1,084 ロイヤリティフリー オーディオトラック の "距離"

A recording of strong north winds gusting through a neighborhood. You'll hear leaves ratttling, the flapping of a big tarp, dogs in the background far away, and, one of my favorites, wind chimes. The jingling wind chimes really get going towards the end of the recording. Occassionally a loud car drives by. I sat my handy zoom h4n recorder on my front porch for this one and used the internal microphones with record volume at 80. .

Ambient file for something that makes you uneasy, on edge. There's something around or near you that might cause a problem. It's something you can't put your finger on but the general weirdness of where you're at gives you the willies. Audacity, macbook pro.

A recording of a series of northwest wind gusts blowing through the bare december branches. A wind-chime adds some color, as well as a far-off train towards the end of the recording. Recording made on december 17th, 2014 with the zoom h4n recorder and using its internal, built-in stereo microphones with the record volume set on 82.

Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).

Similar to a sliding doormade by simultaneously opening a paper umbrella and scraping wood togetherrecorded with an akg perception 220.

Der Tag bricht an und zeiget sich; Evang. Gesangbuch 438; Wach auf, wach auf, ’s ist hohe Zeit; Evang. Gesangbuch 244

Created using the grain freeze from one of the daily zombie samples. Recreated into a windy sound scape. . I'm telling you. . This max for live device is so interesting if you're into sound design. . Youtube it. . Find it! get it. . Free.

I'm Just Wild About Harry song (instrumental version). 78 RPM vertical cut photograph. Noise removed. Some equalization and compression to adjust for "tinny" sound. Some mild adjustments to even out the volume. Українська: «Я просто божеволіє від Гаррі», написана Юбі Блейком і на слова Нобла Сіссла, виконана в 1922 році.

Some artificial wind mixed with a weird metallic hum. Feels wave-like. Made/generated in audacity.

Stephen Foster's music to "We Are Coming, Father Abraham", played by the United States Marine Band. Performed February 16, 2009 at The Music Center at Strathmore. Col. Michael J. Colburn, conducting; Gy.Sgt. Kevin Bennear, baritone.

Short sound effects made with minikorg 700s + kenton midi to cv converter.

Manipulated recording of the back of headphones being rubbed together.

Glass bottle shattering.

Recording of a phone screen being flicked.

Fork being scraped around in a trash can.

Class project.

Students talking between classes, near microphone.

Telephone 70s circle dial dialing recorded using a sennheiser wireless dynamic ew135g2 microphone through a yamaha dm1000 digital console with cubase software.

Struck the back side of a metal tablespoon with another spoon, and let it ring.

Tapping of hand on plastic sheet film. Recorded with mono microphone and ensemble. No post processing.

A slowed down hit on a trash can with added reverb.

Standing on a platform for the s-bahn (overground) train in berlin. Train approaches, stops, small people get on board. Tannoy makes announcement and train leaves.

First recording with the sound devices mix pre 6with my oldschool vintage philips 50's microphonefrom the rommelmarkt ! just being nice to thelittle device. . . Recording: 18 november 2020. 11 dec 2020, late at nighta+josé.

Two sustained voice samples i subsequently pitch shifted and layered for an ambient work (to achieve an 80's choir pad effect). The key is almost in middle c, but slightly off. . . Because i can't sing. The second, lower voice sample was recorded extremely close to the mic to achieve clipping; i wanted to get a buzzy, boomy sound out of it.

This is the sound of my nails slowly scraping the plastic back of a chair.

Light rain drizzle, recorded from basement window. M-s recorded with neumann rsm191 (decoded while recording)16bit 48khzisrael.

S-bahn passing by. Recorded with zoomh5, in berlin südkreuz.

The recording you will hear children's-rattle.

These field-recordings were captured for a radioplay. You can hear various moves (where possible described in german in the filename). The files are recorded in m/s-stereophony, so you have the m-signal on the left channel, the side-information on the right.