1,311 로열티 프리 오디오 트랙들 "Mono"에 대한

Dozens of crayfishes together in a washin machin drum into a pond. Underwater recording. We can ear the crayfishes moving, rubing the metal. Also some high pitch sounds. Do crayfishes have a special sound emission under water?france, breuil barret, jully 2022. Recorded with hydrophone aquarianaudio h2arecorder on sounddevice mixprewave mono, 48khz, 24bits.

Mono recording with rode nt1000. It's done indoors, by the window, with the window open, pointing outside. In the first plane you'll have birds (portugal), then mild rain and some far away thunder. Some thunders are closer, pretty clear and loud. Be ware for some of my movement sounds, you may need to edit.

A 3-inch folding pocket-knife opening and closing. Recorded very close to the microphone. Makes a snick/click sound. The sharp blade folds into a steel housing so the sound is metal on metal. Recorded: august 2014, with android voice recorder (mono), inside/evening in very quiet room. Noise reduction with audacity.

Ambisonic b-format recording recorded with the coresound tetramic. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Birds singing in my backyard, with some people talking and children playing at the playground, traffic noises in the background; recorded with a cheap mono electret microphone (sorry!) - just what i had laying around at the moment. Hope someone finds if useful :).

Mono recording of a small cooking blender that, after some pitching and processing, i used as a layer for a robot's movement mechanism. Format: wav 48khz 24bit monogear: oktava mc 012 -> joemeek vc1qcs -> audiofuse interface.

I took a clip from the audio i recorded of wax paper crinkling, cut a segment from it, played it backwards, put it on loop, layered it with the original, and this is what i got. There is an somewhat syncopated pattern to the sounds, but the audio is cut off before it makes a full cycle. Enjoy.

My first sound here. Made with inserting a finger into a circular hairbrush and releasing it to achieve that "popping cork" effect. You're free to modify the sound effect and/or use it for any project(s) you're doing whether it's animation, video/online games, audiobooks, soundscapes, or whatever tickles your fancy, be it commercial or noncommercial. Attribution isn't necessary, but will be appriciated. :-).

A sunset after a hot summer day in a countryside. Grass cutter, birds, and other nature sounds. Rig:- mic: oktava mk-219- soundcard: m-audio fast track- pc: hp mini 210- software: ardour/jack. It's actually mono. . .

Demonstration and confrontation at sainte soline, france. Thousands of people demonstrate and try to enter a working site, police defend it. Explosions, crowd, voices, megaphone, applause, walkie-talkie. Recorded with schoeps ab ortf and cmc6 mk41, reducted to mono via reaperrecorded on sounddevice mixpre6wave stereo 48khz, 24 bit. Sainte soline, france, march 2023.

This was recorded by holding a small pcm recorder (zoom h1n) very close to an ipod 4th generation. The ipod was turned on and its hard drive tried to start up. You can hear the spin up of the motor and the hard drive head clicking back and forth. The hard drive fails to power up completely and eventually shuts down again. A 350 hz high pass filter was applied, in addition to audacity noise reduction, to get this clean motor noise from the original recording. The stereo file was then mixed to mono because the mic was slightly off center from the ipod, and the stereo provides no benefit. The hard drive in this ipod is a 1. 8" 40 gb toshiba hard drive, the ipod model is a1059. The microphone was held just 3 cm (1. 2 in) from the ipod. Recording settings were stereo 44. 1 khz at 16 bit (wav format). The file is the same except it's mono.

Springtime thunderstorm recorded using a shotgun mic pointing out of a window. Mono recording but with a bit of stereo artificial reverb added. This longer recording features some distant sounds heard within a housing estate - distant chatter, cars, children. Recorded during the covid-19 lockdown.

Ye 'ole washing machine. It's just a washing machine, but could be a printing press or space ship or what ever else you can come up with !recorded from the top. Ran a limiter on it -1 db so your speakers are safe!audio technica pro 37 24bit 44. 1 mono.

Foghorns of two ships meeting in the st. Lawrence rivier at sillery (quebec city, quebec) on a foggy night. Recorded on a third-floor balcony overlooking a cemetery (hence, the crickets) on a cold september night at 1 am. 19-minute mono recording using a sennheiser 416 shotgun mic, sound devices 302 mixer and sd 744t recorder. 24-bit, 48khz.

Recorded inside a closet. Low noise, not much reverb. Sounds almost machine-like with a satisfying thump. Recorded on a phone. I messed around with it to get it to sound nice. In case you do something that mixes the channels: on the opening part i copied a 5khz to 8. 5khz band from the left to the right channel, so that frequency band is mono.

Wavefolded byinstruo athru plaits percussion. Bias modulated by øchd, folding by maths. Markers set in reaper (mono). Came across this by chance as i was just noodling with athru for the first time. Let me know what you think of the set. Note. This is the second upload attempt, since the first didn't register (sorry admin).

While i was recording someone sharpening a garden scrape on a dual stone grinding machine, the utensil got stuck between one of the stones and a metal protective bracket, creating a terrifying noise until the motor gives up. Year: 2020location: aalsmeer, the netherlandschannels: 1 (mono)microphone: unknownmic polar pattern: cardioid.

Believe it or not, this is a recording of a hospital reception bathroom. Recorded in mono on a samsung galaxy s10+ so the quality isn't the best, but i did some eq, some processing to make it sound more stereo, and some metallic convolution reverb, but other than that this is basically the sound as i heard it.

A very random jazzy little piece performed rather poorly by yours truly on my accordion. Recorded using my laptop's internal microphone, which is about the furthest from professional you can possibly get. Feel free to use this in whatever project you want, though i cannot imagine why you would choose to do so.

An edited recording of crashoverride61088 on trombone, edited to sound like the teacher ms. Othmar from the peanuts series. Recorded with an at-4040, pro tools 10, and some light eq. The original sound (http://www. Freesound. Org/people/crashoverride61088/sounds/146933/) was edited in audacity to set a new sampling frequency and to change stereo to mono format.

Recorded with zoom h2n ambisonic b-format (no z track), reptile house at the albuquerque zoo, new mexico. Large crowd walla. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files converted from ambix format.

The "concrete cello" pack is a collection of scraping, scratchy and droning improvisations on the cello focussing on the creation of sounds to be used as base materials for future compositions. They were originally recorded in 2019 to be used in as sound design elements for the documentary "hotel regina" by director matthias berger for which i composed the music. Part of the impetus of this sampling session was to create cello sounds that would be remiscent of construction machines. (if you look on the geotag you can see the machines, well, sort of). You can listen to the score here :https://doubleblindrec. Bandcamp. Com/album/regina-hotel. These are the close-micced mono raw studio recordings. Neumann u87 into a wa273 and a rme ufx. Recorded by barbara samla at studio aktis in france. Sounds are cco, use them as you will!(but feel free to let me know in what : it's always nice to find out!).

This time a more abstract sound clip which in that case was prerecorded (bell 1) altered to the extend and used from mono back to eight channel ending up l+r. Although its abstract atmosphere the modular effects rings on a specific structure using 20th century harmony "rules" and of course tempo. Enjoy!.

Sounds from a babbling welsh mountain stream, 5 recordings from different locations on the stream, babbling and gurgling. Also sounds like rain or boiling oil perhaps. Recorded in mono with a tascam dr07 and shotgun mic 5 inches from stream.

Recorded with zoom h2n 3 channel ambisonic b-format (no z track), rail runner train leaving station in abq, nm. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files converted from ambix format.

Albuquerque new mexico rail yard market- outdoors. Recorded with zoom h2n 3 channel ambisonic b-format (no z track), *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that this is a fuma bformat file converted from ambix format.

A field recording of a mini waterfall i did at a resort in cebu. ~. You're free to modify the sound effect and/or use it for any project(s) you're doing whether it's animation, video/online games, audiobooks, soundscapes, or whatever tickles your fancy, be it commercial or noncommercial. Attribution isn't necessary but will be appreciated. :-).

Very loud recording of an arcade i went to recently. Unfortunately wasn't alone so i had to cut it down quite a bit. It's in crusty mono quality because of my phone (moto g power) and its recorder app (ez voice recorder) but i suppose i can call it lo-fi if i wanted to. So i will!.

Ambisonic b-format recording recorded with the coresound tetramic in pittsburgh, pa. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Striking matches / lighting matches close to mic'. 16 bit, 44,1 khz, mono source & output. No envelope automation, no compression, nothing except a slight hp at 26 hz. Clipping did occur on some transients for a few milliseconds (0-4 ms) on the strike due to mic' proximity (3 inches). Mic' used: samson c01 usb.

Albuquerque new mexico rail yard market- indoors. Recorded with zoom h2n 3 channel ambisonic b-format (no z track), *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that this is a fuma bformat file converted from ambix format.

Ambisonic b-format recording recorded with the coresound tetramic. Roadside picnic area ambience, santa fe, new mexico. Birds. Car-bys. Note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Repetitive bird chirping in an urban backyard, distant cars. Ambisonic four channel b-format recording recorded with the coresound tetramic in pittsburgh, pa. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

This is a series of sounds created for spitfire audio's make music day 2020 #spitfiremmd2020 it is a plastic drum, a springy pot rack and a big metal chip bin. There are both harmonic and enharmonic sounds here. The bin as a wonderful resonance and a lot of low end. This is a mono recording through a sennheiser 416 and an rme pre-amp. Enjoy!.

Glass beer bottle blow sounding like the background "whoo" effect in the movies alien and blade runner. Mono. Old school spot effect. Helmholtz resonance using a partially-filled (for pitch tuning) glass beer bottle. The resulting tone was sampled, bandpass filtered, pitch bent and laid over a copy of the original sample. Reverb added post-effect to push the sound back and smooth out some nasty quantizing artefacts caused by the pitch bender.

Ambisonic b-format recorded with tetramic. Exterior ambiance recorded in santa fe, new mexico. Light birds, distant car-bys, general city rumble. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Suburban early-morning ambiance with rooster, barking dog, and a bevy of distressed, threatened birds. Lovely natural reverb. Heard it as a conversation among animals. Because it's recorded in april (before air conditioning required), early in the morning (no background traffic), there's not much urban background hum. Recorded mono with sennheiser 416 to fostex pd6. 128 kbps. 44. 1 khz. Mp3.

Creategenerate sine wave tone, frequency = 340. 00 hz, amplitude = 0. 80, 30 secondsduplicatedapplied effect wahwah…frequency = 4. 0 hz, start phase = 280 deg, depht = 92%resonance = 6. 9 frequency offset = 30%applied effect : tremolodeleted 30 seconds at t = 0. 0generate sine wave tone, frequency = 330. 00 hz, amplitude = 1. 00,30 secondsapplied effect wahwah… frequency = 1. 5 hz, start phase = 359 deg, depht = 33%, resonance = 6. 9, frequency offset = 30%duplicatedtime shifted tracks/clips right 0. 61 secondsmixed and rendered 2 tracks into one new mono trackapplied effect : tremoloapllied effect : apple : audistortionapplied effect : valve saturationapplied effect sliding time scale/pitch shiftduplicatedgenerate sine wave tone, frequency = 120. 00 hz, amplitude = 1. 00, 22. 000000 secondsdeleted 44. 91 seconds at t = 0. 00mixed and rendered 2 tracks into one new mono trackapplied effect: compressornormalize to 0 db.

Recorded this in my backyard at midnight, my neighbors probably hate me now. Recorded on a tascam dr-70d with a rode ntg-3. File is stereo but contains two of the same mono track for ease of use. Slight compression, eq, cleaning and limitting added for extra cripness. Let me know in the comments if you can use this, i'd love to read it!.

Bus interior, driving, making stops, passenger chatter, announcements, driving rattle. Recorded with zoom h2n ambisonic b-format (no z track), *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files converted from ambix format.

Recorded with zoom h2n ambisonic b-format (no z track), airplane cabin with passenger chatter and seatbelt announcement. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files converted from ambix format.

Ambisonic fuma b-format recording recorded with the coresound tetramic. Sandia mountain fooothills, albuquerque, new mexico. Birds call/response. Quiet desert. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Heavily pounding bassdrum originally made from 10 litre bottle punching sounds recorded with my fake shure c608 mic and heavily processed by adding some modulations, distortions, layering some attack and setting bass part (under 200 hz) to mono. Will be nice choice to produce hip-hop drums, or experimental techno also for making cinematic thunder-like booms.

Afternoon in an urban backyard. Ambisonic four channel b-format recording recorded with the coresound tetramic in pittsburgh, pa. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Waterfall reservoir field recording recorded with mixpre 6ii and sennheiser me66 (mono). If you want to support me, you are welcome to have a look here: https://richardatmo. Bandcamp. Com/. You can play albums there and also buy single sounds from me for small money. It's a way to support me. Or just have fun and chill with nature sounds. Have a nice day.

Field recording from sault ste marie, mi. Noon-hour traffic on a 25 mph street cars passing over a bridge. Little or no wind noise. Recorded on a tascam 4-track with a sure hi-z mic, onto a maxell cassette. Circa 1990'sconverted to ; 16bit 44. 1 dual mono (not true stereo).

The track was recorded at one of the last visits of a soviet tupolev tu-154m to prague-ruzyne airport. The plane was owned by slovakia government at that time. By dec 31, 2017 the aircraft, which was the last active tupolev tu-154 in eu at all, has been retired. After that the plane was not wrecked luckily, but went to aviation museum of kosice, slovakia :-) for recording i used a canon eos 6d with a mounted sennheiser mk-400 (mono) mic.

My apartment/studio was very quiet except for the steam heat so i put a mic in the middle of the room (an ear trumpet labs edwina) and put it through a lindell mic preamp and then into a focusrite 18i20 interface to record. This is the mono, 48khz, 32-bit file for your dining and dancing pleasure. Actually, it's just room tone and can be mixed judiciously to cover gaps in your own tone or to make brand new rooms from scratch.

Arpeggios in bm key : bm, am5b, g, f#7. Played on acoustic nylon guitar. Melancholic / sad feeling, the second chord has a dissonant flat dominant to give a hint of strangeness to the phrase. Sound capture using internal guitar electronics (godin multiac grand concert duet). Recording device is a tascam gt-r1. Initial sound was stereo with left and light sides 180 degrees out of phase. I converted to mono using audacity. Recorded on the 12-dec-2015 in houston, texas.

Percusión sintetizada hecha con un sintetizador minibrute y un pedal boss ds-1. La grabación fue realizada con una tascam dr-60mkii. Este sonido tiene un pequeña ecualización alrededor de 2k. -----------------------------------------------. Synthesized percussion achieved with a minibrute synth and a boss ds-1 pedal. The recording was made with a tascam dr-60mkii. This sample has a litte boost around 2k.