422 無料のアートワーク和服用

女性絵画日本イラストレーション春ガールズ男性フラワーズ読書歴史

Tsukioka Yoshitoshi – Looks Delicious’, Mannerisms of a Courtesan from the Kaei Period [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Shirafuji Genta With a Kappa [from One Hundred Ghost Stories of China and Japan]

Uemura Shōen – Woman Reading a Book [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Snow [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Fragrance of Spring [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Early Summer Rain [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Spring Look [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Komura Settai – Beach [from Hanga Geijutsu No.146]

Kitagawa Utamaro – Calligraphy, from an untitled series of the Four Accomplishments [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Fishing with a Scoop Net [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

ボート印刷

Kitagawa Utamaro – Parody of the Killing of the Nue, from the series Picture Siblings [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Yasui Sōtarō – Woman and Dog [from Sōtarō Yasui: the 100th anniversary of his birth]

Uemura Shōen – Beautiful Woman Reading a Book [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

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日本の印刷

Tsukioka Yoshitoshi – Fuwu Bansaku in Ruined Temple With Black Monster on Umbrella [from One Hundred Ghost Stories of China and Japan]

Utagawa Kunisada and Utagawa Hiroshige – Numazu: The Ashitaka Mountains and Numazu Station; Actor Bando Mitsugorô III as Jûbei, with Oyone [from The Fifty-three Stations by Two Brushes]

カップル印刷

Tsukioka Yoshitoshi – Looks Thirsty’, Mannerisms of a Geisha (Known as Sake Servers) from the Ansei Period [from Thirty-two Aspects of Women]

Kiyohara Tama – Japanese Wisteria and Girl [from Tama Eleonora Ragusa]

ガールズ人

Uemura Shōen – Sisters [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

ガールズ和服

Uemura Shōen – Woman’s Figure [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Sudō Shigeru – Yasukuni Shrine [from Sudō Shigeru Lyric Art Book]

イラストレーション春

Kitagawa Utamaro – Kitchen Scene [Left] [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – The Cloth-fulling Jewel River, from an untitled series of Six Jewel Rivers [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Takigawa, from the series Array of Supreme Beauties of the Present Day [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Utagawa Kunisada and Utagawa Hiroshige – Yokkaichi: Mirage at Nako Bay; Actor Sawamura Chôjûrô V as Saigyô in the Scene Portrait of Norikiyo [from The Fifty-three Stations by Two Brushes]

お父さん印刷

Utagawa Kuniyoshi – NAKATSUGAWA: Horibe’s Wife and Daughter (Horibe no tsuma do musume) [from The Sixty-nine Stations of the Kisokaido]

お母さん印刷

Sugiura Hisui – Mitsukoshi (dealer in kimono fabrics): Spring New-Pattern Show [from Hisui Sugiura: A Retrospective]

イラストレーション女性

Tsukioka Yoshitoshi – Looks Cool’, Mannerisms of a Geisha after 1872/3 [from Thirty-two Aspects of Women]

Tsukioka Yoshitoshi – Looks Amused’, Mannerisms of a Music Teacher from the Kaei Period [from Thirty-two Aspects of Women]

Kitagawa Utamaro – Woman around the Clock: at the hour of the Monkey (4:00 p.m ) [from Utamaro – Ukiyoe meisaku senshū I]

Sudō Shigeru – Fled Birds [from Sudō Shigeru Lyric Art Book]

イラストレーション冬

Sudō Shigeru – Bright Moon [from Sudō Shigeru Lyric Art Book]

イラストレーション月

Sudō Shigeru – Girl sewing a spring cloth [from Sudō Shigeru Lyric Art Book]

イラストレーション冬

Kitagawa Utamaro – Woman Reading a Letter under a Mosquito Net [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Three Drunken Courtesans, a Triptych: the Angry Drunk, the Weepy Drunk, the Giggly Drunk [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Utagawa Kunisada and Utagawa Hiroshige – Yoshida: Great Bridge on the Toyokawa River; Actor Arashi Rikan III as Oran no Kata, with Ichikawa Danjûrô VIII [from The Fifty-three Stations by Two Brushes]

Utagawa Kunisada and Utagawa Hiroshige – Hamamatsu: Passenger and Baggage on a Horse [from The Fifty-three Stations by Two Brushes]

Utagawa Kuniyoshi – ASHIDA: Araimaru and Nyogetsuni [from The Sixty-nine Stations of the Kisokaido]

Utagawa Kuniyoshi – IWAMURADA: Ōiko Waters the Fields (Ōiko tahata o uruosu) [from The Sixty-nine Stations of the Kisokaido]

Tsukioka Yoshitoshi – Looks Observant’, Mannerisms of Kyoto Waitress from Meiji Period [from Thirty-two Aspects of Women]

Uemura Shōen – The Coming of Spring [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Kitagawa Utamaro – Parody of an Imperial Carriage Scene [Left] [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Street Scene at Ryôgoku Bridge [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Uemura Shōen – Sound of the Tabor [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

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Tsukioka Yoshitoshi – Suma Urabe Suetake Meeting a Ghost with a Child [from One Hundred Ghost Stories of China and Japan]

Uemura Shōen – Ono no Komachi [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Tsukioka Yoshitoshi – Iga no Tsubone with Tengu [from One Hundred Ghost Stories of China and Japan]

Uemura Shōen – Ono no Komachi [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Ise no Taifu [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Katsushika Hokusai – The Print of Famous Place: Ueno [from Meihin Soroimono Ukiyo-e]

Utagawa Kunisada and Utagawa Hiroshige – Mariko: Local Specialty Dumplings [from The Fifty-three Stations by Two Brushes]

Utagawa Kunisada and Utagawa Hiroshige – Okitsu: Kiyomigaseki, Kiyomi-dera Temple, and Tago Bay; A Travelling Masseur [from The Fifty-three Stations by Two Brushes]

Utagawa Kunisada and Utagawa Hiroshige – Totsuka: Traveller and Waitress at an Inn [from The Fifty-three Stations by Two Brushes]

Uemura Shōen – Meditation [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Spring Journey [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Yoshida Hiroshi – Pigeons and a Girl [from Fukuoka Art Museum]

Uemura Shōen – Flower of Life [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Kitagawa Utamaro – Kitchen Scene [Right] [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Kitagawa Utamaro – Umegae Dreaming of Okita [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Utagawa Kunisada and Utagawa Hiroshige – Mitsuke: Ferryboat on the Tenryû River; Travellers at the Tenryû River [from The Fifty-three Stations by Two Brushes]

ボート印刷

Sudō Shigeru – Rain [from Sudō Shigeru Lyric Art Book]

イラストレーションガールズ

Uemura Shōen – Evening [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Evening [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Sudō Shigeru – Hinamatsuri [from Sudō Shigeru Lyric Art Book]

イラストレーション人形

Sudō Shigeru – The Sun Sets [from Sudō Shigeru Lyric Art Book]

イラストレーションガールズ

Katsushika Hokusai – The Print of Famous Place: Ōji [from Meihin Soroimono Ukiyo-e]

Komura Settai – Hanshan Shide Likened to Two Women [from Komura Settai]

Utagawa Kunisada and Utagawa Hiroshige – Maisaka: View of the Sea at Imagiri; Blind Women Musicians on a Journey [from The Fifty-three Stations by Two Brushes]

Utagawa Kunisada and Utagawa Hiroshige – Hakone: Nijiyama, Yumotoya, Sanmaibashi, Tôkaiya; Hatsuhana and Katsugoro from Revenge of the Cripple [from The Fifty-three Stations by Two Brushes]

Tsukioka Yoshitoshi – Looks Painful’, Mannerisms of a Courtesan from the Kansei Period [from Thirty-two Aspects of Women]

Kitagawa Utamaro – Naniwaya Okita and a Temple Guardian Statue in a Tug of War with a Pillow [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Komura Settai – Hanshan Shide Likened to Two Women [from Hanga Geijutsu No.146]

Keisai Eisen – Fûryû Hana-awase [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

お母さん印刷

Tsukioka Yoshitoshi – Looks Eager to Meet Somebody’, Mannerisms of a Prostitute of the Kaei Period [from Thirty-two Aspects of Women]

Uemura Shōen – Cherry Blossom Viewing [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Daughter [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Yasui Sōtarō – Portrait of prof. Tamamushi [from Sōtarō Yasui: the 100th anniversary of his birth]

Komura Settai – Flicker of Light [from Hanga Geijutsu No.146]

Utagawa Kunisada and Utagawa Hiroshige – Miya: Distant View of Atsuta Station and Nezame Village; Actor Ichikawa Danjûrô VIII as Taira no Kagekiyo [from The Fifty-three Stations by Two Brushes]

Keisai Eisen – Geisha on the bank of Sumida-gawa River in Spring [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]

Edmund Dulac – J was a juvenile Jap [from Lyrics Pathetic & Humorous from A to Z]

イラストレーション人

Uemura Shōen – Spring [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

Uemura Shōen – Sisters [from Uemura Shōen Exhibition on the 50th Anniversary of Her Death]

ガールズ本

Komura Settai – Peony [from Hanga Geijutsu No.146]

Kitagawa Utamaro – Two Beauties Playing Neck Tug-of-war: For the West, Okita of the Naniwaya, and for the East, Ohisa of the Takashimaya [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Utagawa Kunisada and Utagawa Hiroshige – Nissaka: Sayo no Nakayama and a Distant View of Mount Muken; the Bell of Muken [from The Fifty-three Stations by Two Brushes]

Utagawa Kunisada and Utagawa Hiroshige – Fujisawa: Terute-hime and the Gateway to Yûgyô-ji Temple [from The Fifty-three Stations by Two Brushes]

Utagawa Hiroshige – Shops with Cotton Goods in Ōdenma-chō [from One Hundred Famous Views of Edo (kurashi-no-techo Edition)]

Tsukioka Yoshitoshi – Looks Heavy’, Mannerisms of a Fukugawa Waitress from the Tenpo Period [from Thirty-two Aspects of Women]

Kitagawa Utamaro – Women on the Beach at Futami-ga-ura [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Tsukioka Yoshitoshi – Looks Interested in Buying’, Mannerisms of a Housewife from the Kaei Period [from Thirty-two Aspects of Women]

Matsuoka Eikyu – Tomorrow of Flower [from Matsuoka Eikyu Exhibition]

Yasui Sōtarō – The Art Studio [from Sōtarō Yasui: the 100th anniversary of his birth]

Kitagawa Utamaro – The Story of Umegae [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Utagawa Kunisada and Utagawa Hiroshige – Okazaki: Yahagi River and Yahagi Bridge; Jôruri-hime and Ushiwakamaru [from The Fifty-three Stations by Two Brushes]

Sudō Shigeru – Memorial Tree [from Sudō Shigeru Lyric Art Book]

イラストレーション木

Utagawa Kunisada and Utagawa Hiroshige – Yui: The Sisters Miyagino and Shinobu [from The Fifty-three Stations by Two Brushes]

Kitagawa Utamaro – New Year in the Yoshiwara: Kazan of the Tawaraya at Kyô-machi itchôme, kamuro Tsubomi and Fubuki [Left] [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]

Utagawa Kunisada and Utagawa Hiroshige – Kanagawa: Panoramic View from Kanagawadai toward Yokohama Honmaku; Spear Carrier [from The Fifty-three Stations by Two Brushes]

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