392 royaltyfrie lydfiler for «Masse»

.mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      

.mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      

This sound i made with a python script. The script simulates a 2d-network of 13x13 identical masses connected with springs. I 'feed' one mass in a corner of the network with a 'chirp' of 400-2000 hz for one second and the system resonates at its characteristic frequencies. I 'listen' to the resonating system in the adjacent corner. The decay of the sound was build in, but the last half second i edited the volume to zero. The code took a few hours to execute. You may want to change the picture of this sound to the frequency-domain. Yo! awesome! nerd-pride! :-).

This melody describes the feeling of anxiety and creeping hysteria. You're in a club, maybe on stimulants, you're alone in a crazy and chaotic mass of people. They hate you, everyone hates you. You hate yourself.

W. A. Mozart - Requiem, K. 626 (Bruno Walter, Wiener Philharmoniker, Wiener Staatsopernchor, 1956) - 07. Confutatis

W. A. Mozart - Requiem, K. 626 (Bruno Walter, Wiener Philharmoniker, Wiener Staatsopernchor, 1956) - 10. Hostias

W. A. Mozart - Requiem, K. 626 (Bruno Walter, Wiener Philharmoniker, Wiener Staatsopernchor, 1956) - 12. Benedictus

W. A. Mozart - Requiem, K. 626 (Bruno Walter, Wiener Philharmoniker, Wiener Staatsopernchor, 1956) - 08. Lacrimosa

W. A. Mozart - Requiem, K. 626 (Bruno Walter, Wiener Philharmoniker, Wiener Staatsopernchor, 1956) - 11. Sanctus

W. A. Mozart - Requiem, K. 626 (Bruno Walter, Wiener Philharmoniker, Wiener Staatsopernchor, 1956) - 06. Recordare

Description de base:. First try in audacity, sound 1. 3 seconds. Typologie:. Impulsion tonique. Masse: son seul tonique. Attaque: violente, courte. Timbre harmonique: clair. Grain: lisse. Allure: pas de vibrato.

A bell announces a train is coming, quickly followed by the roar of an approaching engine. Many train cars pass in a cacophony of steel wheels and roaring mass, followed by a fade-out.

W. A. Mozart - Requiem, K. 626 (Bruno Walter, Wiener Philharmoniker, Wiener Staatsopernchor, 1956) - 13. Agnus Dei

W. A. Mozart - Requiem, K. 626 (Bruno Walter, Wiener Philharmoniker, Wiener Staatsopernchor, 1956) - 05. Rex tremendae

W. A. Mozart - Requiem, K. 626 (Bruno Walter, Wiener Philharmoniker, Wiener Staatsopernchor, 1956) - 04. Tuba mirum

W. A. Mozart - Requiem, K. 626 (Bruno Walter, Wiener Philharmoniker, Wiener Staatsopernchor, 1956) - 09. Domine Jesu

W. A. Mozart - Requiem, K. 626 (Bruno Walter, Wiener Philharmoniker, Wiener Staatsopernchor, 1956) - 03. Dies irae

Couverts s'entrechoquant contre du métal. Typologie:x'' (iteratif complexe). Morphologie:*masse: son unique (répété neuf fois). *timbre harmonique: métallique. *grain: strident. *dynamique:entrée du son franche et agressive.

.mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      

This is a sound made to represent an abstract mass of people. It is mostly made with 100 blips made from using a phasor as an oscilator, so basically a saw tooth. There is some snippets of voice thrown in too. This sample is public domain, ignore the cc license.

Quote from the game mass effect - "stand in the ashes of a trillion dead souls and ask the ghosts if honor matters. The silence is your answer. " [cc zero].

Recording of a voiceajout de fondu en ouverture. Typologie de schaeffer : varié continu (v). Morphologie :masse: son seul variégrain : rugueuxallure : présence d'un vibratodynamique : attaque douce et graduelleprofil mélodique : variation serpentine (variation des hauteurs "glissantes").

Brief recording aboard a red line train in chicago, roughly from sheridan to lawrence going north towards howard, recorded sometime in winter 2019. You can hear some chatter in the background. Unfortunately there is some slight cell phone interference in the last few seconds.

W. A. Mozart - Requiem, K. 626 (Bruno Walter, Wiener Philharmoniker, Wiener Staatsopernchor, 1956) - 14. Communio Lux aeterna

Sound created with audacityajout d'un sifflet avec fondu en ouverture. Typologie de schaeffer : continu tonique (n). Morphologie :masse : son seul toniquegrain : son lissealllure : pas de vibratodynamique : attaque graduelleprofil mélodique : varaiation scalaire.

W. A. Mozart - Requiem, K. 626 (Bruno Walter, Wiener Philharmoniker, Wiener Staatsopernchor, 1956) - 02. Kyrie eleison

W. A. Mozart - Requiem, K. 626 (Bruno Walter, Wiener Philharmoniker, Wiener Staatsopernchor, 1956) - 01. Requiem aeternam

This sound is completely analog. I recorded the sound of my key ring and tried to extract just the sound of the key. In this purpose, i used the effect “noise reduction”. I tried to avoid distortion but after several attempts we still hear the sound of the voices in the background. Descriptif selon la typologie de schaeffer :code : v''précisions morphologie :- masse : son cannelés (nœuds + toniques = mélange de note et de bruit)- timbre harmonique : acide éclatant- grain : microstructure- allure : chevrotement- dynamique : l’attaque est douce et graduelle- profil mélodique : serpentine- profil de masse : site : hauteur parmi d’autres.

Soccer fans vocals field recording with zoom h2n. If you want to support me, you are welcome to have a look here: https://richardatmo. Bandcamp. Com/. You can play albums there and also buy single sounds from me for small money. It's a way to support me. Or just have fun and chill with nature sounds. Have a nice day.

This recording of a red squirrel vocalizing came out of a mass recording of sounds at a bird feeder. This was captured on a zoom h4n pro handy recorder using the built-in stereo mic configuration set to the 90-degree position. This was done on a relatives property in northern wisconsin.

Stereo ambience of euston station, london recorded with the zoom h6´s xy-stereo capsule.

I recorded myself singing in the tunnel that connects the buildings on the minnesota state capitol complex. This is the first measure of music in the kyrie mass in g minor, which is usually sang by a chorus in a cathedral environment. The tunnel makes it sound exactly like i'm singing in a church.

Here is a walkthrough zurich international airport. Recorded in stereo as people walk by on the left and right hand side (best example of is approx half way through the recording). 96khz 24bit stereo.

This sound is completely analog. I recorded the sound of a person who was walking on the street. I chose to leave the noise of the street so that we understand that the person walks outside. I used the effect "amplification" to reduce the noise of the street and increase the sound of step. I made a fade in opening and closing, so that we have the impression that the steps are moving towards us then moves away. At the same time, i played with the pitch of the sound to accentuate this effect. Descriptif selon la typologie de schaeffer :code : x''précisions morphologie :- masse : groupe nodal / complexe- timbre harmonique : terne- grain : rugeux- allure : ne comporte pas de vibrato- dynamique : l’attaque est douce et graduelle- profil mélodique : scalaire- profil de masse : le son paraît plus calibré.

Exterior recording of a small rural church mass. Some engine noise in the background. Recorded on /zoom h2n.

Todays organ practice in schaffhausen cathedral. Youtube video of the recording: https://youtu. Be/uazae4kefhm. 96khz24bit/s.

A bunch of gusts as a warm moist mass of air from the south steamrolls over southern illinois on, believe it or not, december 14th 2015. The temperature outside when i recorded this was 65 degrees! not quite the norm for this time of year. Recording made with the handy zoom h4n recorder using the internal microphones.

Bells ring to mark the start of evening mass at notre-dame cathedral (notre dame de paris) in paris, france on christmas day in 2011. The first bell heard is the largest, the "emmanuel" bourdon bell, which weighs 13 tons. After 90 seconds or so, the other bells in the north tower start to ring as well. After several minutes of continuous ringing, the bells are allowed to slowly stop ringing. A few soft clicking noises right at the start of the recording come from me adjusting the recording level (which i couldn't do until the bells started to ring). Mp3 from 96 khz / 24-bit / stereorecorded with zoom h4n built-in mics hand-held, about 100 feet southwest of the south tower (the one with the big bell).

Cao dai it's a very vietnamese religion. It's syncretic, harmonious and colorful. I recorded this at phu quoc island, in 2016 -with the only tool at hand, a samsung phone. I think it's very interesting and peaceful.

Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Wind in high pines in a silent forest. Large movements of wind, big masses. Very sporadic disreet birds, and sometimes a trunk is gently grinding. France jan2023. Recorded with schoeps lcr, reducted to stereorecorded on sounddevice mixpre6wave stero, 48khz, 24 bits.

This sound is a mix of analog sound and digitally created sound. I recorded the sound of a coffee machine. Then on audacity, i generated a tone and modified its envelope. I changed the levels, added effects as reverberation and echo. I put melted at opening and closing in purpose to pretend something was taking off and landing. At first i wanted to create the atmosphere of a spaceship. But after that it looked more like a vacuum noise. I tried to modify amplification and added again echo and reverberation to make it sound more like a weird ufo. Code selon la typologie de schaeffer : vprécisions morphologie :masse : son canneléstimbre : ternegrain : rugueuxallure : chevrotementdynamique : l’attaque du son est graduelleprofil mélodique : variations serpentinesprofil de masse : site.

A recording i made literally on my front porch in january as a big mass of cold air was arriving with gusty winds. This wren was just chattering away. Made with zoom h4-n using its internal microphones, with the record volumeset on 80.

This was a fairly small air mass thunderstorm, only a few km across. However, it made up for its size with amplitude, becoming the largest attention seeker for miles around. Listen at -07:12 for some of the strangest thunder i have ever heard. . . Recorded with a rode stero videomic pro.

Zylinderspieldose Hersteller: Raymond Nicole (Schwiegersohn von Francois Nicole) Maße: Zylinder 50 cm X 10 cm 183 Stimmzungen im Kamm 6 Umdrehungen mit 1– 2– 3 Melodien Datum: ca 1830– 45

Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Busy room ambience with adults and children talking (useful for restaurants, school performances, waiting lines in amusement parks, cinema. . . ).

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.