Noises that i made with a synth. They pretty dry sounding didn't add much to them just basic eq with a low cut and sometimes different shapes to shape them a bit. Thats it just some "raw noises".
X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch.
X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch. The sloth have a potentiometer that is said to "alter frequency a little". . .
This is a bassline of dnb, got 16 bars on 180 bpm or 8 bars on 90 bpm. I did it with a synth using abletondon't forget there is the possibility of you having to amplifier and compress for give more punch. Feel free for use it!. A tip from me to you is cut the bassline in pieces, explore all the locations where you can use for start a song. . . Use short parts of the bassline and use stretch and pitch techniques. Just explore and imagines freaky ways of change small samplers to a big and nice bassline! :d.
Just a sample of what my basses sound like :). This loop is free to use, as long as long as you check me out on soundcloud. You don't have to, but its the most you could do :). Https://soundcloud. Com/paul-stitz.
Little melody. It is consisting of two sinewaves. I linked a sequenced ring-modulation to the high-pitched sinewave. If you like this sound you might also like my tunes: http://soundcloud. Com/beverlyhillsboy/ check them out! cheers. :).
A very harsh section of static with periodic interference (source unknown) from the far right-hand side of the fm radio dial, at 106. 7 mhz. Recorded from a digital tuner.
A less harsh, almost tickling of static pops from the right-hand side of the fm radio dial, interspersed with harsh interference (source unknown). Recorded from a digital tuner.
Dead air on an a. M. Radio station while lightning in the area "tickles" the frequency to create static peaks. Perhaps similar to the sounds of a radiation or metal detector.
Strange radio interference picked up between radio channels at 3am one morning. (i'm reasonably sure this some sort of strange em phenomenon rather than someone else's composition being broadcast; if i am wrong, i will be happy to take it down. ).
Sample was created by looping a "heavy metal" drum pattern with fills from a yamaha pss-480 keyboard. The drums were processed through various pedals and then looped on a boss dd-20 going into a boss me-30 multi-effect.
I'm getting to know a comparator. Why haven't i used it before?extremely electronic. Yes!the comparator i'm using is bastl instruments tromsø. With the comparator i'm making the bass tone that vary in length. What! are you not amused and impressed??? in this patchi'm sending the comparator a saw-wave.
2hp osc is fm modulating bermuda (using fm in). Pitch cv to osc is controlled by sloth and attenuverter. The bermuda tri output singnal is shaped by doepfer vactrol vcf. The vcf is modulated by sloth (cv in 1) and jerkoff (cv in 2). The noise it from dan, going to polivioks vcf. Polivoks is modulated by sloth. Output from vcf is going to vca controlled by another sloth.
Had a short relaxing session with my modular. I wanted to use the "divide by 64" patch and make some generative sounds/music. I added some mixer feedback. This is a patch for 2 voices.
