, i've gotten one person who took the time to uh. . . Tell me how they. . . Disapproved of my voice clips, so i just wanted to say that if you wanna use them, do, if not, don't, that's why they are there. I enjoy animating, and others do too, wanting to use others' voice clips. I also had a couple people make techno remixes of a lot of my sounds (thank you by the way, they're awesome). It's not that i care about the. . . Interesting way the one person expressed their opinion, it's just to let some similar acting people know that i post these for a reason. *shrug* but whatever floats your zeppelin, i honestly don't care. Anyway, for those who do use them, thank you. :p.
著者: Reitanna
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00:11
Warning: really loud. Extremely angry after losing a game.
著者: Reitanna
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00:08
Warning: extremely loud!!. This scream is of pure frustration of losing another night at fnaf4.
著者: Reitanna
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00:03
Two recordings of a man groaning. I tried minimizing room tone as much as possible. Recorded on a shure beta58 from about 18 inches away.
著者: Muses
00:00
04:20
A recording. . . It's up to you to "master" it. Use it. Make it worth. Peace.
著者: Gis Sweden
00:00
18:01
This is a recording of myself sleeping, beginning ~ 1:00 am local time (~ 3hrs after going to bed) on january 10th, 2020 (which i later discovered was a full moon). I was in the midst of experimenting with recording myself all night long out of curiosity, using a laptop placed near the head of my bed. This particular recording was the only anomalous one (the rest consisting mostly of just breathing or snoring with occasional sleep-talking). This ~2 hour recording has several interesting properties, which make it hard for me to believe that these sounds were actually going on while i was sleeping. On the other hand, i don't have a memory of editing this file if i did. Either way, i find it unsettling. I found the file in oct 2021 while organizing my samples. As far as i can remember, this is the original raw recording. On further inspection, i discovered that it has some additional peculiar properties that make it even harder to believe i could have made it without remembering doing so. The audio spans almost exactly 118min (7080s). There’s a frequency sweep with a cycle-length of 6480ms that repeats throughout the entire recording. Dividing the 118min by 6. 48min (60 cycles) results in 18 parts containing exactly 60 cycles and a remainder of 12 cycles. If you think you know the source of the strange sounds or if you've ever heard anything similar, please let me know in the comments or email me at storyofthelie@protonmail. Com. I collected the most interesting bits into this pack:https://freesound. Org/people/storyofthelie/packs/33653/. Approximate times of weird stuff:. 25min - stretched cough41min - voice & sounds45min - metal hit & voice47min - call response55min - door latch1hr 3min - portal1hr 7min - more portal1hr 11min - open portal1hr 20min - echo voice1hr 23min - echo voice, tones, portal1hr 36min - stomp into breathing1hr 51min - echo voice1hr 53min - cycle tone change into crazy.
著者: Storyofthelie
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00:27
My phone ringing, me pressing the talk button, me yelling, me hanging up, and then me yelling again. This was made a long time ago. I think i had just put together some sounds i recorded for no reason in order to get this. Sorry about the poor quality. At the time i didn't have a good microphone.
著者: Juliebaka
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00:32
Mono 96/24 recording of a toilet being flushed. Has a very nice deep gurgle at the end. Equipment used: rode nta1-a large diaphragm condenser.
著者: Swiftoid
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00:10
This is a drum pattern played by me for a song. It's a full mix of three microphones - one behind the kit, along with snare and kick drum mics.
著者: Marvman
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00:59
Me making sounds of anger and frustration, just in case i may need them for cartoons or what not. I'm a girl by the way.
著者: Reitanna
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00:12
This is the full loop with drums, bass, and piano all together. Cmin, adim/c, abmaj, bbmaj.
著者: Deleted User
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13:26
Old washing machine full cycle noisy.
著者: Profispiesser
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00:02
I was recording a narration, and i kept stumbling over the same phrase, so this was uttered in frustration.
著者: Reitanna
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00:02
I was having a rough day, plz be careful with your volume settings!.
著者: Jackie Makes Noiz
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00:01
Hey everyone,. Thanks for everything now and throughout the past couple years. I appreciate you all!. Support me : https://bit. Ly/rkb07. Edited in fl studio 20 & recorded using a tascam dr-05.
著者: Audioway
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00:19
Warning: very loud!!!. Having a breakdown of frustration after losing, and then coming back ready to go again.
著者: Reitanna
00:00
04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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00:01
Recording of male giving an approving "hm".
著者: Trimono
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00:13
Sharp honk of horn on a dumpster truck idling quietly. Only the slightest background of songbirds.
著者: Cognito Perceptu
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00:01
This is my voice of frustration. I recorded this by an accident, i got angry in the middle of recording something else. Authentic - no acting. "kurwa" is a polish word as popular and as meaningful as english "fuck". It is also (sadly) the most well-known polish word among other nations. Recorded with a zoom h2 via usb @ 48khz/16-bit into ardour 2. Edited and converted to flac using ardour 2. I apologize for uploading this.
著者: Unfa
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03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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00:42
A riff i wrote using logic pro x. Feel free to use for a song. (but credit me if you don't mind. )chords are g#, d#, fm7, gm7. 120 bpm.
著者: F R A G I L E
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00:04
Placing a glass full of water down on a flat hard surface table.
著者: Hoganthelogan
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00:07
Me playing the electric guitar with an overdriven effect from amplitube.
著者: Snapper
00:00
00:27
You can use it to what ever you want without any restrictions.
著者: Kradziej
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03:31
Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).
著者: Composition: Claudio S. Grafulla; Performance: United States Air National Guard Band of the Southwest, Concert Band; Recording: United States Air Force
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05:57
Engine control unit utv atv trail path channel fraser lens beam battery jitter wideband broadband mcv dual carb sox cox nox optical synchronicity t2 t1xort2 full spectrum light analyzer wavelentgh.
著者: Awaka
00:00
05:56
Engine control unit utv atv trail path channel fraser lens beam battery jitter wideband broadband mcv dual carb sox cox nox optical synchronicity t2 t1xort2 full spectrum light analyzer wavelentgh.
著者: Awaka
00:00
05:05
Washing machine, spin-cycle.
著者: Gjos
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05:50
Engine control unit fraser lens iso synchronous processor core atv utv driver wavelength unit rack shelf battery jitter stream fluid aa aaa full channel.
著者: Awaka
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05:50
Engine control unit fraser lens iso synchronous processor core atv utv driver wavelength unit rack shelf battery jitter stream fluid aa aaa full channel.
著者: Awaka
00:00
06:22
Engine control unit fraser lens iso synchronous processor core atv utv driver wavelength unit rack shelf battery jitter stream fluid aa aaa full channel.
著者: Awaka
00:00
06:22
Engine control unit fraser lens iso synchronous processor core atv utv driver wavelength unit rack shelf battery jitter stream fluid aa aaa full channel.
著者: Awaka
00:00
00:13
Played with some distortion on some 808s, got some really cool growls!.
著者: Newagesoup
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00:03
A drum & bass-styled drum fill. 178 bpm.
著者: Theendofacycle
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00:01
Spoken word recording of be good sounds like take that through audacity with the distortion effect applied to full distortion amount and half harmonic brightness from the first track of the second hour of the war table role-play session in giving and gifting a woman my music.
著者: Contramundum
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