1 889 royaltyfrie lydfiler for «Tones»

Noisy neutral interior space. A hint of voices. Short loop.

Room tone for the operations area of a spaceship in a science fiction movie. Various drones processed in samplitude.

I've put my zoom h2n inside the microwave oven on a quiet day and left it there for a while.

Bathroom fan recorded at 192k ortf stereo position.

The phrase "what a beautiful world to live in" converted to tones.

Sleigh bells i recorded and edited for use as a ring tone.

Der Ton gis

Der Ton c

A piece of pump organ improvisation with very little harmonic movement, but much space for the "breathe" of the instrument and the superposition (german schwebung) between the tones, the tones that swing between the tones in different time and tones. Excuse my english, i hope one can still understand. P. S. Start and ending must probably cut off :-).

Jovica's hi-hat sample filtered and boosted a bit to bring out the high tone without the percussion tap. Similar to the tone between pages of a primary school reading book record.

This is some room tone i recorded in a thankfully quiet time in my studio. It's an oktava 012 microphone in our whisperroom with the door wide open. Signal path is a neve 1272 and an apogee mini-me. Recorded in 24-bit at 48khz.

*Tridecimal third tone on C = D-. Just: 26:25 = 67.90 cents. Limit: 13-limit. MIDI pitch bend: 93,85 on PU

Melodic upper leading-tone, the subdominant/degree four (E♭) as auxiliary to the mediant/degree three (D) (in C this would be F and E♮). From the opening to Brahms Op. 56.

A set of tones to help determine left and right outputs in a system. Set in a loop, this is useful for checking out stereo playback and headphone systems.

Old school telephone ringtone. Made using lmms and audacity.

Superbass.

Microwave alarm.

Is the image shines a light tone.

*Greater 47-limit eleventh tone on C. Just: 94/93 = 18.52 cents. Limit: 47-limit. MIDI pitch bend: 118,69

*Greater 53-limit sixth tone on C = ??. Just: 54/53 = 32.36 cents. Limit: 53-limit. MIDI pitch bend: 45,74

*Lesser 97-limit eleventh tone on C. Just: 98/97 = 17.76 cents. Limit: 97-limit. MIDI pitch bend: 87,69

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

*Lesser 53-limit sixth tone on C = ??. Just: 54/53 = 32.36 cents. Limit: 53-limit. MIDI pitch bend: 45,74

*Greater 47-limit fifth tone on C = ?. Just: 47/46 = 37.23 cents. Limit: 47-limit. MIDI pitch bend: 117,75

*Lesser 47-limit eleventh tone on C. Just: 95/94 = 18.32 cents. Limit: 47-limit. MIDI pitch bend: 110,69

*Greater 59-limit seventh tone on C = ?. Just: 59/58 = 29.59 cents. Limit: 59-limit. MIDI pitch bend: 60,73

Room tone of a small room with vintage air conditioner (those on the wall. . . )day time, noon,the windows were closedstill you can hear some distance birds. . . Recorded with audio technica mic at4060.

This is a common middle school or high school bell tone.

A quiet bedroom room tone with an ambient background.

Mirror forms, P, R, I, and RI, of a tone row (from Schoenberg's Variations for Orchestra op. 31): "Called mirror forms because...they are identical."

Leading-tone diminished seventh chord as dominant in Mozart's Don Giovanni, K. 527, Act I, Scene XIII, mm.116-117.

Melodic upper leading-tone, the subdominant/degree four (E♭) as auxiliary to the mediant/degree three (D) (in C this would be F and E♮). From the opening to Brahms Op. 56.

Room tone of a small toilet, with ventilation system and light on, very reverberant, rather creepy.

Alarm tone universal standard digital, great for mobile phones, where tunes can be annoying.

Example of leading-tone triad (viio) and secondary leading-tone triad in Johann Sebastian Bach's Chorale: Gott der Vater wohn' uns bei (BWV 317). Identified by Forte (1979) ISBN 0-03-020756-8 as BWV 748, which is currently attributed to Johann Gottfried Walther.

Chromatic handbells 12 tones. C# tone. File 48khz, 24bit, stereo, no processing. Normalized to -3db. Recorded using a-b stereo technique witch 30 cm spacing between and 50 cm from bell. Microphones: a pair of dpa 4006 microphones with ua0777 nose conesinterface: focusrite saffire liquid 56. Studio room: w:2,5m x d:2. 0m x h:2,8m. Each file contains 3 techniques: single tone, double and ringing bell.

Air tone - school yard - dawn empty city air faint bird chirps.

*Undecimal sixth tone on C = C11- (Ben Johnston's notation). Just: 55/54 = 31.77 cents. Limit: 11-limit. MIDI pitch bend: 45,74

Rauhigkeit 1 Apser = Sinus 1000 Hz und Sinus 1070 Hz gleichzeitig.The sound of a harshness of 1 asper = a sine wave tone of 1000 Hz 100 % modulated with a sine wave tone of 70 Hz at 60 dB sound pressure.

*Lesser 37-limit quarter tone on C = D-. Just: 38:37 = 46.17 cents. Limit: 37-limit. MIDI pitch bend: 99,78

*Lesser tridecimal two-third tone on C = D. Just: 14:13 = 128.30 cents. Limit: 13-limit. MIDI pitch bend: 7,73

A resonant, metallic fragment with many overtones, synthesized from bell tones.

Dirty tone type of riff with maybe a hint of texas sauce with lots of harmonics.

Hypnotic mystery tone ambience - low drone with hi freq ring. . Cast off from the johnnie to movie - mad detective.

Switch on, tone, switch off. Foley used to play over talk-back from studio to voice-over announcer. Tone produced in protools using the tone generator, switch was recorded using a portable marantz pmd620 and sweetened in protools. Please rate this sound.

Long room tone, recorded for fan. Ms zoom h6 (standart mic mount) 48/24just normalized, pretty clear of accent noises, only the elevator sometimes passes by :).

Leading-tone seventh chord often serves a dominant function. This example is from Mozart's K. 283 III, mm. 64-69.

Double harmonic scale with quarter tones. Created by Hyacinth (talk) 07:11, 10 March 2010 using Sibelius 5. MIDI pitch bend appears to match intervals.

*Greater 61-limit eighth tone on C. Just: 61/60 = 28.62 cents. Limit: 61-limit. MIDI pitch bend: 20,73

*Undecimal two-fifth tone on C = C↑-. Just: 22:21 = 80.54 cents. Limit: 11-limit. MIDI pitch bend: 99,89 on PU