5 726 royaltyfrie lydfiler for «Brak»

Beat made with korg volca beats, feel free to use it! no need for credit!.

Whosh for animations.

Cptnal's comment on muffwiggler was an big aha moment. He wrote "you could patch the output of one s&h into the input of the next and get yourself a 12-step shift register. " well i don't have 12 s/h. I have 10. . . I would need a lot of sequenced gates to build that shift register. . . In this patch i use 4 s/h. (s/h or s&h is sample and hold. ).

44. 1khz, 32 bit. Sound of over-the-ear headphones being taken off. (edited sound).

A mix between 2 different crash, this is what comes up. Quite happy of this one, but you can add hi frequencies.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly.

50 year old tape stock. Tandberg low noise ¼" tape. Hum peaks at around 50 and 150 hz. Played on an equally as old revox machine. .

No soft sound. But interesting wave shapes if you take a close look. Much wave folding.

Casa.

A constant background sound.

Generative patch. Unedited. Does it need editing :-).

Rustling, footsteps maybe, accidentally recorded with smartphone.

What. . . ? well, an interesting electronic sound. Maybe?!made with modular synth.

Alien sound.

When i tried to run my es1370 drivers on qemu, it has generated several kinds of glitch sounds. This is the most interesting and formidable sample in my collection.

Istanbul 18" agop signature china cymbal (agch18-1012815p),audix fusion f15 cymbal condenser mic,envelope reshaped via wavelab on steps-quantized fade out. Do that: open wavelab and press "v" or wavelab/open file/process/level envelope. . . And design smooth fading out steps.

A layered and looped distorted white noise sound. Used throughout this ep: https://youtu. Be/k8rl4lsuqc0.

Switch on and switch off super8 meopta projector. Wav, 48khz, 32bit, zoom h1.

Cymbal 16" felt beater ride/crash. Behringer c1. Reaper. Stereo.

Glitch and static type sounds from either moving the microphone roughly or some program ticking off my audacity.

Glitch and static type sounds from either moving the microphone roughly or some program ticking off my audacity.

Glitch and static type sounds from either moving the microphone roughly or some program ticking off my audacity.

Glitch and static type sounds from either moving the microphone roughly or some program ticking off my audacity.

Glitch and static type sounds from either moving the microphone roughly or some program ticking off my audacity.

Exciting noises made with reason 5 (using a subtractor in series with a scream).

I`ve made a basic white noise using operator from ableton live 9and then i added some sidechain-compression to itthen i removed the low end so it does not interfere with other sounds in your track.

Useful for that huge drop in your latest club smash?. It’s really just comb filtered pink noise, but i like it. Have fun.

Snare with noise mixed in and a lil eq automation.

Live modular jamb.

5 minutes of plain brown noise.

I happened to accidentally drop a fork while recording. I liked how the sound came out, so i tought i'd share.

Static from the 810 khz frequency of the am radio band recorded from a digital receiver. Has a sort of submarine suggestive hollow quality.

Static from the 760 khz mark of the am radio band, with spikes to the high side of the tone and very little bass.

Static from 770 khz on the am radio band, with a cycling sort of zap sound.

Static from 1010 on the am band of the radio recorded from a digital tuner. The jumbled noise sounds like a harsh wind with an old school chattering satellite chirping away.

A remix of the shortwave radio pack by koen- mixed in reason w/ reverbs&chorus.

Altered version of scarysound. Wav, which has been slowed down and reversed to hit a different pitch scale.

Low hissy brush-type hits in a syncopated loop.

A low ambient bass hit - distant bomb hit.

A stretched crash with reverb tail.

A high ringing percussion accent - very electronic.

A lethargic harsh-noise wash-over.

Generated white noise done in audacity. Few muted sections simulate breakup.

It is a very strange sound:) made by my reloop rmx-30 dj mixer's and sb live soundcard's bug! there could be a malfunction and when i used the gain potmeter the sound from nowhere (the cable, the mixer, the soundcard, don't know. . ) became mad. It is travelling on freaky frequencies which makes your ear bad. It is worth to listen:) pure hardware sound.

My firepod has gone wrong at last?! while recording a vocal section, a presonus firepod, an audio interface for computer, seemed to have some trouble in its audio processing. Or, it came to have a new audio effect function?.

Dark and noisy indoor ambience, normalized to -6 db. Recorded using a rode ntg2 shotgun microphone, placed three meters back from the window of a room of 5 x 5 x 3 meters. Sounds from cars and trucks running over a distant road can be heard in background.

This noise sound is only made by lmms. (bit invader : "noise wave"+"arpeggio-random-octave ").

A recording made in the middle of a small lake, facing towards the city. Mostly distant traffic noise with a great big natural reverb. Recorded with a zoom h1. Some hiss removed afterwards.

An odd impact of mine.