336 royaltyfrie lydfiler for «Form»

My first upload to freesound is a thunderstorm recorded in gateshead, uk, next to our open bathroom window. Some lovely thunderclaps and rain. Recorded on a zoom h5. There are also some household sounds swimming around in the background, doors closing, dishes clinking etc; i think you can hear the radio or something very faintly towards the end -- but there's plenty of clean usable thunder and rain in there. Incidentally i often use this type of thing in my long-form instrumental music, produced under the name conelrad. I have a podcast of album-length instrumental music which comes out every other week, called conelcast. Check it out wherever you get podcasts or at conelrad. Co. Uk if that kinda thing interests you.

Request by andor for the following:. - "and the same, again and again and again. . . " (in a bored voice, kind of like a sigh)- "repetitive" (emotionless, 2 slightly different versions)- "this is repetitive. " (emphasize the "is", stretch it)- "frustrating. " (voice goes down at the end, otherwise emotionless). - "oooooh. Something changed. " (with childish amazement)- "but still. " (voice goes down at the end). As always, unless paid, my audio will be cc0!please feel free to use in both personal and commercial projects. Do not use this or any of my audio for political or religious propaganda, or to promote hate for any group or persons in any form. By using this this or any of my audio, you agree to these terms and will not use them as described prior. If you have questions about my terms of use or have a request, please message me!.

Chinese restaurant (portugal) about 10 x 10 mts large with 20 people inside. Sunday 9pm. Chatter (portuguese + other), chairs dragging, some noise from the street behind the big glass window in front; noise from the kitchen (cutting vegetables on wood, frying on wok, chatter in chinese). Mic pointing at the center of the room. In front a big avenue (door closed). On my right/behind is the kitchen on an open space. Recorded with zoom h4n-pro 48 khz / 24 bit. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Sound made with the alienspaceweaver vst. Effects: reverb, delay, echo.

A clash cymbal turned down to 10 bpm, repeated on different tones depending on my mood and a triple osc was added. Effects: massive delay and reverb, echo and a compressor.

Bass shape made with a 3 osc. Fx filters: echo, reverb. "crisp" effects are my current asio bugs with gives a special effect.

Signpost. 2 oscillators, reverb. Created with psychic modulation (aethereal). Mixed in audacity.

This is the recording of an audible pedestrians traffic light in paris, france. These devices are here to help visually impaired people cross the streets in a safe way. They come under the form of a little beige box with a hidden button underneath. You have to push the button to hear the annoucement. You can find them all over the city. The sequence goes as follows: first, an annoucement in french says "red light for pedestrians", followed by the street name, then a jingle goes on, followed by a series of bell-like sounds, signaling a green light. I maed this recording because i needed that particular sound for a show i was working on and couldn't find it on freesound. Recorded with a zoom h2n in stereo m/s mode (set to mono).

Autumn forest wind. Heavy, fast gusty in tall pine trees. Some birds and raindrops. Soundscapes of natural white noise of moderate intensity. Some are stagnant or static and with few birds. The presents of the colourful red and yellow dry leaves that is still on the trees, creates the noise of the wind with rustling whispers. Is a constantly form of natural white noise that is always changing and evolving. These recordings is from my third attempt. I think it is very difficult to record the “spirit” and unique sound of the wind. This is pure natural wind sounds (no layering, no post-processing, no synthesizers). Originally recorded at 24 bit sony dat tcd-d7 on a sony ecm-909 microphone. Recorded in sweden september of 2007 in a wet cold beautiful colourful forest, with all kind of trees, far away from any traffic or human sounds.

A group of 5 people - 4 guards and 1 nun (woman), walking fast from the distance until near the mic, stop, and then one man moves forward. Walking with boots on stone floor, sound of metal, swords, armours mixed with the steps. Two men and the nun carried a wireless mic. Recorded with sound devices at 48k 24bit in 6 channels. Channel 1: boom mchannel 2: boom schannel 3: boomchannel 4: man wireless micchannel 5: man wireless micchannel 6: woman wireless mic. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Modular synth patch where two envelopes are involved in a chase. There could have been a rhythm, but i let chaos disturb theharmony. The triangle wave sounds are "distorted" in a wave rectifier. Kind of metallic sound? interesting. The kind of patch only an owner to a modular synth findany interest in. Maybe a little more interesting then theprevious sound. . . This has an ambient feel. Why?answer: different wave forms, changed envelopes and reverb. A lot of reverb. Do you find any use for some part of this sound let me know!the "ground/root pith" is 122hz. . . Almost a b. . . But not really. I tune my oscillators without caring about "real" tones. The quantizer makes the steps between tones.

This loop can be used in modern electronic music and other musical categories such as free forms like live dj-sets or jazz-like compositions etc. Film-makers, djs, instrumentalists or vocalists can use it as a background for own pieces since this material are premastered and ready for use. We release this source-track under creative commons zero license (http://creativecommons. Org/publicdomain/zero/1. 0/) which allows copying, modifying, distributing and performing commercial use of derivative artworks, all without asking permission. Of course, we would be very glad to hear such pieces. Some our ready to use free sounds: https://soundcloud. Com/tonux-gix/sets.

This stereo recording was made on november 23, 2014 in grays harbor washington during a rare thunderstorm. The clip contains rain falling on a wooden deck and recurring peals of thunder both near and far. This original recording was made using a zoom h-6 handy recorder with zoom stereo xy microphone. The track was edited in audacity 2. 0. 6 to remove a few artifacts. Total run time for this wav file is: 8:29. This is my first upload. I am hearing impaired and new to field audio recording. I am fascinated by this art form and hearing sounds that i haven’t been able to hear in twenty years. I would greatly appreciate your feedback on the quality of my work and, if you choose to use this in a project, the end use you have in mind.

The Canadian national anthem, "O Canada", played by the United States Navy Band in the early 2000s. The song was originally commissioned by Lieutenant Governor of Quebec Théodore Robitaille for the Saint-Jean-Baptiste Day ceremony, 1880. The music was written by Calixa Lavallée as a setting of a French Canadian patriotic poem composed by Sir Adolphe-Basile Routhier. The lyrics were translated to English in 1906, Robert Stanley Weir wrote another English version in 1908, which were revised thrice before taking their current form in 2018. Was converted to Ogg format using Audacity (Originally uploaded on en.wikipedia).

Free improvisation on a triple osc. . . Subnotes. Effects: asio driver bugs, compressor, a little reverb.

In hinduism and its many derived views of life, there are a number of "realms", each with their own forms of consciousness. The oldest of these is the realm of the minerals, the stones. This is followed by plants, animals, humans, angels and gods. Each kingdom is divided into layers, in the human realm the "caste's" or social layers. Hindus believe that through good works you can be born in a higher caste or even realm in the next life. Among the people who belong to the caste of brahmans, the priestly caste, it happens that some have memories of many past lives. This track represents the connection between the heartbeat of a brahman priest during his meditation and his energetic vibrations, long time ago, as crystal. He discovers that time is an illusion and that all his lives are layers one on another creating a building, the shape of his eternal existence. He has yet to build further but is well on his way. Right now, he should not be proud, or in the next life he will be certainly no angel but falls back to a previous level.

This wav file is a take-away from a midi track my current project. The vst instrument is 4front e-piano and it's free! - the root key is g major, starting off in the piano roll at g3. The bottom drops to g2 and uses heavy steps, separated by a key to reach g2. Going back up to g3, the notes are shortened and no keys are skipped. Hence the fairytale stares ascents. The ceiling above g3 is g5. So 1 octave down, 2 up. The tight stairstep is maintained above g3. There is just downward notes to keep it sounding like a saw form. The entire sound should be in-key and loopable. Each of the 16 bars is unique. I didn't just copy and paste the same notes several times. - my next step is to apply a different midi sound. Sorry for the book. I hope this helps someone.

This dutch preacher preached in the columnakerk in the morning of sunday 13 may 2012, he preached in dutch. In de gereformeerde kerk vrijgemaakt region: west (later they formed one churchregion and called thenselfes noord-west) the building is called the columnakerk. Tekst: hebrew 4:9-16and psalm 139. Thema: gebed om rechterlijke bewaking@ als gekende@ als geplaatste@ als bestuurde. De dominee overleed in 2017. Hij was al geruime tijd met emeritaat toen hij preekte in deze dienst. Data. Ds. A. Kamer (arie) 12-06-1932 rotterdam 19-02-2017. Served: hoogland kand. 1962, hijken-gkv 1962, loenen aan de vecht-weesp-gkv 1968, utrecht-noordwest-gkv 1977, groningen-noord-gkv 1983-97. Begrafenis / funeral: 24-2 leusden (samenkomst boogkerk amersfoort 11. 30 uur).

Welcome to the asylum !this creepy sound is the recording sound of laughts that i cut to work with other sound to immerse us in a creepy atmosphere of mental asylum. I transformed the laughs in tears by reducing speed, and a delay to add an effect of inaccuracy. Typologie (cf. P. Schaeffer):v = continu variéc’est un groupe de son nodalla timbre harmonique de ce son est métallique,la microstructure du son peut être associé à un son étrange , déstabilisant. Le grain du son est à la fois lisse et rugueux. Le son comporte de vibrato notamment dans la voix. L’attaque du son est assez douce pour ensuite laisse place à des sons plus fort. C’est une dynamique graduelle. Le son possède des variations en forme d’escalier. Profil de masse : site.

This is the first recording in this pack from inside a traditional, working old dutch windmill, called de lelie - the lily - in the picturesque dutch village of eenrum. This mill was used to grind grain. There was a strong northwesterly breeze straight from te sea, so the sails of the windmill were in full swing, this morning on saturday may 14th. The dominant sound you hear is the sound of the so called “schuddebak”, litterally translated as “shaking bin”. This is a device in the form of a large wooden shovel which is tapping against the turning millstone in order to distribute the grain equally along the millstone. On the background you hear the millstone itself. On the second recording in this pack, the millers had detached the schuddebak, so the sound of the millstone is more dominant in that recording. This windmill is now a small museum. Admission is free, so everyone can admire this proud dutch windmill heritage which reclaimed half our country from the sea and gave us our daily bread. Thanks to the millers fort heir hospitality and cooperation!. (i used an iphone with a zoom iq5).

Field recording captured on february 19, 2022 at 21 hs local time. Located in tolhuin tierra del fuego argentina, lago khami is a big body of water situated in the middle of the island, it extends past the frontier with chile and its home of a great biodiversity, here you can hear it in its most calm form. Recorded by jauke (matias aguilar)in a rode ntg4on a zoom h6original recording in 48khz 16bits. Grabación de campo hecha el 19 de febrero de 2022 a las 21 hs tiempo local. Ubicado en tolhuin tierra del fuego argentina, el lago khami es un gran cumulo de agua situado en el medio de la isla, se extiende pasando la frontera con chile y es hogar de una gran biodiversidad, aquí pueden apreciarlo es su estado mas calmo. Grabado por jauke (matías aguilar)con un rode ntg4en una zoom h6grabación original en 48khz 16bits.

//////// made using audacity (only):. Generate 3 wave forms. Saw - 110hzsquare - 220hzsine - 440hz. Pull down the track's volume using the sliderthen mix them all together on one track. Apply a wahwah plugin :freq= 1,5 / phase=0 / dept=70 / resonnance= 5,2 / cutoff freq= 5. Progresively increase the tempo :source tempo to -75% / final tempo to +150% (with dynamic transcient sharpening)source hight to -50% / final hight to +150%. Normalise to -0,5apply short fade in and long fade out. //////// typologie:continu varié (v)(pourrait presque être aussi décrit en tant que série d'impulsions tonique / n' ). ////// morphologie:- masse: son seul- timbre harmonique: riche, puissant et assez agressif (mais adouci par le filtrage)- grain: grain assez "gros" et rugueux- allure: stable, pas de vibrato rapproché, pas de "chevrotement"- attaque: l'attaque est graduelle- profil mélodique: variations à mi-chemin entre scalaires et serpentines- profil de masse / calibre : présence d'un filtrage évolutif intermitent qui adoucit le grain et donne une impression plus "organique".

A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.

These sounds were recorded in a dumpster for a sound installation project. The ease at which members of our society buy and dispose of our goods is quite disgusting, much more than the experience of rescuing useful things from the trash. The idea of making things to be thrown makes no sense unless money is the highest form of good. Companies make things to be disposable so they can sell more, with no thought of what will happen when we have used up too much, or the environment becomes so polluted that it can no longer support human life. Dumpster diving has many negative connotations, but recently it appears to have been embraced by freegans and those who are environmentally minded. The act saves things from thousands of years of preservation in a landfill, while decreasing production. I often try to forage for useful items and food in the wild, while dumpster diving is more like urban foraging; an experience that reveals the culture of the city, rather than the culture of the nature. The sad fact is that what i leave in the wild is used and recycled naturally, while what i leave in a dumpster is sealed in a time capsule that will outlast present successes and show future generations how we have failed, should future generations come.

Made in ableton live. A slow firing heavy weapon. 19 layers were used to create this one. Eq was used to select different frequencies from various weapon samples and compressed together for the inital transient or pop. Time based fade in/out layering was used for the sustain and reverb tails so they fit nicely together. The single shot that was layered together was then printed as a new audio sample. I created a loop and pitched every shot by a few cents or 1 semitone to add variation. Each sample was then manually shifted on the timeline forward or backward by milliseconds to give a more realistic feel in timing rather than sound robotic. Each shot was sidechained to duck down in volume when a new shot triggers for more clarity. Mechanical trigger and bolt movement samples were add in before/after the initial transient of the shot. Shell hit floor samples were used for added detail. I felt the shots lacked a good sub bass so an eq was used to filter out the sub and replaced with a rapidly decaying 808 kick drums sub. Once the loop was formed, all shots were then grouped together and processed with a transient designer into a clipper, a compressor, a maximizer, ott multiband, gluing reverb, stereo spread and then into a final limiter. Enjoy.

Este sonido es el de unas maracas de las que se utilizan en la parranda venezolana. La maraca es un instrumento musical de percusión, formado por un recipiente hueco elaborado a partir de un fruto leñoso o de material plástico, dentro del cual se introducen cuentas, y que se agita para marcar el compás. Este sonido fue grabado como parte de una entrevista realizada a rafael rondón, director del grupo "el valle". Se realizó una grabación simple con un celular sony y luego se editó con audacity, se ecualizó y normalizó. Ver la entrevista a rafael rondón en https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica. "this sound is that of some maracas used in the venezuelan parranda. The maraca is a percussion musical instrument, formed by a hollow container made from a woody fruit or plastic material, into which beads are inserted, and which is stirred to mark the beat. This sound was recorded as part of an interview with rafael rondón, director of the group "el valle". A simple recording was made with a sony cell phone and then it was edited with audacity, it was equalized and normalized. " see the interview with rafael rondón in https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica.

An actual new production instead of old stuff! made in june of 2020. A dark intro implies the humming engines of the spaceship you're in as you're traveling at speeds unimaginable. Slowly the ship starts to spring to life. As you open your eyes, slow but huge bands of light sweeps across your cryogenic sleeping pod, as if being scanned. The pod starts to move while you're still in it, going through chambers filled with machinery and bleeping computer stations, until it stops in front of a huge closed door. Suddenly, your pod opens up as well as the door. Your eyes are greeted with the majestic sight of a gigantic control room with windows as far as the eyes can see, galaxies fills your field of view, a beautiful synergetic view of the grandeur of space and the hundreds of lights of the control room, welcoming you to a new adventure. 2 simple chords form the basis of a textural composition supplied with sound effects. Plugins used: ni kontakt 5 with atom hub's the planet, doom by sampletraxx, space by rigid audio, ni absynth, and massive vst synths. Extra sound effects: shocking signal and ui designer by sampletraxx, heavily sampled and mangled. Effects: izotope mastering plugins, a bunch of fl studio stock reverb and eq, guitar rig 5, blackhole reverb, replika xt, raum reverb.

So you liked surprising her. Here's what it feels like, dude bahahaalso, what it sounds like. A first foray into educational response, the subject slowly awakened in handcuffs, barely aware he was rapidly losing his shorts. Totally unsympathetic cohorts then lashed ankles quickly to both ends of a broomstick. Free to do as they please, unplanned things can happen, and did. Oh, dear. 😯 well he was completely vulnerable. You mean. . . Yeah. They did. 😼 at that point i think he was awake. His victim had selected the broadest and longest, high-output motorized appliance to be found, complete with bulging veins. . . Eventually, at her hands and from her “deep” feminine resolve and with considerable force, the nautilus made port. Ta-daa!! lubricant sure wasn’t needed anymore but had spent the night in the fridge. So she used it😬 end published audio, but not the still-expanding asshole, um, event. Take-away: if you cannot be respectful, at least be careful where you sleep. In fact just a bit later, the enhanced vibrators and integral power-stroking were switched on. Gracious. He didn’t know it had an “on” 🙀 and just about went wild. A lovely, cohort-induced stiffy relaxed and then, any semblance of bladder control did too - oh, oh my 😸 😹then we left.

This is one of a set of voices created to be mixed together to form background ambiance for parties and other events. The walla project is the creation of jule hoverson of 19 nocturne boulevard and public domain for all to use without attribution. Script. Party crowd:well, look who's here!i thought you weren't coming?oh, i see. Well, put your coat over there and grab a drink. So, where were we?oh yeah, so my boss says to me i need to work late, and i tell him that if he wants me to work late he's going to have to pay me to work overtime. You think he likes that?what he do?he told me that he can get a college grad to do my job for half the price. Well, i told him- try it!hey, are those snacks fresh?let me have one!mmmm. . . . Tasty!ow!what is this? a snail?i think i chipped a tooth!excuse me. I better go call a dentist!oh no! look who just walked in!can you believe her? wearing a dress like that?that's not his wife. Mmm-hmm. I'm so excited, this is my first time at a soiree {swa-ray} like this!isn't that too too adorable?who's got the glasses?isn’t there anything to drink?i hope you don't mind, but we're going to have to leave early. I'm here! the party can start!i definitely need another one. That was the babysitter. We need to go. [plus - feel free to ad lib anything else you want. ].

This is a reading from the second chapter of "nathaniel's nutmeg: or, the true and incredible adventures of the spice trader who changed the course of history", by giles milton. It is also intended for the freesound sound museum to represent books as what is fading rapidly into obsolescence. By the time you read this, you may not even know what a books is. Books are when the written word is compiled onto sheets of paper in a long-form volume. You may not know what paper is. Paper is commonly used to write on or make oregano cranes with, being flat and thin rectangles made from trees. You probably won't remember what a tree was. That is a very sad thing. They are all gone now, destroyed in feckless deference to paper. When the paper runs out, there will be nothing left to write our collective histories on, what we desperately need. When this occurs, it will stand as the moment our past was truly lost, leaving us lost the same, drifting in circles. Until another man or woman rises up to invent trees again, thus beginning the cycle anew. It's a beautiful idea. We should always be moving towards the future, not lost in syrupy memories of old forests not seen for what they really are: petrified wood and amber. Leave that with the other fossils and relics. Let it be the final page written on the last book until it crumbles to dust. Let it go. The file was recorded using a mid/side stereo technique at 24bits, downsampled to 16bits under the loving care of gaussian dither. The room was treated as best i could to be acoustically pleasing and quiet. I think you will find the noise floor to be particularly well balanced and textured, suitable for post-production tasks, or just for relaxing with at home. .

An excerpt from the song “Au clair de la lune”, originally recorded as a phonautogram on paper. As of May 2009, this is believed to be the oldest recognizable recording of a human voice in existence. According to the remasterers, the lyrics sung are the first lines of the second stanza "Au clair de la lune, Pierrot répondit" (Under the moonlight, Pierrot replied).[1] It has also been reported that the recording contains the beginning of the song, "Au clair de la lune, mon ami Pierrot..." (Under the moonlight, my friend Pierrot...).[2] This is an edited version: speed and pitch have been corrected to reflect Édouard-Léon's voice, noise was removed. Ausschnitt aus dem Lied “Au clair de la lune”, ursprünglich als Phonautogramm auf Papier aufgezeichnet. Per 2008 gilt diese Aufzeichnung als die älteste bekannte Tonaufnahme. Die gesungenen Worte lauten: "Au clair de la lune, Pierrot répondit" (Bei des Mondes Scheine, antwortet Pierrot), oder "Au clair de la lune, mon ami Pierrot..." (Bei des Mondes Scheine, mein Freund Pierrot...). Un extrait de la chanson “Au clair de la lune”, telle qu'enregistrée sur papier sous forme de phonautogramme. À la date de mai 2009, on le considère comme le plus ancien enregistrement d'une voix humaine reconnaissable. D'après les restaurateurs, les paroles correspondent aux premières lignes de la seconde strophe : « Au clair de la lune, Pierrot répondit ».[3] D'autres estiment qu'il s'agit plutôt du début de la chanson : « Au clair de la lune, mon ami Pierrot ».[4] Cette version a été éditée de manière à mieux refléter la voix de Scott de Martinville : la vitesse a été réduite, la tonalité a été baissée et le bruit a été réduit

Thank you for listening. If you enjoyed this music, please subscribe to my youtube-channel. About this release:download available at https://freesound. Org/people/kjartan_abel/sounds/608392/ and soundcloud. Usage rights and limitationsthis release is licensed under the creative commons attribution-sharealike 4. 0 license, which allows you it freely in your own projects (commercial or otherwise) as long as provide proper credit:. ————————————————————–april showers by kjartan abel. Visit https://kjartan-abel. Com/library to download royalty-free music for your next project. Cc by-sa 4. 0 attribution-sharealike 4. 0 international. ————————————————————–. About the artist:best known for his immersive musical journeys, kjartan abel composes original music and soundscapes for a variety of media projects, including youtube videos, podcasts, television shows, games, art installations and for feature films. Creatively influenced by the likes of vangelis, jean michel jarre, koto, laserdance, and røyksopp, tangerine dream and kraftwerk to name a few. Please subscribe to kjartan abel on youtube: https://kjartan-abel. Com/youtube. Listen to kjartan abel:spotify: https://kjartan-abel. Com/spotifyapple music: https://kjartan-abel. Com/applemusicamazon music: https://kjartan-abel. Com/amazonmusicsoundcloud: https://kjartan-abel. Com/soundcloudyoutube music: https://kjartan-abel. Com/ytmusic. Follow kjartan abel:instagram https://kjartan-abel. Com/instagramfacebook https://kjartan-abel. Com/facebooktwitter https://kjartan-abel. Com/twitterpinterest https://kjartan-abel. Com/pinterest. This track was supported by generous patreons:want more royalty free music? consider supporting me on patreon: https://kjartan-abel. Com/patreon. Copyright issues:none of my music has been uploaded to content id so there should be no copyright issues if you use it on youtube or any other service, but copyright claims against user-generated videos on youtube do arise from time to time. To learn more about any copyright issues, please visit https://kjartan-abel. Com/copyright-issues/. Usage rights and limitations:simply put – music in the music library is free, even for commercial use, as long as attribution is given! downloadable files are licensed under the creative commons attribution by-sa 4. 0 international license (cc by sa 4. 0) unless stated otherwise. To learn more about your usage rights and limitations, please visit https://kjartan-abel. Com/usage/. Please use the contact form at https://kjartan-abel. Com/contact/ for inquiries!. Thank you for your cooperation. Take care and enjoy this composition!.

An excerpt from the song “Au clair de la lune”, originally recorded as a phonautogram on paper. As of May 2009, this is believed to be the oldest recognizable recording of a human voice in existence. According to the remasterers, the lyrics sung are the first lines of the second stanza "Au clair de la lune, Pierrot répondit" (Under the moonlight, Pierrot replied).[1] It has also been reported that the recording contains the beginning of the song, "Au clair de la lune, mon ami Pierrot..." (Under the moonlight, my friend Pierrot...).[2] Ausschnitt aus dem Lied “Au clair de la lune”, ursprünglich als Phonautogramm auf Papier aufgezeichnet. Per 2008 gilt diese Aufzeichnung als die älteste bekannte Tonaufnahme. Die gesungenen Worte lauten: "Au clair de la lune, Pierrot répondit" (Bei des Mondes Scheine, antwortet Pierrot), oder "Au clair de la lune, mon ami Pierrot..." (Bei des Mondes Scheine, mein Freund Pierrot...). Un extrait de la chanson “Au clair de la lune”, telle qu'enregistrée sur papier sous forme de phonautogramme. À la date de mai 2009, on le considère comme le plus ancien enregistrement d'une voix humaine reconnaissable. D'après les restaurateurs, les paroles correspondent aux premières lignes de la seconde strophe : « Au clair de la lune, Pierrot répondit ».[3] D'autres estiment qu'il s'agit plutôt du début de la chanson : « Au clair de la lune, mon ami Pierrot ».[4] Čeština: Skladba Au clair de la lune (Za svitu luny), nahraná Édouardem-Léonen Scotem de Martinville v roce 1860, je považována za historicky nejstarší zvukovou nahrávku vůbec. Македонски: Песната На месечевиот сјај (Au clair de la lune) снимена од Едуар Леон Скот де Мартенвил во 1860 г. Се смета за најстарата постоечка звучна снимка во историјата. Fragment popularnej francuskiej piosenki Au clair de la lune (pol. W świetle księżyca) zarejestrowany jako fonautogram w 1860 roku przez Édouarda-Léona Scotta de Martinville'a, który uznawany jest za najstarsze istniejące nagranie ludzkiego głosu.

project nine is a sparse yet melodic minimalist tune that was written to be used in sequences where time is of the essence. Thank you for listening. If you enjoyed this music, please subscribe to my youtube-channel. Apply the following credit if this track is used in your production:✂ -----------------------------------------------------------time is of the essence minimalist tune (project nine) - by kjartan abel. Visit https://kjartan-abel. Com/library to find free music for your next project. This work is licensed under the following: cc by-sa 4. 0 attribution-sharealike 4. 0 international. ✂ -----------------------------------------------------------. 📜 usage rights and limitations:simply put – music in the music library is free to download and to use in any productions, even for commercial use, as long as attribution is given! downloadable files are licensed under the creative commons attribution by-sa 4. 0 international license (cc by sa 4. 0) unless stated otherwise. To learn more about your usage rights and limitations, please visit https://kjartan-abel. Com/usage/. 🎹 about the artist:best known for his immersive musical journeys, kjartan abel composes original music and soundscapes for a variety of media projects, including youtube videos, podcasts, television shows, games, art installations and for feature films. Creatively influenced by the likes of vangelis, jean michel jarre, koto, laserdance, and røyksopp, tangerine dream and kraftwerk to name a few. 🎵 listen to kjartan abel:spotify: https://kjartan-abel. Com/spotifyapple music: https://kjartan-abel. Com/applemusicamazon music: https://kjartan-abel. Com/amazonmusicsoundcloud: https://kjartan-abel. Com/soundcloudyoutube music: https://kjartan-abel. Com/ytmusic. 👍 follow kjartan abel:youtube https://kjartan-abel. Com/youtubeinstagram https://kjartan-abel. Com/instagramfacebook https://kjartan-abel. Com/facebooktwitter https://kjartan-abel. Com/twitterpinterest https://kjartan-abel. Com/pinterest. © copyright issues:no copyright issues should occur if you use my music on youtube or any other service. If you experience copyright issues with your youtube videos, please visit https://kjartan-abel. Com/copyright-issues/ for help and to report the issue. 💰 this track was supported by donations:if you enjoy this music, please consider making a donation to help support future creative commons releases. I appreciate your generosity in making a contribution using https://kjartan-abel. Com/paypal. ❓ for inquiries, please use the contact form at https://kjartan-abel. Com/contact/. 🤝 thank you:first and foremost, i would like to show my gratitude to you! my music would be meaningless if it weren't for you. Because of your feedback and the fact that you incorporate the music into your own work, i am motivated to continue improving my skills and to make more music available to the public under the creative commons license. In addition, i would like to express my appreciation for your use of creative commons licenses in order to share, remix, and collaborate. Take care, and i hope you enjoy this composition!.

guardians of limbo (spectral voices, ethereal sounds, odd vocals) sample of fx preset from magnus choir vsti software. Virtual choir (musical instrument). Software description:. Magnus choir is a vst, vst3 and audio unit virtual instrument which can be used to create natural and synthetic choirs. The male and female choruses combine to form a mixed choir, featuring the classic satb (soprano, alto, tenor, bass) structure: women sing soprano and alto, while men sing tenor and bass. Versatile to generate a wide spectrum of choirs, vocal textures, choral pads and voices with modulation capabilities for a new level of realism in digital sound creation. • 54 preset sounds ready to use, including a vast array of natural and synthetic sounds, from oohs, aahs, men and women in mixed choirs to the celestial choir of angels, reso pads, dark atmos, creepy voices, ambient ghostly and birdsong effects, as well as cinematic and soundscapes. 01. - abbey ghost02. - ad infinitum formant03. - ad libitum chorale04. - aeternus lux lucis05. - alchemical signals06. - angelic vox07. - angels between us08. - apocalyptic chamber09. - astral singers10. - aurum vox pad11. - birds sonic sweep12. - caelestis kingdom13. - celestial choir14. - choral ensemble15. - choralis pad16. - cinematic padilius17. - cosmic odyssey voice18. - cryogenic dimension19. - dark cantus20. - digital voice21. - dystopian chorus22. - elves land23. - enchanted goblins24. - ethereal voices25. - guardians of limbo26. - lost souls in the dark27. - male & female aahs28. - morph dreams29. - morphed vowels30. - mystical vowels31. - nebula dark atmos32. - necromancer summons33. - neo choir34. - octave aahs choir35. - octave vox pad36. - oniric sequences37. - oohs choir38. - psychedelic vox39. - psychomanteum reso40. - quasi spatial voices41. - relaxing paradise42. - restless spirits43. - sanctus holy chant44. - sonorous skies45. - sopranvox c4-c646. - spatiotemporal atmos47. - spectral hell48. - synthetic chorus49. - synthesized vocals50. - underworld embryos51. - vinyl chorus52. - voices in the mist53. - vowelled soundscape54. - vox vocis texture. • low frequency oscillator section: these knobs apply modulation to the selected instrument. By using the lfo to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo. • adsr envelope generator with attack, sustain, decay and release parameters. • pitch bend: the pitch bend knob directly changes the pitch of the selected instrument. • reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces. • filter section: with filter type box for low pass filter and high pass filter. • amplitude range parameters: it controls the loudness, the way in which we perceive amplitude. The sensitivity level is set by the user. • panning potentiometer control. • midi cc automation: implementation of midi continuous controller parameters for use with external hardware control via daw.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.