789 royaltyfrie lydfiler for «Stille»

Late night urban rain in tokyo. That pretty much describes it.

People having a chat.

Im just writing on paper.

I got into a small crawl space under a concrete road, which seemed to be an old sewage tunnel, and recorded the sound of a car driving overtop of me. It's a gentle rise and fall of a car engine. You can hear me let out my breath as the car drives away.

Boots with small heel walking & running on pavement with occasional gravel.

Quiet university library, with only 10-12 people reading in silence. No voices, noise only from pen, page, book, chair and ventilation. Sometimes you can hear people outside talking and laughing. Alterntive of my ambiance more noisy:https://freesound. Org/people/xkeril/sounds/613781/.

Things may be closed but tennis courts still work, and she was dressed for it. The hallway we walked through after, was empty. A lot of them are lately, we used this one. "after" was that once she finished, the visible front door gave her pause. I wasn't done, so we continued with her chest on a desk in the first open room we came to. More daylight in there, too. From the hallway we wouldn't have been seen. I decided not to tell her about the mixed-gender group of five that gathered at the window for a while, nearly two meters away to intently watch us making more of these sweet penis-in-vagina sounds, gathered by my phone, edited in audacity. Her ass was up high and her sunlit, flexing pink point of penetration very visible to our audience, and it didn't take me much longer. Sadly. Tried to make it last. I was wearing my lowered shorts and a bit of a smile. If she'd had a mask on, it would have been the only thing.

Three mornings. Well. . . About 7 to 8 a'clock. Somewhere on the island tjörn, sweden. It's quiet mornings, or just bad timing. One of them a little windy. There are more birds earlier and later. Guess they are taking a nap around 8 in the morning. Recorded with a zomm h1. No editing. I just joined the files, well shorted them also. . . April 29april 30maj 1. First real test of my h1.

Roomtone, house, open, lite birds-fridge.

Field-recording in a quiet street in l'ametlla del vallès (barcelona, spain). Some bird sounds can be heard rather closely, dogs barking and cars passing by in the distance. Recorded with a zoom h4n on january 2017.

Seashore recorded from medium distance. Some faint seagulls can be heard in the background. Gear:. Zoom h4n with built-in xy capsules.

Atmos recording for radio film's (radiofilm. Co. Uk) series: the reclaimershttps://www. Bbc. Co. Uk/programmes/w27vqhg7/episodes/player. (this atmos recordings is public domain).

The sound of a newer car in idle.

Steps on crisp snow on a quiet night outside the city. Stereo.

A heavy-duty studio door opening and closing from inside the studio.

Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte

When i was eight years old my older brother told me to go play in traffic. I'm well-known for taking dares and mostly getting away with it, and i did! the only reason it freaked him out was because if i'd gotten hurt, he would have been in trouble. Ah, family. In honor of my stupid bro i decided to capture this sound for you. My friend asked if i'd gotten my recording and i, being myself, complained that although i'd gone out in daylight wearing a halter and short-shorts, no one had even slowed down to look. "take it to the next level," he said. "walk right out on the interstate in the nude. ”i smiled. "think i'd stop traffic?""oh, for sure. Truckers are curious, and most of them have never seen a dumb naked bitch smushed on the concrete, still clutching her iphone. "what fun is life if you can't laugh? coming soon: “fapping with sandpaper. Wav”.

It was time to mow the lawn, and it was a beautiful day for mowing. 80 degrees and sunny. Not much breeze at all. For the production: i took the zoom h1 out and set it by the porch about 2 feet up off the ground. Recorded at 96k 24bit. The low cut and agc were disabled. Once recorded, i finished it off with a small amount of airwindows "air" with the 22k tap opened all the way up. For the mower: i used a 21 inch 140 cc "550ex" series briggs & stratton gas walk behind push mower. When i finished mowing my yard, i approached the recorder up to about 2 feet, then i cut the engine. I start it again and let it idle in close proximity for about 8 seconds, still at a distance of about 2 feet, then cut the engine one last time. I'm sure this could potentially come in handy for those outdoor scenes where you could use some distant neighborhood activity or a close-up start/stop. Enjoy!.

Several years back my older brother stumbled upon a bunch of old family reel to reel films and sat down one evening to project them on a wall and digitize them. This is the sound of that process. What you can hear, i imagine, is the noise of the projector in the left channel and the sound of the reels in the right channel. I've been obsessed with the sounds of the infinite variation in old analog hardware. As a sound designer, that infinite variation is often sought after but rarely, or accurately, reproduced through digital files in various libraries. Of if they are, they're often too short to cover whatever scene i am trying to fill. On the surface it's just noise but if you listen closer it's this wonderful cacophony of overlapping and repeating sounds that are always looping but never quite identical on each rotation. It was ripped from youtube using audio hijack at 48khz/16bit, but due to youtube re-encoding things as youtube does, it's nowhere near the source. It's still, in my opinion, a sound worth sharing. Enjoy!.

[game_over_01_remastered. Wav]. Game over. This was my first sound ever here. . . This sound was originally created for our game that we made during our university game jam back in the days. . . I had the pleasure to work with the kindest, most efficient, passionate, awesome, upbeat folks at campus; a group of 5 members altogether. The game was called "bombers please". At the end of the day, it was dark outside, the whole university-building was empty, dark and had some spooky corridors/halls, and we were still there. Just before we were about to leave the building, we took the audio room and recorded my voice instantly so we could use this sound the next day for the game (the university game jam lasted for 1,5 days). We had uncontrollable laughs during the making of this !. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

Un flambeau, Jeannette, IsabelleUn flambeau, Jeannette, Isabelle, französisches WeihnachtsliedÜbertragung (R.F.): Lichter her, ihr Mädchen und Bräute! Lichter her! Wir laufen zum Stall. Seht, ihr Nachbarn, schaut, ihr Leute, Jesus ist geboren heute. Oh, oh, oh, wie schön ist die Mutter, oh, oh, oh, wie schön ist das Kind! Lichter her, ihr Männer und Greise, kommt zum Stall und klopft an die Tür! Hirten kamen schon und Weise, geht hinein, doch leise, leise! Poch, poch, poch, öffnet sacht die Türe, poch, poch, poch, geht hinein zum Fest! Seht, er schläft, und Engel singen, seht, die Mutter lächelt still. Jeder will Geschenke bringen, jeder ganz nach vorne dringen: Da, da, da, zwischen Ochs und Esel, da, da, da liegt der Gottessohn.

A quiet bedroom room tone with an ambient background.

A particular insect, maybe a grasshopper doing this sound which i use as background atoms instead of the typical cricket. Recorded stereo on zoom h4 on board mics, i edited it to remove some of the hiss.

4-ch surround field recording of the night-time ambience in my parents' garden, located between to streams in the south german odenwald mountain area. Clean, neutral forest and stream atmo for any purpose. Recorded in december 2013 with a zoom h2, these are the front channels, mics set to 90° dispersion.

Simple field recording taken from a lakeside airbnb in nasik, india. Quiet middle afternoon ambience, crickets, crows and miscellaneous birds. Free to use as needed.

Ambience of a quiet street in hamburg with light rain, cars passing by frequently, sound of light rain and raindrops from trees, traffic noise in the distance is very audible. Recorded with a ~30cm ab pair of neumann km183 microphones on a zoom h4.

One by one, five cars are crossing the soundfield on a straight desert wet road. We can ear them a long time before and after. Motors, air movement and weels on water. Some residual rain drops and faraway rooster after car n°4. France, nov 2022. Recorded with 2 em 172 in ab setuprecorded on zoom f3wave stereo, 24bits 48khz.

Recorded with internal stereo speakers on a sony a7iii near bellingham wa.

Recorded in a village square around 9 pm on a sunday evening. Very quiet, some passing cars and distant voices.

A 24 bit 96khz stereo short recording of birds chirping on a sunny, windless day.

Ambience of a quiet street in a suburb in israel. Mid-day, light traffic, birds. Recorded with audio-technica boom mic on a tascam dr60dm2.

This a free, 10 minute demo of extremely high quality silence. It is stereo and has a high (96000) sample rate, and is probably the best quality silence sample around. The poor-quality mp3 hosted on freesound is simply not enough. Download it and listen to the flac to hear it as it was intended. . . Ssshhhh. . .

The only way to get good classroom ambiance is to record it in a classroom. That's exactly what this is. Recorded in a classroom as the students were studying and the teacher was quietly walking around. You'll hear a few random noises, some papers shuffling, some very muffled dialog, an air conditioner in the background.

This is a recording of an office paper shredder starting up. This model of paper shredder has a button that you can press to run it briefly in reverse, in order to clear paper jams and clean the blades. If the shredder hasn't been used in a while, it takes several seconds to start, and makes a cool noise while doing so. The click at the start of the recording is the switch being pressed. You then hear the motor struggling to start up for about five seconds, and finally it comes up to speed. The high-frequency crackling you hear, particularly once the motor is running smoothly, comes from bits of paper still rolling around in the blades (easy to convert into a campfire or rain). There's another click at the end when the reverse button is released. I uploaded this because several parts of the recording sounded like they'd lend themselves to morphing in various ways to create other interesting noises. Recorded with a hand-held zoom h4n, stereo 96 khz / 24 bits, with the built-in mics, positioned about six inches above the rotating blades of the shredder.

Not gonna explain about this one much. Basicly i just made a simple patch on my virus c hardware synth which consists of 2 osc's (sine / saw), osc2 slightly detuned from the osc1. Fast pitch envelope on both osc's to get the "punch" part in the kick. Ran through virus's lowpass/bandpass filters, lowpass cutting from 100% to 0% with a speed of 1/4 beats to get a "filtering down" effect to the kick, bandpass rejecting slightly frequencies from a range of 400-600hz. Then i sampled it, many times and picked the best sample. Eq->distort->eq->distort million times and this is the result. Ofc i did some cutting and added some lowpass/bandpass filters with various mix levels @ some points and did some other shit also but basicly it's just eq & distort. Hf, its a decent kick but needs some fixing still since the punch is too separate from the bass.

Here in the midwest we were treated to a nice preview of autumn here in the northern hemisphere. Both the temperature and humidity were nicely lower than usual and this soundscape was recorded featuring the beautiful northern breezes and a few of the birds that still live here. Since this ambience was recorded during the work-week, there are hardly any man-made internal combustion engine noises. Just the wind lifting and swirling through the tired forest and the blue jays, crows and insects. Recording made at 2:30pm on september 13 2022. Equipment used: recorder-sound devices 702microphones- left channel- sennheiser mkh 416right channel - sennheiser mkh 8070. The right channel, the very low-noise direction shotgun microphone, was pointed just about straight up at the leaves and branches of a huge cottonwood tree whose dry leaves were putting on a show. Hope you can hear this. Recorded and edited in stereo so either good studio monitors or headphones will make you feel you are in the forest surrounded by the gentle breezes swirling through oaks and cottonwood trees and insects and birds.

Damaged smartphone screen protector being broken and crushed in bare hands (should've used gloves. . . ). Recorded with behringer b-1 microphone into focusrite scarlett 2i2 3rd gen. Into audacity on arch linux at 192 khz/24 bit. The recording was not processed or edited in any way to retain maximum flexibility to sound artists who will use this as an element. This can be useful as a sound effect for freezing or burning or deep-frying or even rain (when slowed down). Thanks to extremely wide frequency range the recording can be cleanly slowed down up to 25% speed. There's clean frequency content up to 80 khz in the recording. In a few places the mic gain was too much and a pop is clipped, but could still be useful for sound of braking or snapping something (bone?). No denoising was applied - perform your own if needed, though the sounds are mostly free of background hum (a bit of pc noise can be heard in the first minute before i turned down the gain).

Close up of drips falling in a metal gutter during a rainy night in a very quiet village, miradoux, in france, gers. No traffic at all. Recorded with ms schoeps microphone through sqn4s mixer on a fostex pd4. Decoded in protools.

4-ch surround field recording of the night-time ambience in my parents' garden, located between to streams in the south german odenwald mountain area. Clean, neutral forest and stream atmo for any purpose. Recorded in december 2013 with a zoom h2, these are the rear channels, mics set to 120° dispersion.

Recorded on elevated train station, relatively busy winter exterior night ambience, cars and trucks below, quiet city air tone.

I visited hiroshima peace memorial park in october, 2006, where the first atomic bomb was used against human beings in 1945. A lot of people from many countries were walking there. A man tries ringing the bell. Recorded with at835 and r-09.

Secret recording while an silent meditation retreat in the swiss mountains. Indoor eating without talking, while there where 50 people.

Recorded in crivitz, wisconsin. On this dock you could hear sounds from across the entire lake. Recorded in march 2021, while the lake was beginning to melt. Dogs can be heard barking, you can hear cars roll down the streets, and occasionally there are some sounds of people talking, as the lake is surrounded by peoples' homes.

Scratching various surfaces with fingers, recorded with a roland r-26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.

Sitting waiting in an almost empty car park on a summer evening. People talking, walking around, distant city noises. Zoom h1, internal mics, no filters.

Stereo recording of swiss metro (m2) opening doors. No people.

Endoftheworld end alarm silent hill catastrophe pompier rue vent voiture cars windy fire steet wind.

[game_over_02. Wav]. [game_over_01_voices. Wav]. [game_over_01_terminal. Wav]. [game_over_01_lost_consciousness. Wav]. Game over. This sound was originally created for our game that we made during our university game jam back in the days. . . I had the pleasure to work with the kindest, most efficient, passionate, awesome, upbeat folks at campus; a group of 5 members altogether. The game was called "bombers please". At the end of the day, it was dark outside, the whole university-building was empty, dark and had some spooky corridors/halls, and we were still there. Just before we were about to leave the building, we took the audio room and recorded my voice instantly so we could use this sound the next day for the game (the university game jam lasted for 1,5 days). We had uncontrollable laughs during the making of this !. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

I recorded this in my living room with mics in an x-pattern on the couch very close together, using a tascam dr-70d and behringer dyynamic microphones with patch cables for optimal volume. I recorded this at maximum gain on the tascam as two stereo files, then conjoined them to a 6-channel audio file properly and mixed the front two channels to a monaural center channel for added effect. The final result is what can be downloaded here. Tghe music in the background is part of the star trek: generations expanded complete score, and is coming from my computer to the rear of the recording, which lasts just over a minute in length, and the music was just background noise for testing purposes only. No copyright infringement was intended. Credit for the music goes to the now late jerry goldsmith and also dennis mccarthy, who is still alive. I hope you like this audio demonstration, and find it useful when considering rigs like the holophone, or comparible 5. 1 surround sound microphones / rigs. I take no credit for this recording, as it was done for demonstration purposes only. Have fun!.