23,270 로열티 프리 오디오 트랙들 "Audio Files Of Jazz Music"에 대한

Jazz Violin Solo

A sample of the 6/8 clave.

The Lick in different swing levels (straight, 60%, 70%, then 80%) on piano. Made in Musescore with the default piano sound with a tempo of 120BPM. In D minor

Geluidsfragment, Ilse Huizinga, van de CD Beyond Broadway, 2005, bron: www.ilsehuizinga.com, eigen beheer

Bailey's Lucky Seven under the direction of Sam Lanin perform Gee! But I Hate To Go Home Alone. Gennett Records 1922. Bailey's Lucky Seven unter der Leitung von Sam Lanin spielen Gee! But I Hate To Go Home Alone. Gennett Records 1922.

So What chord.

Song recorded by Rudy Vallée & Yale Collegians (later Connecticut Yankees). This recording was never issued.

Al Jolson's 1920 recording of "Avalon".

O Come, O Come Emmanuel performed by the Diplomats of the United States Air Force Band. Track 8 from Do You Hear What I Hear? (2002). Frank Pappajohn, conducting.

Panama performed by the Dixie Players of the United States Air Force Heritage of America Band. Track 12 from Dixie Parade (2002). Recorded May 2002 at Windmark Studios in Virginia Beach and mastered by Alan Silverman of New York.

한국어: 1938년 콜롬비아 레코드 소속 김해송이 부른 스윙 재즈(Swing-Jazz)이다.

Big band style recording of Auld Lang Syne, performed by Les Deux Love Orchestra.

Jazz me Blues is an jazz composition written by Tom Delaney. Considered to be a jazz standard[1]. This instrumental version is recorded by Original Dixieland Jass Band on May 3, 1921 in New York[2]

A song written by James Europe and Noble Sissle, with vocals by Noble Sissle. Recorded around March 14, 1919. Converted (lossy) to Ogg Vorbis from RealAudio. See redhotjazz.com for the RealAudio version.

Tiger Rag by the Original Dixieland Jass Band

Arthur Fields sings Hunting the Hun, recorded 1918. It was a hit during the first world war and also a strong seller the years after. Arthur Fields singt Hunting the Hun, aufgenommen 1918. Der Titel war ein großer Hit während des Ersten Weltkrieges und verkaufte sich auch danach noch gut.

Geluidsfragment, Passion, Erik van der Luijt, piano, bron: Erik van der Luijt, www.erikvanderluijt.com

Bebop dominant scale in C. Created by Hyacinth (talk) using Sibelius 5.

The Phil Harris Orchestra performing "The Vamp"

Arthur Fields sings He Comes Up Smiling. Fields recorded this song in 1914 for Columbia Records (78rpm). Arthur Fields singt He Comes Up Smiling. Fields nahm diesen Song 1914 für Columbia auf (78rpm).

At the Jazz Band Ball, played by the Dixieland Jazz Band ensemble of the U.S. Coast Guard Band for the album "U.S. Coast Guard Bicentennial, 1790–1990".

performed by the Airmen of Note of the United States Air Force Band. Track from Compositions (2012).

Convergence performed by the Airmen of Note of the United States Air Force Band. Track 8 from Compositions (2012).

Underground performed by the Airmen of Note of the United States Air Force Band. Track 2 from Compositions (2012).

Everyday Adventures performed by the Airmen of Note of the United States Air Force Band. Track 10 from Compositions (2012).

Trombone Detritus performed by the Airmen of Note of the United States Air Force Band. Track 3 from Compositions (2012).

Hickory and Twine performed by the Airmen of Note of the United States Air Force Band. Track 9 from Compositions (2012).

Stole Back My Soul performed by the Airmen of Note of the United States Air Force Band. Track 5 from Compositions (2012).

Little Dreamer, Big Dreams performed by the Airmen of Note of the United States Air Force Band. Track 7 from Compositions (2012).

Intensities in Ten Cities performed by the Airmen of Note of the United States Air Force Band. Track 1 from Compositions (2012).

It's a Brand New Day performed by the Airmen of Note of the United States Air Force Band. Track 4 from Compositions (2012).

A sample of the traditional jazz ride pattern rhythm/

The jazz shuffle pattern, played on a ride cymbal.

Small Note Boogaloo performed by the Airmen of Note of the United States Air Force Band. Track 6 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Sheridan Square performed by the Airmen of Note of the United States Air Force Band. Track 7 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Skyscrapers performed by the Airmen of Note of the United States Air Force Band. Track 5 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Eagle Eyes performed by the Airmen of Note of the United States Air Force Band. Track 8 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

It Came Upon the Midnight Clear (for jazz piano) performed by the Diplomats of the United States Air Force Band. Track 6 from Do You Hear What I Hear? (2002). Frank Pappajohn, conducting.

Record number: Zonophone 2155 Vocals: none

Record number: Zonophone 2155 Vocals: none

West Point Band's Jazz Knight

West Point Band's Jazz Knights

Way Down Yonder In New Orleans, played by the Dixieland Jazz Band ensemble of the U.S. Coast Guard Band for the album "U.S. Coast Guard Bicentennial, 1790–1990".

This is a whole tone scale beginning on middle-C, created by me using Lilypond and TiMidity.

Like Seamus performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 3 from Blue Shadows (2010).

Wrong Advices performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 1 from Blue Shadows (2010).

Peekaboo performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 5 from Blue Shadows (2010).

Shrinking Violet performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 9 from Blue Shadows (2010).

Scarecrow performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 7 from Blue Shadows (2010).

Kuri performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 11 from Blue Shadows (2010).