1,067 ロイヤリティフリー オーディオトラック の "角度"

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Recorded in the night, you will hear a calm situation of falling raindrops without noise of civilisation. The church bell is 200 meter away. The raindrops are falling on the ground of a little deciduous forest and the whole situation is very spatial. The spatial impression is best if headphones are used. Ch1 = flch2 = frch3 = rlch4 = rr. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. ;-)https://www. Sounddevices. Com/product/wave-agent/. _________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones).
著者: Bluedelta
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Sample of the doepfer a-110-1 triangle output. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.
著者: Cabled Mess
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Four samples of triangle - musical instrument.
著者: Tosha
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A short cat conflict (he wants - she not) ;-). . . While birds are singing in the trees and a rooster is crowing then and when. Recorded in the early morning hours at round about 4:00 am. The spatial impression is best if headphones are used. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. ;-)https://www. Sounddevices. Com/product/wave-agent/. _________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones).
著者: Bluedelta
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Sound of triangle. Sound recorded with a zoom h4n pro. Son d’un triangle. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).
著者: Samuelgremaud
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Sound of triangle. Sound recorded with a zoom h4n pro. Son d’un triangle. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).
著者: Samuelgremaud
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Sound of triangle. Sound recorded with a zoom h4n pro. Son d’un triangle. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).
著者: Samuelgremaud
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Sound of triangle. Sound recorded with a zoom h4n pro. Son d’un triangle. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).
著者: Samuelgremaud
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Synthesized sound of a flying helicopter. The patter is as follows:. Sound 1 || sound 2 || sound 3 || sound 4 || sounds 1+2 || sounds 2+3 || sounds 3+4 || sounds 1+3 || sounds 2+4 || sounds 1+2+3 || sounds 1+3+4 || sounds 2+3+4 || sounds 1+2+4 || sounds 1+2+3+4 || sounds 1+2 again || sounds 1+2 with phaser effect (pitch up and down). Each sound above is exactly 2 seconds long except the second-to-last sound (4 seconds long) and the last sound (8 seconds long). All sounds synthesized in propellerheads reason's thor polyphonic synthesizer. Here's how i did it: used two oscillators (one noise oscillator and another multiple-wave oscillator), and then passed them through two different filters. In each filter, i lfo'd the frequency knob at 2. 0hz (120bpm), and the pattern you see above is each oscillator-filter combination muted in different ways. For the last sound, i applied a phaser effect and automated the frequency knob or some other knob to give that pitch-up pitch-down effect.
著者: Afleetingspeck
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Soft, medium, and loud single hits on a triangle.
著者: Jcdecha
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My toshiba laptop was on my cooler on my desk for added cooling as well as the internal fan. I recorded it from my iphone microphone.
著者: Jess
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A mono recording of the cheapest triangle i could find at the music store. 3 single hits of the bars, a few closed hits and a finger cymbal ding as a bonus. Gear:neumann ltm-103arturia audifuse. Format:wav 48khz 24bit mono.
著者: Brunoboselli
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著者: controllerhead
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Future bass supersaws, created with xfer serum in reaper. Decided not to use this chord progression for my track, but perhaps it can be of use to someone!. License: cc0.
著者: Newagesoup
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Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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Comp-master 1. 7 band eq-telephone. Effector-lo fi. Delay-short analog. C4. Tempo140.
著者: Gmortizwavs
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06:26
Engine control unit corrector mono x2 dual sound a. B a!=b iso synchronous atv utv trajectory analyzer left mirror right rheology paradigm efficiency 6db 3dbl+3dbr !=2*3db signal density growth.
著者: Awaka
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06:26
Engine control unit corrector mono x2 dual sound a. B a!=b iso synchronous atv utv trajectory analyzer left mirror right rheology paradigm efficiency 6db 3dbl+3dbr !=2*3db signal density growth.
著者: Awaka
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05:12
Engine control unit corrector mono x2 dual sound a. B a!=b iso synchronous atv utv trajectory analyzer left mirror right rheology paradigm efficiency 6db 3dbl+3dbr !=2*3db signal density growth.
著者: Awaka
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05:12
Engine control unit corrector mono x2 dual sound a. B a!=b iso synchronous atv utv trajectory analyzer left mirror right rheology paradigm efficiency 6db 3dbl+3dbr !=2*3db signal density growth.
著者: Awaka
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03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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This is a series of basic single cycle waveforms sampled from open source synthesizers, for use in tracker software or other sample based synths.
著者: Soneproject
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Engine control unit ecu utv atv trail path channel best effort battery jitter fraser iso synchronous beam wavelength broadband qos rheology paradigm mirror density field corrector rack shelf aaa 111.
著者: Awaka
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Engine control unit ecu utv atv trail path channel best effort battery jitter fraser iso synchronous beam wavelength broadband qos rheology paradigm mirror density field corrector rack shelf aaa 111.
著者: Awaka
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Engine control unit ecu utv atv trail path channel best effort battery jitter fraser iso synchronous beam wavelength broadband qos rheology paradigm mirror density field corrector rack shelf aaa 111.
著者: Awaka
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Engine control unit ecu utv atv trail path channel best effort battery jitter fraser iso synchronous beam wavelength broadband qos rheology paradigm mirror density field corrector rack shelf aaa 111.
著者: Awaka
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Short field recordings made with my iphone in august 2013 while visiting family on one of the many small residential islands located in beaufort, south carolina (of forrest gump, the prince of tides, the big chill, and the great santini fame for any movie buffs out there). The loud buzzing is the ear-piercing mating call of the cicada insect, a sound that's hard to escape in the sultry summer months and semi-tropical environment of the south carolina low country. You can also hear tree frogs and i think maybe some birds too. Unfortunately there's also a little ambient whine of an air conditioner at times and me tip-toeing quietly around on the crunchy gravel dirt road. . . Because i didn't realize my iphone would do such a good job of picking up the sound of my footsteps. :). Feel free to make use of these recordings!if you do use them in some way in a project, i'd be curious to hear from you.
著者: Harryscary
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Created with a korg electribe 2 processed by a zoom multistomp ms-70cdr guitar multi-fx pedal, using the particle reverb. The manual states that it models the line6 m9 particle verb. Particle reverb. In this piece of audio the electribe only uses triangle oscillators. Here's a video showing the setup: https://youtu. Be/zytc4gofwmq. It's always nice to hear what projects you use these sounds for. Let me know. ;-). Please also check out my pond5 and unity asset store profiles for more:http://www. Pond5. Com/artist/cabled_messhttps://www. Assetstore. Unity3d. Com/en/#!/search/page=1/sortby=popularity/query=publisher:20154.
著者: Cabled Mess
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Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).
著者: Composition: Claudio S. Grafulla; Performance: United States Air National Guard Band of the Southwest, Concert Band; Recording: United States Air Force
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Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
著者: Joao Janz
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Der Tag bricht an und zeiget sich; Evang. Gesangbuch 438; Wach auf, wach auf, ’s ist hohe Zeit; Evang. Gesangbuch 244
著者: Melodie: Melchior Vulpius 1609; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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Aethernet cc0 autocom controller unit horizon iso synchronous dual band focus lens multiplexer way flag route 40 20 10 security volume density alveolus map grid light carrier traffic raspberry pi.
著者: Awaka
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Aethernet cc0 autocom controller unit horizon iso synchronous dual band focus lens multiplexer way flag route 40 20 10 security volume density alveolus map grid light carrier traffic raspberry pi.
著者: Awaka
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06:60
Aethernet cc0 autocom controller unit horizon iso synchronous dual band focus lens multiplexer way flag route 40 20 10 security volume density alveolus map grid light carrier traffic raspberry pi.
著者: Awaka
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This is a small jam i recorded myself on my diy spring reverb circuit i've built for a friend. It sounds really good with music. In this session, i've only used coninuous triangle/sine/square waveforms and jammed on my for pots: input gain,hp filter cutoff, feedback amount, output gain. I'm sorry if the recording clips sometimes, but there's a big dynamic so i couldnt see how much loud it was. Feel free to take it and use it for sampling or sound design layering.
著者: Drmond
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High degree engine control unit starter hot cold weather electric trigger battery jitter microwave wifi wimax ad hoc spot networking web rheology aethernet cc0 local global connectivity area freenet internet.
著者: Awaka
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High degree engine control unit starter hot cold weather electric trigger battery jitter microwave wifi wimax ad hoc spot networking web rheology aethernet cc0 local global connectivity area freenet internet.
著者: Awaka
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I'm Just Wild About Harry song (instrumental version). 78 RPM vertical cut photograph. Noise removed. Some equalization and compression to adjust for "tinny" sound. Some mild adjustments to even out the volume. Українська: «Я просто божеволіє від Гаррі», написана Юбі Блейком і на слова Нобла Сіссла, виконана в 1922 році.
著者: Eubie Blake, composer (with Sissle, Noble, lyrics), performance conducted by Vincent Lopez, published by Edison
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Engine control unit ecu atv utv trail path channel high quality reliance fraser lens density rack shelf battery charger jitter best effort efficiency gateway gatekeeper security checker wifi wimax networking.
著者: Awaka
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Engine control unit ecu atv utv trail path channel high quality reliance fraser lens density rack shelf battery charger jitter best effort efficiency gateway gatekeeper security checker wifi wimax networking.
著者: Awaka
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Engine control unit ecu atv utv trail path channel high quality reliance fraser lens density rack shelf battery charger jitter best effort efficiency gateway gatekeeper security checker wifi wimax networking.
著者: Awaka
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06:35
Engine control unit ecu atv utv trail path channel high quality reliance fraser lens density rack shelf battery charger jitter best effort efficiency gateway gatekeeper security checker wifi wimax networking.
著者: Awaka
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Stephen Foster's music to "We Are Coming, Father Abraham", played by the United States Marine Band. Performed February 16, 2009 at The Music Center at Strathmore. Col. Michael J. Colburn, conducting; Gy.Sgt. Kevin Bennear, baritone.
著者: Untitled
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Short sound effects made with minikorg 700s + kenton midi to cv converter.
著者: Hast
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著者: John McCormack
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著者: John McCormack
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Manipulated recording of the back of headphones being rubbed together.
著者: Ismailmasha
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Glass bottle shattering.
著者: Sgarrison
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Recording of a phone screen being flicked.
著者: Ismailmasha
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Fork being scraped around in a trash can.
著者: Evanmack
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