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This was a happy accient. I was charging a drone battery though an adapter with overvoltage protection, which started beeping and increasing in frequency as the battery got close to full charge. There is a good bit of sound at the end, when i pulled off the battery and the capacitors in the charger discharged. :). Have fun with it! if you want, let me know what you did with it. Cheers!. Recorded on zoom f1 with xyh-5.

This is a suona audio segment from 《a hundred birds paying homage to the phoenix》which is one of the ten most famous pieces of chinese folk instrumental music. It depicts the sound of a hundred birds singing in harmony and celebrates the beauty of nature in a lively and cheerful tune, which gives full play to the characteristics of the suona. Its popularity is widespread, with different versions available in shandong, anhui, henan, hebei and other places. The music evokes a love of nature and a life of labor with a warm and upbeat melody.

Enrico Caruso and Titta Ruffo's only surving recording together: "Sì, pel ciel marmoreo giuro!" from Giuseppe Verdi's 1887 opera Otello. Recorded 8 January 1914 in New York City for Victor Records (as Matrix C-14272), this was released under a variety of labels (full details)

This is the first of two recordings documenting the transatlantic shortwave radio transmissions by w1zy on february 12, 2019 in performance of the "extremely low elevation angle" experiment, detailed in w1zy's blog here: http://www. Qrz. Com/db/w1zy. It is being posted in 2021 upon initiation of the full archiving of all audio files generated during the saltwater vertical operation from succotash salt marsh in matunuck, r. I.

Recording of an apple iwatch ver. 6 using a akg pro audio c411 pp high-performance miniature condenser mic. Recorded on mixpre10t. Using thin double back tape, i taped the back of the mic to the back of the watch. This watch has cell phone option. I think the intermittent burst of static is the cell phone in the watch ranging signal, similar to a full size cell phone pulsing when they range signals. If anyone knows, leave a message.

This is me playing around with my various string instruments. I decided to try to create a creepy string texture-ish sound, but it came out sounding like a haunted string orchestra. I hope you like it. I used a foot-long violin, a full-sized violin, a ukulele, and my father's home-made frettless banjo-thing.

This is a field recording from inside the "experience gallery" of the musical instrument museum (phoenix, arizona). The experience gallery is full of gongs, bells, drums, gamelan instruments, stringed instruments, marimbas, xylophones, and even a theremin. A schoolgroup of children were let loose at the time of this recording. Recorded in stereo with a sony pcm-d50 (onboard mics, wide pattern) while in motion.

Putting a 1 liter half-full plastic bottle on a glass table. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

This was recorded in a small, underground brick wine cellar during a wine-tasting event in europe. While the language spoken in the clip is slovak, it's impossible to pick out any indivdiual conversations, so this could be used as background noise in any project. At 0:57, there is a distinct "ano" (slovak for yes) which you may wish to edit out if you need the full minute. Mp3 recorded at 320 kps on a tascam dr-1 stereo mic recorder.

Trash drumming at sark roots permaculture festival 2016. Recording of a set of interesting recycled objects mounted on scaffolding in the middle of the festival site. Recorded whilst festival was in full swing around the wildly improvising (mostly) amateur drummers on saturday night. Recorded with a tascam dr-40 portable recorder. Processing: eq, c6 multi-band compression and l3 multi-band limiting.

This morning i woke up to the sound of a city crew jackhammering concrete just outside my window. I grabbed my h2 and recorded for a while. This file is an edit of the full recording. It contains two bursts of jackhammering, one fairly short and one longer. The background noise is the sound of the air compressor. Toward the end the compressor is turned off and the last of the pressure is released by the jackhammer as it sort of "putters out". This last bit is a bit unique.

Made a quick drum loops designed to have guitar, vocals, any mid range instrument or sound source sit nicely with it. First 2 measures are less/intro-like, last 2 measures are full beat. 120bpm-1. 7 db true peak max. -16. 0 lufs integrated. Hope this helps and is useful for your next project. Cheers,bainmack.

Industrial drum loopmore similar loops can be downloaded from my looperman account: https://www. Looperman. Com/users/loops/1791281. You can download full packs from my youtube channel: https://www. Youtube. Com/watch?v=c6a6erk6wpg. Also, make sure to visit my website to understand how i am creating these packs: https://flsouto. Com/. Enjoy!.

Kalimba and steel drums layered and treated, ready for your sampler. I use a few sounds from here frequently so i thought i'd give something back. Use them however you please. I''m working on full sample packs to share soon - @scissorwork_ on ig if you're interested in layered acoustic sounds and analogue drums and synth stuff.

Apocalyptic, dystopian, totalitarian tts voice: the small fringe minority of people, who are on their way to ottawa, who are holding unacceptable views that they are expressing, do not represent the views of canadians. The only way through this pandemic, is to get everyone vaccinated. Normality as it was before will not come back full-on until we get a vaccine for this. Regardless of the fact that we are attacking your fundamental rights. . . Or limiting your fundamental rights, and the charter says that is wrong, we are still gonna go ahead and do it.

An impact followed by a vibration that slowly trails off. This sound was made by twanging a dish in a dishwasher partly full of dishes. Recorded with: ipod touch 5th generation. ------------------------------------------------------------------------------------please leave feedback by commenting below. I'd love to hear your thoughts about this sound and what you used it for. If you published your finished compilation to the web go ahead and include a link. If you have any questions or requests feel free to contact me. Thank you. ------------------------------------------------------------------------------------.

Format: wav - 24 bit, 48khzdescription:. A completely synthesised emulation of a fighter jet fly-by. Used ni massive to generate the sound and then processed with various modulations and outdoor convolution reverb. Note: the artefacts you hear in the sound is from freesound's own transcoding, please download to hear the audio in it's full unadulterated glory. -------------. If you like or dislike this sound, please comment on your thoughts :). .

A very short clip, from around 2015, of me fucking a friend (a woman) from behind as she licks my wife's pussy. Not much noise as one had their mouth full :). Definitely a time i wish we had been recording for longer but the audio was ripped from a short video my wife made while being eaten out. Apologies for the fiona apple in the background.

This is a whole lot of longsword-on-longsword sounds. I was specifically trying to get nice sounds for "winding", when two swords are pushed back and forth and around each other as opponents look for an opening. There are also some "binding" sounds, when the two swords first clash. Some of these binding noises did peak the mic. None of these binding noises were the swords hitting at full force - they are all weaker binds. Pick and choose the noises you like to build your sword fight foley.

I produced this strangely satisfying sound by dropping a watermelon-shaped canning tomato into a dishpan full of water. Have to get that just about right to get this result. For my purposes i needed to repeat it, but you can do that. It's unlikely that two objects tossed into liquid will sound exactly the same, but it's possible to modify one of the two "ploops" by changing amplification, pitch and even to shorten the waveform to make them sound different. If you need that done let me know.

Took a drum loop and pitched out 3 different layers of itself, one at half speed an octave down, one at quarter speed 2 octaves down, and one on top that starts out chopped up into separated transients and returns to full speed at the end. I originally made this to be 3 different levels of progression for a backing drum-loop, with the first section being the buildup, the second as the transition/windup, and the third as the breakdown.

Download the full pack here : https://goo. Gl/zkrzqr. This sample is from the prism modern pop drums library. Prism’s revolutionary interface gives musicians and music producers the power of incredible electronic percussion performance on their own terms. Easy access to a virtual endless array of drum options means you’ll spend less time searching for sounds and more time making the most of your music.

This mp3 contains a series of sounds that can be divided into individual elements if needed. I set down a full, unopened can of beer several times on a hard surface. Then i opened the can of beer. Then i placed it down again and flexed the aluminum a bit. Finally, i took a long gulp of beer and let out a satisfied "ahhhhhh!" now i'm drinking the beer as i upload this file. Mmmmmm. . . Beer.

This recording is really not great. But i really wanted to capture the frog jam. . . As i was listening i kept thinking about how frogs can teach us about rhythm and wondered if some indigenous or any people ever patterned drumming after frogs. . . These frogs are going to town. . . Hope you can at least hear some of their music on here. It was a full moon night and just by chance we found ourself in a pretty quiet park because of the rains before.

Unrestored version of File:Nicola Zerola, Giuseppe Verdi, La fatal pietra (Aida).ogg. La fatal pietra ("Morir! sì pura e bella!") from Verdi's Aïda (1871), sung by Nicola Zerola in 1909. Digital transfer by Tim Ecker. This is Victor Matrix C-8493-2, Recorded 17 December 1909 in Camden, New Jersey, and released as Victor 74225. (Full details).

Just a looping beat patter made in fl studio 11 while playing with elektrostudio model mini. Pattern includes intro and outro + it has a multiple variations within, suitable for cutting, and editing into a beat. *it is not a full beat, rather several ideas played freely. Good source for a begginer who is learning about making a beats.

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details

Testing/documening my bartonmusicalcircuits (bmc21) full wave dual rectifier. "this is an all analog synthesizer module used to alter the timbre and create new harmonic content. ". Sound:1. Sine wave not going throught rectifier2. Sine wave though rectifier3. Triangle though rectifier4. Square through rectifier5. Saw through rectifier. An lfo is modulating the bias.

A remix clip from the beginning of soundbible's public domain (cc0) "scary demon haunting sound" recorded by adam webb. (see http://soundbible. Com/1883-scary-demon-haunting. Html) for game use, i made some short cuts with normalize, dc bias, and fade-in and fade-out. This is an edit, so full credit should go to soundbible and adam webb.

This is a simple recording of open air white noise of a quite room. I've used this in quite digital passes in some of my original music to help make the digital instrument sound a little less sterile. This is a full unedited take. You will want to crop the start and end sections so you don't here me cutting the recorder on and off ect. I hope you can use this if you need it!.

Colt smg firing, reloading and handling in high definition. I used a lot of samples on this one so you can technically count this as an original sound :). This is actually not all sounds i created, if you want to get the full pack, head over here: https://www. Mediafire. Com/file/wx05p5kmgtq58t7/colt_9mm_smg. 7z/file. Have fun!.

A timbre (rendered with something akin paul naşca’s padsynth algorithm) which has partials of form m + n φ where φ is the golden ratio, and m, n are integers. Though not all the partials, just such a set that this all resembles a usual harmonic timbre. This sequence starts. 1. 000001. 618032. 618033. 618034. 236075. 236075. 854106. 854107. 854108. 47214. This sequence is of several powers of φ up and down from 440 hz (φ⁻² to φ⁵). Look at the spectra for a full dose of xen.

Vois ma misère, hélas! from Camille Saint-Saëns' opera Samson et Dalila (1877), sung by Enrico Caruso on 7 December 1916 in New York City for Victor Records. This is Matrix C-18821, which released under a variety of labels.(Full details)

My friend and i had rented a minimoog model d (c1977, not the reissue). We were jamming out some ambient-type sounds, and my mate is just getting lovely tones out the moog, going through a deluxe memory man echo/chorus/vibrato for extra analogue niceness. Listen as he goes full-on john paul jones on in the light around the 50 second mark. Fell free to use in your productions and send me a message if you do!.

Go have a nice party =).

A nice, clean, relaxing clip of running water, recorded at dusk in the seattle area. Recording the clip was not as relaxing as listening to it. I had to stoop down very uncomfortably for nine minutes until i got three minutes with no airplanes, and then i had to walk back to my aunt's house in the dark without a flashlight, though woods full of large spiders. . . I hope you'll agree it was totally worth it!---2 primo em172 capsules -> zoom h1.

A lot of texture! yeah! even analog modular synths can create texture. . . Well not much of a surprise but i'm getting somewhere. . . !. Have to note what i have done. 1. Modulating a full wave rectifier at audio rate. Fixed modulating frequency. 2. I mix my the output of my two osc and clockmy clock divider with that and take /2 to mixer. Reverb is space hole on my zoom ms-70cdr.

Whenever i'm bored i tend to beatbox, so i decided to multitrack myself one day in the hopes of creating a full song out of it. I never did finish it, so i've included this and another loop of my multi-tracked vocals in this pack. If you use it leave a comment to let me know where i can hear what you did with it!.

This is a 808 bass which i sampled from my novation drum station. The sample covers one full octave from c#0-c1. The sound was recorded through a yamaha m1516 which pretty much has the same circuit as a api. As you can hear it sounds pretty much the same as a roland 808. The drum station uses analog modeling so the sound is pretty nice. Feel free to use in your productions. There is no need to contact me if you release a track with this sample just enjoy.

My bathroom fan is humming while operating. As you might hear, the fan is full of dust and dirt, so it does this "unround" noisy humming. Recorded with a tascam dr-40. Note: feel free to use this sound in one of your own projects. If you want to, you also can send me a link. I would love to hear some of my field recording into someone’s work.

Field recording of a summer afternoon (28th june, ~20:30) in berlin lichtenberg. The recorder (edirol r-09rh) was set in a very high building, therefore the sound consists mainly of ambient noise, eventually with subtle concrete sounds (birds, childs, dogs, sirens,. . . ). The audio is unfiltered, so it's dominated by low-frequency energy. Filter as you wish :). (the web preview seems to have some high frequency artifacts. Download the wav file to get it on full quality).

Today, i was wake up in 6:45 am in morning. My mom going texas children hospital to flu shot for covid-19. My mom bought me blueberry muffin,my sister chocolate muffin and my mom bread. My mom going home depot and kroger. My mom buys cheese, lettuce, tomato and chips for nachos. I ate nachos. I was full. At 2:45 pm, i hear rain and loud thunderstorms. I recorded on my phone.

My housemates are horny all the time and always shagging. I had to soundproof their bedroom to try and contain all the noise from the incredible orgasms they were having. One day they let me record them in the act as i placed a couple of sm58s in the room in an attempt to capture their intense climax; this one being a deeply satisfying snippet full of moaning pleasure inside the exquisite sounds of true love & fucking.

All the music on these tracks was written by me. All instruments were played by me as well. All you have to to is loop them and you'll have a great base rhythm for your projects or to just jam with. That's why i create these types of loops; they help me create full finished compositions. If you would like to check out my original music it is available here:. Https://traxis1. Bandcamp. Com/album/the-road-to-oblivion-2.

As of this recording, i am the official town troubadour of manchester, ct, usa. I am just putting the finishing touches on an album collecting the various songs i have written for the town in this role. One of the songs mentions the church bells that ring out every day in at the top of the hill in town, so i thought it would be nice to open that song with a field recording of the bells. Every day at noon, center congregational church in manchester, ct, usa plays a full 10 minutes of music. This is a recording of the full 10 minutes as played on december 4th, 2022 - recorded with a zoom h1n, fades added in audacity. It was quite windy and despite my wind sock, there is the occasional audible gust. I was set away from direct traffic sound, but there is ambient traffic sound. There was also a church maintenance truck that slowly drove past me midway through the recording (probably curious at the strange person with the tripod recorder and headphones). I have not attempted to identify the songs in this recording. But if you recognize any, please let me know!.

This is basically a remix of of previous recording. This field recording at frog hollow estate, daylesford, victoria, australia was after dark on a still night when the frogs went mad with joy. And why wouldn't they after 10 years of drought and now it's so wet and the pond they live in is so full with beautiful rainwater. In 15 years this is the noisiest night of croaks. Recorded on a zoom with 96k sample rate and 24 bit depth. I selected these settings to register the whole range of our frog croaks.

I needed a sound effect for an audio project, specifically the sound of someone moving around in a bathtub full of water and ice. Being too lazy to go out and get a carpload of ice cubes, i raided the ice-maker in the refrigerator and built up a stockpile, then dumped them all into the metal kitchen sink, added some water and a few empty ice cube trays for flavor, and stirred them about using a glass mixing bowl and a wooden spoon.

Enrico Caruso (as Doctor Faust) and Marcel Journet (as Méphistophélès) perform "O merveille! ... A moi les plaisirs" from Charles Gounod's opera Faust (1859), in this 1910 Victor Recording. This is Matrix C-8555, recorded 16/1/1910 in New York, and released under a variety of labels. (http://victor.library.ucsb.edu/matrixDetail.php?id=200008638 full details).

This reel is formatted specifically for use with the "time travel simulation" technique seen at https://youtu. Be/1nqemcvv2xo. Each (short) splice is recorded only on the left channel, so that it can be processed and then re-recorded into the right channel without interference. See the video for full details. Sound: transient sounds formatted for use in make noise morphagene. Recorded by mike johnson of the make noise crew, using zoom h4n in a kichen, then processed in ableton live. There are a few drum transients from a recording session as well.