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Digital noise made from raw binary files extracted from hdd with hexplorer using raw import function in audacity. Files were 4, each made from 200 sectors. I modified each sound using filters and joined them together to make longer looping example. Good to use in a game or 3d video animation as background ambient noise. Audacity and hexplorer are freeware and you can make similar job with them. . .

Here's some more of that couple next door. At 0. 24 sounds like a door close, so consider that's when the couple begins to have their you know in bed. Passed 1:05 is where you can start hearing a bit of the woman. Passed 1:55 is where the woman gives out some louder moans. The sex noises is from 1:05-4:37. This was edit and shorten with audacity.

Create alarm/klaxon 1 sound from brainclaim's "saw-cutting" sound. Use audacity:• cut from 3. 678s to 4. 696 (end). • select from 2. 023s to 3. 678 (end). - effect→adjustable fadefade type: fade upmid-fade adjust (%): 0. 0start/end as: % of originalstart (or end) 100start (or end) 100handy presets (override controls): exponential out. - effect→repeatnumber of repeats to add: 25. Tiếng báo động.

A single creaking wooden floor step. This is a longer recording with 4 creaks. There are 7 isolated floor creaks available in the same sound pack. Cc0, so no need to give credit. If you want, let me know what you used the sounds for as i really like hearing about other people's projects :).

An example sound for the freesound punching sound design dare. Layering together different sounds to make a punch effect, and including the layers. Sound 1: the complete punch. Sound 2: hitting a pork chopsound 3: punching with a boxing glove onsound 4: billowing a teatowelsound 5: cracking celery (classic). Sound 6: the complete punch again.

Striking matches / lighting matches close to mic'. 16 bit, 44,1 khz, mono source & output. No envelope automation, no compression, nothing except a slight hp at 26 hz. Clipping did occur on some transients for a few milliseconds (0-4 ms) on the strike due to mic' proximity (3 inches). Mic' used: samson c01 usb.

Wine glass, tuned with water, being hit with an improvised percussion stick made from chopstick and a piece of plastic. Recorded with olympus ls-10 (no zoom) in a small reverberating bathroom, edited in audacity. The whole pack intended to be used as a virtual instrument. Note c#4 (root note c5, 440hz).

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:36:4

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:46:4

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:62:4

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:67:4

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:16:4 Hänvisning till tryckt/skriftlig källa: Johan Nordlander: Svenska barnvisor och barnrim, nr. 642

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:11:4

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:69:4

Soundscape of a forest in springtime in lozère. Original quadraphonic recording with sd mixpré 6 ii 96khz/32b, 4 x dpa 4022 : 2 ortf (cinela albert) and 2 90°/25cm (cinela cosi). Stereo reduction. Have a good listening. Gps : 44. 336057, 3. 721654sound réf : 20210423_08h39_lrlsrs.

Fireworks 4th of july sound effects requested by Mike. The sounds are in the public domain.

Microsystèmescours 525/10/2012. Chapter 4 – process integrationpage 106 – 0 minpage 111 – 2min20page 112 – 5min20page 121 – 13min30page 118 – 14min50page 484 – 17min03page 488 - 21min 23page 489 - 23min08page 123 - 23min43page 120 – 33min58page 124 – 35min03page 126 - 41min02. Pause. Chapter 5 – lumped modeling with circuit elementsslijd mitpage 1-2-3 – 44min58page 4 – 48min14page 5- 50min14page 6 -51min59page 7 – 54min54page 9 – 56min39page 10 – 59min26page 11 - 62min13page 12 – 63min48page 13 – 65min48page 14 – 67min13page 15 – 69min03page 16 – 69min43page 17 – 70min13page 18 – 71min18page 19 – 73min03page 20 – 74min48page 21 – 78min02page 22 – 78min22page 23 – 78min42effort e(t) <-> flot f(t)intégré par rapport au temps =>moment généralisé p(t) <-> déplacement généralisé q(t). Page 24 – 82min32page 25 – 86min02page 26 – 86min52page 27 – 88min29page 28 – 89min19page 29 – 90min02page 30 – 92min22page 31 – 93min02page 32 – 94min07page 33 – 95min34page 34 – 100min22page 35 – 101min49page 36,37,… – finmemristor -.

Several different takes combined, recorded from the second floor apartment of an nyc townhouse. The rain is hitting a neighboring rooftop which sits next to the window. The thunder is in the distance and slowly moves away, fading as the track goes on. Recorded in staten island, ny june 4, 2021 with the on board x-y mic of a zoom h4n pro from the 2nd floor window of an nyc townhouse, facing the backyard and neighboring rooftop.

Dark background sound in place of background music. I recorded this in my booth, using audacity and my cad e100s. The higher sound is a pen tapping on the bottom of a metal cup. I used various effects to stretch, raise pitch, and a few others. I also layered the higher sound 4 times to get the "harmony". The low sound was my voice. I lowered pitch, speed and stretched the wave, as well as a few other effects as well. Enjoy.

Zlob diode chaos - selection from an hour long recording, 54min and 45sec in. The chaotic lfo has 4 outputs x, y, z and trig (trig-ich. . . ). Center sound: x to pitch cv in on vco, y to filter cut of. To the right: z to a wave folder (osc static pitch). To the left: trig to cv in on a self oscillating filter. There are peaks (hz) beyond my hearing. I hope you can manage. . .

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jupiter 4patch name (pack): 4 leadnote: c2midi note: 36.

Field recording from sault ste marie, mi. Noon-hour traffic on a 25 mph street cars passing over a bridge. Little or no wind noise. Recorded on a tascam 4-track with a sure hi-z mic, onto a maxell cassette. Circa 1990'sconverted to ; 16bit 44. 1 dual mono (not true stereo).

This is a basic dubstep beat. It was done in reason 7. It is useful in that it shows you a good way to construct a beat. It consists of four 4-bar measures, each progressing from the previous. In this way, you can see how to write a good beat, by starting off simple and building from there. Traditional dubstep drums are very spare and sporadic with the use of symbols. I never liked drum beats until i heard dubstep !.

Mellow chill song short 23. Wrote/recorded a mellow chill song using ableton live 9. Piano using ableton's stock grand piano 9 plugin. Ableton's stock space arp plugin. Pizzicato and staccato strings done with native instrument's kontact5 player. Chords: f d#. Additional notes:-13. 4 lufs integrated. -1. 0 db true peak max.

This is a sound essay comprised of five 1-minute recordings. Seagulls and other birds are present throughout. Airplanes are heard at 2:07 and 4:22. Carpenters and other workmen are heard more or less throughout. Cars and trucks pass by frequently; trucks beeping as they back up are also heard. It was a foggy day, so a foghorn can be heard occasionally. Recorded on sony cybershot dsc-hx9v. Location: portland, maine (usa). Date: october 25, 2022.

Sveriges Radios folkmusikinspelningar. Jämtlandsresan 1951 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Hänvisning till tryckt källa: Svenska låtar Jämtland/Härjedalen nr. 10 Radiotjänsts ursprungliga produktionsnummer: B 51/19920:18:4

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:17:4 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 57

Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 478:8 (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:4:8

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: II. "Jeux de vagues" performed by the Concert Band of the United States Air Force Band. Track 10 from French Impressions (2000).[1][2][3][4]

Electronic snare drum 4. Suitable for dubstep, drumstep, electro, house, electro house, drum and bass, or any other edm genre. Modify/use however you want. Made with fl studio 11 & edison. If you use this in anything, please put it in the comments, me and other people may want to check it out!.

La guacamaya (the macaw) one of the most popular songs of the traditional son jarocho genre. The interpreters are soneros del tesechoacán, a group originally from playa vicente, veracruz. They play those small guitars -imagine a ukelele in hands of a mexican- they call jaranas and also a 4 string guitar they call requinto. Recorded in oakland california. January 2012. I used a h2 zoom.

This sound is 50 ms, 2000 hz pure tone with double linear fadeout through it's whole length. Sampling rate of 8 khz is already an overkill (nyquist frequency is at 4 khz, while all energy of this sound is present in narrow 2 khz frequency range). Created with audacity for use with ardour 3, a free and opensource daw for linux and mac (http://ardour. Org).

Sea waves on a windy beach rolling around from left to right and right to left, with sounds of spume and sand moved by the water. Recorded september 2012 at the northern beach of fehmarn island, germany, near niobe memorial. Recorded using a pair of rode nt5 mics in x/y positioning with nikolai windshields. Eqed with eq10q: low cut at 41hz, +4. 5db q0. 43 at 142hz, -3. 7db q0. 70 at 1980hz. Normalized in audacity.

Field recording of the ocean surf at the outer banks, nc. Recorded approximately ten yards from the surf line on a zoom hand held recorder mounted under a beach umbrella. Record mode was 4 mic, using front and rear stereo mic pairs summed to stereo mix. Front (90 degree) mics facing ocean, (east). Rear (120 degree) mics facing the dunes, (west). Was a somewhat large surf day with shoulder to overhead sets. Enjoy ;)!.

Recorded this on a sunny evening at the cote d'azur, near toulon. Two iphones approx 4 meteres apart (it was all that i had). Syncronized and merged to a stereo-wave in reaper. The moderate waves move the stones of the beach and create an awesome sound. It was practically windstill, so i did not use a lowcut. Enjoy and tell me if you use it! that would be awesome.

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:13:4 Hänvisning till tryckt/skriftlig källa: Johan Nordlander: Svenska barnvisor och barnrim, nr. 2

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:22:4 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 284

Sveriges Radios folkmusikinspelningar. Jämtlandsresan 1951 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Hänvisning till tryckt källa: Svenska låtar Jämtland/Härjedalen nr. 247 Radiotjänsts ursprungliga produktionsnummer: B 51/19920:19:4

First Suite in E-flat for Military Band, Op. 28, No. 1: II. Intermezzo performed by the Concert Band of the United States Air Force Heritage of America Band. Track 4 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 478:7 (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:4:7

Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 186:23 (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:3:4

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:61:4

Northwest wind gusts through a forest of oak and beech and pine trees. Recorded on saturday july 21st, 2018 at 3:30pm in a midwestern forest. Although there are a lot of birds in the forests at this time of year, they were quiet today. A nice, peaceful, soothing snapshot of summer----recorded just 4 weeks after the solstice here in the northern hemishpere. Temp: 84 degrees fhumidity: 51%. Recorder: sound devices 702microphone: sennheiser mkh-416.

Http://i. Imgur. Com/4br3zge. Jpg. Recording of michigan avenue from michigan plaza (225 north michigan avenue). Microphones were on a table facing west towards michigan avenue. Sounds of construction to the south can be heard. Time of recording was 4:40pm. Weather was warm, in the upper 80s. Recording details: 2 audio technica at4022s in rycote windshields > sound devices 302 mixer > tascam dr-40 recorder.

Jd requested i do a dry take of these phrases:. 1: "evaluate your mind"2: "dance with me"3: "love is the key"4: "it's inside you"5: "love"6: "trance"7: "return to the source"8: "all this energy"9: "you create the light". If you have a request, send a message!.

Rooftop of bryant building recorded on the 4 april on the rooftop, with mixpre6 and oktava microphones, stereo. Recorder: mixpre 6microphones: oktavia. You can use this sound for your non-profit or for-profit projects. You can also help me directly on paypal:https://paypal. Me/federicocasazza?country. X=gb&locale. X=en_gb. Enjoy.

A single creaking wooden floor step. This is one of multiple similar sounds and one longer recording with 4 creaks in the same sound pack. Cc0, so no need to give credit. If you want, let me know what you used the sounds for as i really like hearing about other people's projects :).

Synthesized with the sms-tools. Window: blackmanm: 1001n: 1024t: -80minsinedur: 0. 1nh: 50minf0: 140maxf0: 230f0et: 5harmdevslope: 0. 01stocf: 0. 4freq scaling factors: [0, 1, 0. 5,0. 4, 0. 7,0. 4,1, 3. 0]freq stretching factors: [0, 1, 1, 1] (no stretching)time scaling factors: [0, 0, 0. 5, 0. 3, 0. 7, 0. 6,1,2. 0].

Miracle scale, derived from the secor (s = 116.72 cents), plus the difference between 10 secors and a perfect octave (q = 32.84 cents). MIDI pitch bend appears to match intervals. The Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s+q The difference between s and q (r) is used in the File:Blackjack scale.mid.

4 minutes recording on a binaural mic around brighton's city streets. The audio file contains these sounds:. -inside building - footsteps - door - birds - traffic - motorbike -cars passing by- lighter - english chatter - dog barking (from closed to faraway) - master calling it.