1,357 ロイヤリティフリー オーディオトラック の "銀色"

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Made with ableton live 11.
著者: Logicmoon
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06:32
Six minutes of ambient sound from my breakfast at jerry's deli 1/05/13. Recorded 24 bit 48khz on a tascam dr-100 mk-ii. Please credit, though it's not required. Peace! skyko.
著者: Skyko
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01:41
Taken at longhouse restaurant in gilroy, ca.
著者: Magnesium
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01:46
Recording of myself unloading cutlery from a dishwasher and putting it away in various drawers.
著者: Alienistcog
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Pounding my fist on the dinner table, set with plates and silverware. I had forks balanced so that they would slide off when my fist hit the table.
著者: Kenrt
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10:01
This is my local pizzeria in los angeles. Mostly youthful people having a good time. This evening, the restaurant had tables with armenians, americans and latinos. A nice variety of dialects and conversations. Recorded with: sanken cs-1e, fostex fr2le.
著者: Conleec
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00:08
A rendition of this sound:. Http://www. Freesound. Org/people/kollege/sounds/8153/. Just ran it through abelton live. 1. Autopan/gate 2. Erosion 3. Eq eight 4. Ping pong 5. Reverb 6. Compressor (all automated). Please enjoy.
著者: Untitled
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00:15
A fork falls on a limestone floor. Three versions at various heights.
著者: Alfredhitch
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00:37
Peeling of a mandarin orange in close detail. An original sound recorded and produced by harry geeves. Recorded in stereo with rode nt5s through a tascam us 16x08.
著者: Harrygeeves
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00:05
An edited recording of crashoverride61088 on trombone, edited to sound like the teacher ms. Othmar from the peanuts series. Recorded with an at-4040, pro tools 10, and some light eq. The original sound (http://www. Freesound. Org/people/crashoverride61088/sounds/146933/) was edited in audacity to set a new sampling frequency and to change stereo to mono format.
著者: Brote
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This an acapella that could be featured on your future hit. This is no copyright, i recorded this just for your free download and use. For me is bonus - my voice on your track. One ask: if you use it in your music, please send me a link to a track. I would love to listen.
著者: Paranoye
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An edited recording of myself on trombone, edited to sound like the teacher ms. Othmar from the peanuts series. Recorded with an at-4040, pro tools 10, and some light eq.
著者: Crashoverride
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01:03
Toilet flushing and refilling with drops of water at the end.
著者: Jpbillingsleyjr
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04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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Voz de un ser de otro mundo: alien, extraterrestre, monstruo. Voice of a being from another world: alien, extraterrestrial, monster.
著者: Flmradio
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08:37
I was hungry, so i decided to make a midnight snack. Features clinking dishes, moving drawers, fridge humming & clicking, an "off-camera" microwave, and a few cameos by the house pets. Recorded with a pair of om1s on a very janky homemade jecklin disc into an audiobox 44vsl.
著者: Techno
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01:10
Outer space loop with an ambient feel.
著者: Wi Photos
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Laser firing sound perfect for retro space games.
著者: Omerbhatti
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A robot describing how the 'big bang' happened. Recorded using an se 2200a microphone into apple logic.
著者: Spookycustard
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Another pause signal downloaded by 'the seal' boise/id. There is need of a simultaneous intergalactic voice translator.
著者: Vumseplutten
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00:34
A sound of a reverberating chime turned backwards.
著者: Vendarro
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This is a compilation of sounds intended to sound like a group of silverware hitting the side of a wooden ship, like in pirates of the caribbean.
著者: Beckyrps
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01:31
Restaurant sounds. My iphone left sitting on my table for 1:31 in a family restaurant in st. Petersburg florida usa the evening of june 7, 2012. My egg plant was very good, thank you. Lol.
著者: John Sipos
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01:08
Me clanking about with a knife and fork on an empty plate trying to sound like someone eating their tea.
著者: Waxsocks
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01:26
Tea being stirred by a spoon and then the spoon tapping on the edge of the cup.
著者: Taure
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00:08
Placing plate and cutlery on a table.
著者: Nachtmahrtv
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03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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I was trying to make some floaty meditation type music like people use for hypnotherapy and yoga and stuff but accidentally made something fractionally too menacing. To me it sounds like something you might have in the background of a scene where viewer is contemplating an unexpected cosmic vastness or an ancient alien artefact or something otherwise mindblowing but also potentially existentially threatening.
著者: Waxsocks
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I was fooling around with audacity and created this neat little sound. I have no clue how to lower the volume, and really, i mean it: this thing is loud. I keep my volume at 10% and i couldn't even listen to this thing with my headphones. I have tried to lower the volume (so that it doesn't hurt the ears) but to no avail. If you by chance know how (in audacity) then feel free to tell me in the comments and i'll re-upload a non-deafening version. If you use it i don't mind at all, though i am curious, if you do use it, what you'll use it for. Either way, i don't mind, but i'm curious by nature.
著者: Hytura
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Sony pcm m10, no postprocessing.
著者: Monotraum
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00:60
A raven calls from on top of a telephone pole in teller, ak. Recorded with a shotgun mic on a marantz flash recorder.
著者: Raveler
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A sound found in the midst of me shuffling coins around. Trimmed and editedto sound like a "money collected" sound effect. -----------------------------------------------------------------------. This sound, like everything i upload here,is completely free for anyone to use. You may use it however you please. I hope it is useful. 🎶.
著者: Colorscrimsontears
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A sound of a card reade for futuristic radio shows.
著者: Jalyncatbtg
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A sound i made for a game because there didn't seem to be any such sound here already. An ice spell, made by tapping silverware against a glass and applying thick echo. As usual, credit would be nice.
著者: Relenzo
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00:13
This microsong is one of my micro compositions, inspired in the magic of disney but you can use in any situation. Recorded only with my roland gw-8 keyboard and audacity as a multitrack sesion.
著者: Milton
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And further a little joke with the moderators. You can here them discussing my job, and they are obviously upset. Luckily, they can't hit me, the atlantic is inbetween.
著者: Vumseplutten
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03:32
Audio recording art assignmenthow to make liquid water color from old markersart teacher tips for classroommusic is my son's original work - not copyright infringement materials.
著者: Deleted User
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73:60
Please check out the new and improved version 2 now!. Https://freesound. Org/s/403326/. Simply log in and slam that download button. Free to download and distribute!. Created completely from end-to-end with open-source software. What i present to you is a high quality ipod ready cd-length track of extremely "soft"- toned noise. Helps with many sound pollution problems and audio-stimulus problems such as: sleep, concentration, tinnitus, headaches, and so much more!. The goal of this project was to bring the listener some aid in life and because of the success of this file i have released a softer version for listeners who prefer it:. Https://freesound. Org/s/403326/. Thank you all for the 1,000+ downloads!!!if this has helped you, please leave your story and feel free to share a link to this all over the web to help others in need.
著者: Assett
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60:07
The new and improved ultra-soft noise v2 is here!. This has been optimized for itunes and other audio players. The file includes full tags and album art - 320kbps mp3. Simply log in and slam that download button. Free to download and distribute!. Created completely from end-to-end with open-source software. The audio has been updated to higher quality:3x the noise of the previous version, but with a slightly softer tone to increase effectiveness. Over 100 separate streams of noise was generated to create this. (v1 used 21 streams in 44khz/24-bit in a v0 mp3)the entire project was created, mixed, and mastered in 96khz/32-bit float. This file is limited to 1 hour because the use of a larger bit-rate and the amount of noise used. Helps with many sound pollution problems and audio-stimulus problems such as: sleep, concentration, tinnitus, headaches, and so much more!. If this has helped you, please share your story in the comments below and feel free to distribute this all over the web to help others!. I am leaving the original file https://freesound. Org/s/132275/ online for those who prefer it's tone and texture over this - v2 is a smoother and more relaxing texture.
著者: Assett
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Robot sound created outta boredom.
著者: Awesomebundy
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The sound of silverware hitting/"clanking" on a plate.
著者: Closetwalrus
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00:04
Gave myself a wee sound challenge tonight and knocked up some transformer noises.
著者: Jarredgibb
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01:29
A series of sounds, fax among others, for fun spaceship robotic use.
著者: Rimmer
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Accepted transaction sound of a dutch payment system.
著者: Mega X Stream
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Captured using a zoom h6 recorder and it's msh-6 “mid-side”-capsule. Date of the recording: 30/09/2017. Cut in ocenaudio. Also removed the s-channel. It's always nice to hear what projects you use these sounds for. Let me know.
著者: Cabled Mess
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This sound was created using audacity. First of all i chose a frequency of 432 hz ( a number which includes the golden rule/proportion), then i created a gradual rise in the first 4 seconds, leading into a peak which descends so it can go up again, creating an effect of confusion. At the end, the sound raises gradually and rapidly to reach its peak once again. This sound recreates, for me, a fast- moving ufo (unidentified flying object) and includes the notion of conspiracy in our society- the changing of the frequency of the tone “la “ from 432 hz to 440 hz in 1953 by the nazis. La règle d’or- 432 hertz. Le ton « la » est une pointe centrale dans le réglage des instruments musicaux. Le ministre de la propagande en allemagne pendant l’époque des nazis a fait un décret général avec lequel il a changé la tonalité « la »de 432 hz en 440 hz. On utilise cette hauteur à partir de 1939 jusqu’à nos jours. Il y a eu des protestes de la part de professeur dussault de la conservatoire parisienne qui a fait une pétition signé par 23 000 artistes françaises mais sans aucun résultat. L’organisation internationale de standardisation(iso) a accepté en 1953 les changements et on utilise la valeur de 440 hz depuis. Des recherches montrent que ce changement a des effets incontournables sur le corps et le cerveau humain- les gens entrent dans un chaos. Ce changement a été caché du monde entier parce que c’est le point de la balance dans la nature. 432 hz est la vibration qui inclue aussi le règle d’or (ou la proportion de dieu). Quand on écoute de la musique en 440 hz la première chose qu’on remarque c’est une fatigue, aucun envie de faire n’importe quoi et beaucoup d’autres ( y inclus le mouvement de notre adn) une étude récent montre que l’utilisation de 440 hz crée des mouvais effets dans la nature et dans toutes les êtres vivantes. Cette article m’a inspirée à recréer un son avec une fréquence de 432 hz qui monte et baisse graduellement. C’est un son seul de type complexe(nodal). Il est de type v( continu varié), il est éclatant,clair et lisse. L’attaque du début est graduelle et violente. Le son varie en « hauteur » de plus fort au moins fort et l’inverse, recréant un effet d’un ovni qui passe à côté de vous.
著者: Univ Lyon
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