113 로열티 프리 오디오 트랙들 "혼돈"에 대한

Zlob diode chaos - selection from an hour long recording, 54min and 45sec in. The chaotic lfo has 4 outputs x, y, z and trig (trig-ich. . . ). Center sound: x to pitch cv in on vco, y to filter cut of. To the right: z to a wave folder (osc static pitch). To the left: trig to cv in on a self oscillating filter. There are peaks (hz) beyond my hearing. I hope you can manage. . .

Sounds from a generative patch controlled by chaos. Pure analog modular synth. But digital fx. . . Everything is analog when you hear it!.

Sound made on modular synth.

One more recording today. Using chaos! yep! this time the logistic equation. But my r is constant.

Using an cvlfo in a feedbackloop creating very "chaotic" cv!.

Sound experiment made with modular synth.

Just makes your ears hurt, doesn't it? could be great for something like a machine having a complete meltdown, or a robot going haywire. Created by taking a stock sound effect of guitar plugs being pulled and distorting, reversing, stretching, looping, adding phaser, flanger, vibrato, tremolo, i can't even remember what else, like there's no tomorrow. All done in wavepad. I also tried to make it loop, but it's up to you whether i succeeded or not.

Analog modular synth generative nonsense.

Nlc jerk off without any input is the engine for this simple patch. In my little world i see nlcs chaos modules as a helping hand. I find the though of chaos very pleasing. . . Spring reverb and analog delay are used.

Chaos controlled sounds from an analog modular synth.

Modular synth bleeps and bloops controlled by chaos modules. Does that makes it better?no!.

While i'm at it. Another electronic minute. Made this patch really fast. No random! i use chaos. You can loop this sound. A modular is like sound lego. I like that. Relaxing. Well, not the sounds. . . Totally unedited sound.

I'm trying hard to learn/understand nlc genie. Bought the module 3rd hand. . . At least. Some techno-like sounds. Genie and drum sound are modulated by nlc jerkoff. Genie is modulating vco and vcf.

I'm trying hard to learn/understand nlc genie. Bought the module 3rd hand. . . At least. Some tribal sounds. Modulating genie w nlc sloth. Genie is modulating vco and vcf.

Same patch 3 drones. I let chaotic lfos control pwm and filter.

Music made to a graphic score.

Electronic minute no 27 - combined forces. A patch with 2 unrelated patchesthey share an lfo. . . A) 2 lfos playing with a-101-1 vactrol vcfthe filter is feed with a square wave. B) a more advanced patchtriggers from env. Follow. Feed with cv from jerkoff (chaos)noise to a slew controlled by a sloth lfos/h to oscosc to vcathe vca is controlled by the same lfo as the slew but inverted!. Evaluation of patch/soundone cycle is - cycles? about 1min - goodonly short sounds - no, and thats goodamplitude variation - fairly goodpitch variation - yes, goodtimbre variation - not bad at allmusical value - i should consider this musicalentertaining - think so, yes.

Electronic minute no 28 - chaos and random are friends now. Patch with jerkoff, envelope follower, sample and hold, ring modulation and delayi like the sound my self :-). Evaluation of patch/soundone cycle is - about 30 sec - goodonly short sounds - yes, good this timeamplitude variation - not very much, okaypitch variation - yepp, enough, goodtimbre variation - some, okaymusical value - i should consider this musicalentertaining - think so, yes.

After 2h and 15min. Excerpt.

Made on my analog modular synth.

Crashing noise from the spring tank reverb with tiny sounds. Made with the koma elektronik field kit fx.

Noise generated with grainsynth.

5 min recording. Question. Do you hear any form of repetitiv pattern?the "engine" for this. . . Is a feedback patch. Chaotic? maybe. The colors the soundfile get here on freesound reveals patterns. I use this feedback patch to derive timing and pitch. I restrain the pitch. It's bad enough as it is. The feedback patch is made with 2 lfos, 1 vclfo and a vcad.

A near chaotic experiment. Im mixing cycling envelopes and lfos to generate triggers. The four sounds are totally unrelated. > bass drum. > snare (or something. . . )> bass. The pitches for the bass are generated withthree mixed lfos. A trigger is generated from the quantizerwhen the cv changed enough to generate a new note inthe selected scale. > ear piercing and annoying sound. Three minutes of more than enough.

A drone resting in chaos and ring modulator circuits.

Sound/track made withhttps://freesound. Org/people/gis_sweden/sounds/465325/noise and some simple tones added. Reverb and delay (zoom ms-70cdr)!nlc sloth is controlling filters and melody development.

An unlikely patch. . . I think it will loop fine. But who wants it looping?.

No it didn't. Well cool patch anyway? it's what i like. Small variations on a simple theme. Sloth lfos and a jerk off (both from nlc) are the engine. Yes and a comparator. Using an or/gate-combiner to create a trigger-ish for quadra to react on. Analog delay and spring reverb. Why did i do this patch from the very beginning? when the voltage on x from sloth reaches a specific value a trigger is generated and i sample the value on y and uses to select pitch on an oscillator. The one playing the long tones. Chaos creates my variations. Sh1t, now when i've stopped recording cool thing are happening. Promise. . .

For one reason or another helsinki come to my mind today. For this drone i took an excellent helsinki field-recording, by the freesound user susipekka, as background.

Feeding some cv to nlc ffc. Okay. It affects the module.

In this patch i use bastl instruments tromsø as comparator, sample and hold and oscillator (3 in 1). The cv is coming from nonlinearcircuits jerk off. The audio out from tromsø goes through nonlinearcircuits timbre!. Some delay from an analog delay pedal and reverb from doepfer spring reverb. One voice exploring a chaotic cv source. I sold one of my tromsøs a while ago. Will i regret that? psssst take a closer look at the wave form! the wave folder is doing its work!.

My two neuron patch with cross feedback! here it is. I think!i will take a closer look tomorrow.

Start with chaos. In this sound/patch you have the possibility to enjoy chaos and feedbacki use my sloth lfos and jerkoff - another chaos moduleim possible sick i like this - thou its simple. Sloth modulate vco and filter cut of frequencyfeedback from vco to the filter via a vca controlled by a looping envpan fx also controlled by sloth - same env that controls the frequency. The "prassel" rustle sound is great in my earsjerkoff, exp vca, function and another sloth. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - mediumtimbre variation - some, via filter/two soundsmusical value - i think so!entertaining - yes?!.

What i was listening to while cleaning toilets. . .

Let chaos rule. . . Long recording. Yes. I had to leave for some minutes.

I made this sound to describe how chaos would form after rapture according to christianity.

How to wake the kids (not really kids anymore) up. . . You can hear one of them. . .

A bi-product sound. Strange enough.

Repeating patterns but not exact. Guess this sound will loop. I have not tested. . . I should. Who wants to loop it?.

Three part modular uncomposition. Or call it a patch driven by a mix ofchaos and order. Perfect as annoying sound. . . Made with a analog modular synth. The reverb is a spring reverb.

Zlob diode chaos. X output - pan left "alto voice"y output - pan right "soprano voice"z output - pan center "bass voice" (no cv input to vco)trigger out - controls noise. This is a recording that makes a chaos explorer happy.

Started with me playing with doepfer a-146-2 as gate delay. Went on using it as a wave shaper. Went on and on. . . It's not a very big patch. But the outcome is nice. It's a mix of chaos and random. Yes i'm using jerk off and sloth. Analog modular synth fun.

I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency low. That’s why there is a low humming wind noise between the “tops”. The output sound from filter goes to reverb. The sound is more a study of sloth behavior than an attempt to create a great wind sound.

Repeating patterns but not exact. Guess this sound will loop. I have not tested. . . I should. This is chaos music.

Boring sound. . . Neuron patch (?). . . Inspired by nlc squid axon (i have saved some hp for that one!) i have patched up a simple 2 stage asr with 2 s/h. Most of the time it plays its atonal melody, but when the patch is stimulated (by a sloth lfo) feedback opens up. I can adjust the sensitivity in different ways (so i can simulate the intake of drugs. . . ). The sound from the oscs goes though vcfs with some resonance. The vcfs are controlled by the same sloth lfo. My neuron patch. . . No hands during recording. My favourite part is when nothing happens - for almost 1 min?! but you can hear the filter working via the vcfs. The cv must be in some strange area.

Old-school sound made with analog modular synth - the old way. . . The reverb is a spring reverb - what else. . . ?.

Recording of india's allahabad traffic in m/s stereo.

Medium sized, mixed male and female, crowd yelling and screaming in panic. Recorded (and featured) by students of video games and animation from the national school of arts of uruguay, during the sound design workshop.

Sound of another world made by a analog modular synth.

Sound created using a sampler and effects.