4,005 로열티 프리 오디오 트랙들 "Left And Right"에 대한

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The melody of the folk song The Girl I Left Behind Me. Die Melodie des Volksliedes The Girl I Left Behind Me. La mélodie de la chanson populaire The Girl I Left Behind Me.
著者: Nachtbold
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A train passes from left to right. The microphone is near the tracks. Recorded with an sony fx1 camera.
著者: Awfulthesample
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The Girl I Left Behind
著者: Melody: from Ireland; setting & sound file: Rabanus Flavus (Peter Gerloff)
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A vehicle driving by, in wide stereo. Recorded with a tascam dr-40 in the a-b mic position.
著者: Anthousai
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2-3 suspension in Lassus's Beatus vir in sapientia, mm.23-24. Created by Hyacinth (talk) 14:51, 25 February 2010 using Sibelius 5.
著者: This file is lacking author information.
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Sound editor recorded a 5 second countdown leader including the following:-left and right channel split tones recorded at -6db max-3 second countdown (3, 2 - with 1 frame tone). Can be very useful in cueing editing segments meant to be synchronized in a program or show leader. Produced and voiced by:jeremy gossettgossett productions, llc. .
著者: Jeremy
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Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (first verse only)
著者: Makemi/ Alexander Coffman Ross
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Shave and a Haircut in C. Triplet swing. Created by Hyacinth (talk) 00:13, 8 November 2010 using Sibelius 5.
著者: The original uploader was Hyacinth at English Wikipedia.
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Shave and a Haircut in G. Triplet swing.
著者: Created by Hyacinth (talk) using Sibelius 5.
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Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (all twelve verses)
著者: Makemi/ Alexander Coffman Ross
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Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (all twelve verses, alternate)
著者: Makemi/ Alexander Coffman Ross
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Shave and a Haircut in G with chords. Triplet swing.
著者: Created by Hyacinth (talk) 15:20, 8 November 2010 using Sibelius 5.
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Shave and a Haircut in G with chords. Triplet swing.
著者: Hyacinth
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Shave and a Haircut in G. Triplet swing.
著者: Hyacinth
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Tonfolge von "Shave and a Haircut" in C-dur als Audio-Datei (ogg-Format)
著者: Charles Hale (1899)
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This file has no description, and may be lacking other information. Please provide a meaningful description of this file.
著者: User:LavosBaconsForgotHisPassword
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Wind moving from left to right.
著者: Tony B Kksm
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A set of tones to help determine left and right outputs in a system. Set in a loop, this is useful for checking out stereo playback and headphone systems.
著者: Sbarncar
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Primay triads in c, as MIDI
著者: Created by Hyacinth (talk) using Sibelius 5.
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Sound of steel chisel (tritone)
著者: Membeth
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Sound of steel chisel 8th (octave)
著者: Membeth
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Fourfinger galloping on tabletop.
著者: Tokernholdt
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Car speeding by left to right in stereo.
著者: Deleted User
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Car left right indicator ticking.
著者: Caitlin
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Sound of steel chisel 5th (fifth)
著者: Membeth
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Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in first inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is first-root-first-second/first-root-first-second-first)
著者: Antediluvian67
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Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)
著者: Antediluvian67
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Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in root position and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is root-second-root-first/root-second-root-first-root)
著者: Antediluvian67
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Intro to "One Horse Open Sleigh".
著者: Hyacinth
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A passing by car from left to right.
著者: Hinzebeat
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Sound of cars turning signals.
著者: Acarney
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A stereo recording of a whiteboard duster across a plastic table. Moves from right to left. I used it to simulate a sliding door. Slightly compressed to even out the dynamics and recorded at 48k 24bit.
著者: Cbenci
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Klangbeispiel eines Mordents (musikalische Verzierung); Instument: Piano
著者: Katzmárek2
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Dorian mode in Bloch's Chanty from Poems of the Sea, mm. 1-8.
著者: Untitled
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Klangbeispiel eines Pralltrillers (musikalische Verzierung), Beginn mit oberer Nebennote; Instument: Piano
著者: Katzmárek2
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J. S. Bach Cantata BWV140, orchestral introduction to the opening chorus
著者: J.S.Bach
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Mahler Symphony 2 finale Fig 32, bars 4-10
著者: Mahler
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Wagner Meistersinger Vorspiel bars 158-161
著者: Wagner
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Parsifal Prelude Opening
著者: Wagner
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Piano Sonata Op, 31 No. 3, first movement
著者: Untitled
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Minor version of the theme, with piano right hand elaborating the melody in triplets.
著者: Beethoven
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In seculum
著者: AnonymousUnknown author
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Canter rhythm depicted by the ride cymbal of a drum set whose bass and snare play boom-chick-chick in 3/4.
著者: Hyacinth
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Greensleeves is an example of sectional binary form (the first phrase ends with the tonic). In the key of G, with E flat and F natural and sharp.
著者: Hyacinth
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Subdominant parallel in C major. Created by Hyacinth (talk) 04:21, 1 May 2010 using Sibelius 5.
著者: The original uploader was Hyacinth at English Wikipedia.
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Italiano: Scala di do ionio. Vedi anche: :Immagine:C_Ionian.ogg
著者: .mau. at Italian Wikipedia
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Klangbeispiel eines Pralltrillers (musikalische Verzierung); Instument: Piano
著者: Katzmárek2
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Klangbeispiel eines kurzen Vorschlags (musikalische Verzierung); Instument: Piano
著者: Katzmárek2
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Major version of the theme, with horns playing the melody
著者: Beethoven
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Dufay Resvelons nous
著者: Dufay
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