4,289 로열티 프리 오디오 트랙들 "Midi"에 대한

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V-IV-I turnaround in C. Created by Hyacinth (talk) 08:54, 6 December 2010 using Sibelius 5.
著者: Hyacinth at English Wikipedia
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Robert Schumann, Album für die Jugend, Op. 68, Nr. 10: "Fröhlicher Landmann, von der Arbeit zurückkehrend" ("Happy Farmer, Returning from Work"), 37 seconds
著者: Michael Bednarek
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I - ♭VII - ♭VI - ♭VII in C. Created by Hyacinth (talk) 00:31, 14 March 2010 using Sibelius 5.
著者: User:Hyacinth
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Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of quadruple whole notes. =60.
著者: Hyacinth
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Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of octuple whole notes. =60.
著者: Hyacinth
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Tritone substitution. F♯7 may substitute for C7, and vice versa, because they both share E♮ and B♭/A♯ and due to voice leading considerations.
著者: Hyacinth
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Opening measures of Chopin's "wrong note" etude Op. 25 No. 5, demonstrating a humorous use of the minor second. The original work is public domain, image created by the uploader.
著者: Hyacinth
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Mozambique primary bell pattern above a rumba clave. A two bell pattern played on the body and rim of a single mambo bell or high and low bongo or cha-cha bells.
著者: Created by Hyacinth (talk) using Sibelius 5.
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Power chords in progression create parallel fifths, though the prohibit is not relevant since there is not intention to create independent voices. Created by Hyacinth (talk) 03:21, 29 January 2012 (UTC) using Sibelius 5.
著者: Hyacinth at English Wikipedia
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V of V chord progression in "Sweet Georgia Brown". V/V/V-V/V-V-I: A-D-G-C. Note that the tempo is kept but the number of measures is cut in half.
著者: Hyacinth
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This is my sequencing of the public domain piece Impromptu in C# minor, Opus 28 no. 3, by Hugo Reinhold, composed in the nineteenth century. It is identical to the version on Classical Music Archives, which means they determined there was no copyright problem.
著者: Sequencing: Gene Ward Smith
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Half time: notice the snare moves to beats 3 of measure one and two (beats 3 & 7) while the hi-hat plays only on the quarter notes. Note also, for example, that the quarter notes 'sound like' eighth notes in one giant measure.
著者: Created by Hyacinth using Sibelius 5.
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*Just major sixth on C = A. Just: 5:3 = 884.36 cents. Limit: 5-limit. MIDI.
著者: Hyacinth at English Wikipedia
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*Harmonic seventh on C = B♭. 7:4 = 968.83 cents. Limit: 7-limit. MIDI pitch bend: 3,54
著者: Created by Hyacinth (talk) in Sibelius 5 with midi pitch bend on 3,54 for 968.823242 cents rather than 1000.
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*Classic diminished sixth on C = Abb. Just: 192/125 = 743.01 cents. Limit: 5-limit. MIDI pitch bend: 98,77
著者: Hyacinth
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*Neutral sixth on C = A. Equal-tempered: 217/24:1 = 850 cents. MIDI pitch bend: 0,80 Preceded by:File:Fifteen quarter tones on C.mid
著者: Created by Hyacinth (talk) in Sibelius 5 with midi pitch bend on 0,80 for 850 cents rather than 800.
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*Classic diminished octave/Large just major seventh on C = C♭. 48/25 = 1129.33 cents. Limit: 5-limit. MIDI pitch bend: 49,73
著者: Created by Hyacinth (talk) 09:37, 31 December 2011 (UTC) using Sibelius 5.
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*1 step in 9 equal temperament on C. Equal-tempered: 21/9:1 = 133.33 cents. MIDI pitch bend: 85,74
著者: Hyacinth
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*18 steps in 19TET on C = B♯ (Easley Blackwood's notation). Equal-tempered: 218/19:1 = 1136.84 cents. MIDI pitch bend: 101,75
著者: Hyacinth
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Auprès de ma blonde
著者: Melody: trad.; setting & sound file: Rabanus Flavus (Peter Gerloff)
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*2 steps in 21 equal temperament on C = D↓ (Easley Blackwood's notation). Equal-tempered: 22/21:1 = 114.29 cents. MIDI pitch bend: 73,68
著者: Hyacinth
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*Major fourth (Eleven quarter tones) on C = F or G. 211/24:1 = 550 cents. MIDI pitch bend: 0,80 Preceded by:File:Nine quarter tones on C.mid
著者: Created by Hyacinth (talk) in Sibelius. A P4 with midi pitch bend on 80 for 550 cents.
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Alternate augmented ninth chord on C.
著者: Created by Hyacinth (talk) using Sibelius 5.
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Zalzal's wosta on C, E↓+. 27 : 22 = 354.55 cents.
著者: Hyacinth
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*Young temperament major third on C. = 391 cents.
著者: Created by Hyacinth (talk) 22:08, 13 December 2009 using Sibelius 5 with midi pitch bend on ~15,61 for 391 cents.
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*Septimal meantone perfect fifth on C. = 696.88 cents.
著者: Created by Hyacinth (talk) 19:30, 15 December 2009 using Sibelius 5 with midi pitch bend on ~0,63 for 696.88 cents.
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Grave major third on C (E-), 100/81, 364.81 cents.
著者: Hyacinth
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Grave major seventh on C (B-), 50/27, 1066.76 cents.
著者: Hyacinth
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Grave major sixth on C (A-), 400/243, 862.85 cents.
著者: Hyacinth
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*Young temperament widest major third on C. = 407 cents.
著者: Created by Hyacinth (talk) 22:07, 13 December 2009 using Sibelius 5 with midi pitch bend on ~31,66 for 407 cents.
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Just diminished seventh in just C scale: B and A♭.
著者: Created by Hyacinth (talk) 05:45, 6 January 2012 (UTC) using Sibelius 5.
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Joseph Haydn: Ein einzig böses Weib, Kanon auf einen Text von Lessing
著者: Joseph Haydn
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Uns ist ein Kind geboren, BWV 142 - 1 Concerto
著者: Original: Unknown; attributed to Johann Kuhnau and Johann Sebastian BachMIDI: D. Benjamin Miller
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Uns ist ein Kind geboren, BWV 142 - 6 Immanuel
著者: Original: Unknown; attributed to Johann Kuhnau and Johann Sebastian BachMIDI: D. Benjamin Miller
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*Tridecimal minor third on C = E↓♭. Just: 13:11 = 289.21 cents. Limit: 13-limit.
著者: Created by Hyacinth (talk) in Sibelius a M2 with midi pitch bend on 35,79 for 247.7294921875 cents rather than 247.74.
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The Holly and the Ivy with piano accompaniment by Cecil James Sharp
著者: Cecil James Sharp (sound file by Rabanus Flavus)
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Just augmented sixth in just C scale: A♭ and F♯. 225:128 = 976.54 cents.
著者: Created by Hyacinth (talk) 05:44, 6 January 2012 (UTC) using Sibelius 5.
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*Greater just minor seventh on C = B♭. 9/5 = 1017.60 cents. Limit: 5-limit.
著者: Hyacinth
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Uns ist ein Kind geboren, BWV 142 - 3 Dein Geburtstag ist erschienen
著者: Original: Unknown; attributed to Johann Kuhnau and Johann Sebastian BachMIDI: D. Benjamin Miller
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*Septimal major seventh on C. Just: 27/14 = 1137.04 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 7-limit.
著者: Hyacinth
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Uns ist ein Kind geboren, BWV 142 - 2 Uns ist ein Kind geboren
著者: Original: Unknown; attributed to Johann Kuhnau and Johann Sebastian BachMIDI: D. Benjamin Miller
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Uns ist ein Kind geboren, BWV 142 - 5 Jesu, dir sei Dank gesungen
著者: Original: Unknown; attributed to Johann Kuhnau and Johann Sebastian BachMIDI: D. Benjamin Miller
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Uns ist ein Kind geboren, BWV 142 - 7 Jesu, dir sei Preis gesungen
著者: Original: Unknown; attributed to Johann Kuhnau and Johann Sebastian BachMIDI: D. Benjamin Miller
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Uns ist ein Kind geboren, BWV 142 - 8 Alleluja, Alleluja, gelobet sei Gott
著者: Original: Unknown; attributed to Johann Kuhnau and Johann Sebastian BachMIDI: D. Benjamin Miller
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Dominant minor ninth chord on C: C,E,G,Bb,Db. Created by Hyacinth (talk) 23:07, 14 December 2011 (UTC) using Sibelius 5.
著者: User:Hyacinth
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Uns ist ein Kind geboren, BWV 142 - 4 Ich will den Namen Gottes loben mit einem Liede
著者: Original: Unknown; attributed to Johann Kuhnau and Johann Sebastian BachMIDI: D. Benjamin Miller
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Midi-fil av folkemelodien Kjerringa med staven. A folktune from Norway
著者: Anjar
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MIDI rendering of "Honte, paour, doubtance", a ballade by Guillaume de Machaut, 14th century
著者: Future Perfect at Sunrise
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*Centitone on C. Equal-tempered: 21/600:1 = 2 cents. MIDI pitch bend: 82,64
著者: Hyacinth
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Beta scale minor triad on C. MIDI pitch bend appears to match intervals.
著者: Hyacinth at English Wikipedia
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