482 royaltyfrie lydfiler for «Buss»

Paisagem sonora do caminho do onibus r204 azaleias em poços de cladas no horario das 17 hrs. Soundscape from de bus r204 jd azaleias, in poços de caldas, mg.

Paisagem sonora do caminho do onibus r204 jd azaleias em poços de caldas no horário das 17 hrs. Soundscape from de bus r204 jd azaleias, in poços de caldas, mg.

Paisagem sonora do caminho do onibus r204 jd azaleias em poços de caldas no horário das 17 hrs. Soundscape from de bus r204 jd azaleias, in poços de caldas, mg.

Paisagem sonora do caminho do onibus r204 jd azaleias em poços de caldas no horário das 17 hrs. Soundscape from de bus r204 jd azaleias, in poços de caldas, mg.

Paisagem sonora do caminho do onibus r204 jd azaleias em poços de caldas no horário das 17 hrs. Soundscape from de bus r204 jd azaleias, in poços de caldas, mg.

Paisagem sonora do caminho do onibus r204 jd azaleias em poços de caldas no horário das 17 hrs. Soundscape from de bus r204 jd azaleias, in poços de caldas, mg.

We hear the bell of a buddhist master called zoltán cser. We observe in the sound, the space-filling ability of the sound, and the joy of ringing. Dril-bu (tib) ghan-ta (san) bell (eng) csengő (hun).

A river recorded far away from river bed in altınvadi valley. While observer stands over a hill, birds can be heard. Görkem'le yan yana bu manzaryı izlemek isterdim. Recorded by zoom h6.

March of the Chamber of Deputies of the Ottoman Empire; the original Turkish lyrics are below (only verses 1 and 3 are in this recording): Türkçe: Osmanlı Meclis-i Mebusan'ın marşı; orijinal Türkçe marş sözleri aşağıdadır (sadece 1. ve 3. mısra bu kayıtda vardır): Lyrics Osmanlılar bugün oldu muzaffer, Fethetti yeniden vatanı asker, Açtı mebuslara yolu süngüler, Yaşasın Niyazi, yaşasın Enver! Gökyüzünde şühedanın hayali, Alkışlıyor sanki ruhi Kemali Ah, ölmeden görmeliydi bu hali, Kıymetli, muhterem vatanperver, Al bayraklar bulutları sarıyor, Şenliğimiz asumana varıyor, Mazlumlara, zalimler yalvarıyor, Hey Allah'ım bu nasıl ruzi mahşer? Uyan Midhat, uyan geldi zamanın, Tutsun dünyaları şöhret ve şanın, Sen bulun önünde şu Mebusanın, Artık yaşa evladınla beraber.

1:56 field recording of exterior daytime environmental windy day in an exposed lincolnshire countryside location, but with mics completely shielded inside a bus-shelter for a less in your face perspective. Mics are pointed upwards into the wooden box roof of the shelter, which has added a somewhat eerie and disconcerting lower mid rumble to the scene. Recorded with a balanced stereo pair of mics and edited to remove intrusions.

Taken at about midnight on a saturday night / sunday morning while waiting at a bus stop on indian canyon drive in palm springs, ca. I used a tascam dr-07mk2 recorder.

The sound of people on the streets of san francisco: people talking and going about their business; people wait for their bus. You can hear some of the motor vehicle traffic noise in the background. Recorded using a zoom h4n and rode ntg2 on a sunny, spring day.

Unedite, recorded in a bus with a group of vietnamese female voices talking all at the same time, sounds like arguing. Normal vietnamese speech is in high pitch, loud with short one syllable words. With some editing could be used as a group of aliens speaking around you.

I left my zoom h4n on a table under a roof on the back yard paving to capture a massive thunderstorm. Lots of rain. Lots of thunder. It starts in the distance and then comes over the house - a big storm. Some door noises at the start and some bird noises and a car driving by and a bus in there as well. But generally mainly rain and thunder.

Binaural recording, will sound best on headphones. These are sounds recorded by walking through tompkins square park, nyc in october 2022. Includes bus, skateboard, distant helicopter, live jazz music, dogs barking, park noise. Clip also edited (at times, poorly) for time and for overall volume.

Street sounds and bus ticket vendor in taksim square, istanbul turkeythe "bilet var" heard means "there is ticket (for sale)"second vendor heard offering full rate and student tickets. Recorded with panasonic (rn-305) rn305 micro cassette recorder with voice activation system 1998.

Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:15:1

This recording was made with an iphone 4s fitted with a tascam condenser stereo microphone in an asian restaurant in bern. We hear the sound of the restaurant with people eating and chatting while the open kitchen is busy washing and preparing dishes. One of the bus boys is singing to himself, which can be heard dimly and at some point a bell strikes a few times.

Inserting a 5. 25-inch floppy disk into a micropolis 1053 i metafloppy floppy-disk drive. That's the sliding sound at the beginning. The second knock-knock type of sound is the press-down-and-hook drive latch being closed. The micropolis 1053 is a two-drives unit for s-100 bus early computers. This sound was recorded on the upper floppy-drive.

This sound was made by me, i tied down my canon powershot a460 digital camera inside the engine bay of my 1993 rover 620si, and it's got a petrol honda engine, no turbo on this version. I had my video recording on my camera in the engine bay while i was driving. I started the engine up and took it for a drive. I simply took the sound off the video. I hope you enjoy this sound. :) please note, anybody is free to use this sound, you don't have to credit me, but it would be fun to hear how you use my sound if possible. :) here is the link to the type of licence i use. Http://creativecommons. Org/publicdomain/zero/1. 0/.

I captured this sound effect on video on my canon digital powershot a460 camera, i simply took the sound from the video. It was a horrible cold wet night, and the rain was hard, plus there was a strong wind, it was too good to miss. :) please note, anybody is free to use this sound, you don't have to credit me, but it would be fun to hear how you use my sound if possible. :) here is the link to the type of licence i use. Http://creativecommons. Org/publicdomain/zero/1. 0/.

This sound effect was captured by me on video on my canon digital powershot a460 camera, i stood just above the motorway at charing cross glasgow scotland and captured this sound from the jam packed motorway, both sides were busy, i even caught the sound of a police car coming along the hard shoulder. I simply took the sound from my video. Please note, anybody is free to use this sound, you don't have to credit me, but it would be fun to hear how you use my sound if possible. :) here is the link to the type of licence i use. Http://creativecommons. Org/publicdomain/zero/1. 0/.

Field recording of a train ride in the western outskirts of paris. I wanted to capture what passengers actually hear when they take that train. It's a bombardier regional train with diesel engine. This is simportant because it gives this particular train a distinctive acoustical fingerprint: you can hear engine bursts (a bit like a bus hitting the gas) no electrical train does that. . . It also has a nice roaring drone. Recorded with a zoom h2n in stereo x/y mode.

Series of car/truck/bus passes recorded on the side of a night time city street. At :21 two guys on bikes with a boombox pass - one of the weirdest sounding things i've recorded. Ambisonic b-format recording recorded with the coresound tetramic in pittsburgh, pa. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

I videoed this sound of a subway train in glasgow scotland on the famous "clockwork orange" train as they are called. I used my canon powershot a460 digital camera to video this, i simply took the sound from the video. I was lucky enough to get a good run on this with just a few poeple on board, so there wasn't any other sound apart from the train, the only time you here some movement of feet is when the doors open. Please note, anybody is free to use this sound, you don't have to credit me, but it would be fun to hear how you use my sound if possible. :) here is the link to the type of licence i use. Http://creativecommons. Org/publicdomain/zero/1. 0/.

It's a recording of me taking some vitamin pills (3xrutinoscorbin). You can hear me taking the box, opening it, pulling out the blister, poping out the pills, putting the blister back into the box, closing the box, throwing it away, taking the pills into my mouth, taking a glass of water, dringing water, swallowing pills, putting the glass on the table, and breathing out. There is much background noise, bu it's static and i leaved a clear sample so you can denoise this. Recorded with a zoom h2 into ardour daw. Originally 4800khz/16-bit wav. Converted to flac with ardour.

This is a recording of an escalator at the main bus station in helsinki, finland. I heard it making this sound one day. It was quite loud in the space and i heard if from far away. It sounded like a street performer playing an odd instrument. I imagined that a drummer would have had fun jamming along with this. I missed the opportunity to record it that week, but luckily the thing wasn't fixed the next week when i was again at the same place. This was recorded with iphone xr, so it's not super quality (i actually took a video really close to the escalator, hoping the video recording gives the best sound), but maybe somebody finds some use for this (the sound can likely be well isolated). This is as unprocessed as it can be, straight from the original video.

This is the ambience i created for my sci-fi sitcom accidentally reckless of a dropship of some kind approaching a battlefield (and certain death). The bare bones was created from a field recording of the x-1 bus going down attercliffe road towards sheffield city centre, during a period in 2017 when they were constantly resurfacing the stretch that goes past the swingers club, resulting in the bone shaking rattling sounds you can hear. I then layered on some laser and rocket noises (already uploaded) and some engine type sound effects and shuttle flypast effects that i don't think i've uploaded yet. I hope it's useful for someone else and no need to credit. Just share the freesound love!.

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

Street noises recorded while walking through the most touristy area of montmartre, in paris, france. Streets visited include rue des saules, rue norvins, rue du mont cenis, rue du chevalier de la barre, rue du cardinal guibert, rue azais, rue saint eleuthere, in that order. Highlights include:. 00:00-00:30-> walking south along the relatively quiet saules ("willow") street in montmartre; footsteps and squeaking boots. 00:42-01:02-> street-cleaning truck passing on the same street. 01:02-01:30-> piano playing inside a restaurant on norvins street. 01:30-01:36-> rock music in some other shop. 01:44-01:46-> kids running past. 01:56-01:58-> barely audible music somewhere, under heavy crowd sounds. 01:56-02:59-> crowd noises, clinking silverware and plates in the restuarants i'm passing, increasingly heavy crowd. 03:00-03:21-> passing van, followed by another bus. 03:21-04:06-> ill-behaved young males ruining my take with strange ape-like cries. 04:06-04:17-> i think this was a passing taxi. 04:20-05:08-> someone playing a steel drum on the ground in mont cenis street. 04:43-------> someone closing a gate, i think. 05:16-05:18-> american tourist exclaiming at close range in chevalier de la barre street. 05:53-06:18-> street portrait artists talking and joking with each other. 06:30-07:25-> someone playing the harp on cardinal guibert street next to the basilica, partially drowned out by a passing car. 07:25-08:23-> someone singing on the steps in front of sacré-coeur. He had a powerful but distorted amplifier--the bad sound quality was like that in real life. I turned around in front of the basilica on this dead-end street and that's why the music switches sides. 08:23-08:40-> yes, that's a chainsaw. The city was trimming some large trees. 09:33-09:47-> more chainsaw noise as i walked past the workers on azais street. 10:00-11:00-> increasing crowd noise as i walk back north to the busiest part of montmartre along saint eleuthere street. Recorded with a hand-held h4n at 96 khz / 24-bits, stereo, compressed into 160 kbps / 44. 1 khz / 16 bits mp3. Recording date march 16, 2012, in the early afternoon.

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).