I recorded myself singing in the tunnel that connects the buildings on the minnesota state capitol complex. This is the first measure of music in the kyrie mass in g minor, which is usually sang by a chorus in a cathedral environment. The tunnel makes it sound exactly like i'm singing in a church.
Sveriges Radios folkmusikinspelningar. Jämtlandsresan 1951 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: B 51/19920:26:1
Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S
Sveriges Radios folkmusikinspelningar. Bidrag till Radiotjänsts folkvisetävling. Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer: 53/19397:5:28
Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:1:?
I was at a human trafficking conference and to thank the people the first nations people of the area sang this song for a long time brushing the participants with cedar boughs and smudging. I caught about half of the singing and drumming. It was done in a large lunch room with about 100 people attending in the late afternoon. I recorded the sound with my lumix fz200. Location was in surrey british columbia.
Excellent if lo-fi recording of three voices, two male and one female singing and building one note at a time a major chord triad, saying, "hello," thrice. I use it as a ring tone. Recorded with an ipod and griffin italk mic.
The final countdown (remake)the final countdown (remake)the final countdown (remake)the final countdown (remake)the final countdown (remake)the final countdown (remake)the final countdown (remake)the final countdown (remake)the final countdown (remake)the final countdown (remake)the final countdown (remake)the final countdown (remake)the final countdown (remake)the final countdown (remake)the final countdown (remake)the final countdown (remake).
I really like talking. In the evening, in the evening by the seayou say that you really want to talk to me. I really like talkingi really like talkingi really like talkingi doi really like talkingi really like talkingi really like talkingto you. In the evening, in the evening by the seayou say that you really want to sing with me. I really like singingi really like singingi really like singingi doi really like singingi really like singingi really like singingwith you. In the evening, in the evening by the seayou say that you really want to dance with me. I really like dancingi really like dancingi really like dancingi doi really like dancingi really like dancingi really like dancingwith you.
A bicycle ratchet sound recorded in an anechoic chamber with a condenser microphone, 2010, hyunjoo chung, nara hahn, sang-bae chon, keunwoo choi, hyun-woo koh, at seoul national university, applied acoustics laboratory.
I used made up words and a made up melody to create a sad, wistful, ethereal sounding song. Towards the end, the character is dying so the breath gets more halted and i was hoping people could hear the physical and mental pain. There is a lightness and sadness about it. I hope you like it!.
