An mp3 rather discreet recording of a person lifting dumbbells in a work-out, grunting with effort, weights clinking together. Recorded with a black sony digital ic voice recorder.
This is a chromatic scale synthesized from musescore, using the piano sound from fluidr3 soundfont. Edited on audacity for changing from stereo to mono 16-bit. The tempo is about 130bpm. The register of notes spans from c4 to b4.
Monophonic saxophone solo improvisation on bb-major scale, performed by toprak barut. Location: ankara, turkeydevice : zoom-h6environment : 15m2 sound-proof recording studio (@yüzen oda).
This is my baritone guitar, with a mute under the strings at the bridge, to give it a percussive distorted sound. I've played a scale so it can be used as a samplepack.
Metal weights: sound metal weights clinging against each other, lifting and dropping the weights. Hard impact on the floor. Recorded with a zoom h6 (rode ntg-2). Recorded in a room with good acoustic.
I was at the gym. It was in the evening. The gym was full. It was a weights machine, you can hear the weights clinking against each other. It makes a clanging sound.
This is an original composition i created in sibelius 6 using traditional music theory guidelines ( i. E circle progressions, chord progressions, aba structure. )the instruments used to create this are : chords - acoustic guitarmelody - electric guitar-xbkyboox xd.
Typing on an unmodded happy hacking keyboard (hhkb) professional hybrid with topre switches (45g key weight). Recorded with a yeti nano while typing 50-word segments at a time on typings. Gg. No post-production. Longer typing session here.
Jazz solo improvisation performance on 'rhythm changes' harmony / chord progression. Recorded with zoom-h6. Instruments in the recording: trumpet, drums, double bass, electric guitar.
Jazz solo improvisation performance on 'rhythm changes' harmony / chord progression. Recorded with zoom-h6. Instruments in the recording: tenor saxophone, drums, double bass, electric guitar.
Scale of g played slowly, 2 octaves, each note detached, on a reed quena (south american flute). Might be useful to sample notes. Recorded with zoom h4n, unprocessed.
20 approximate over tones of a 440hz sounded by fading in and out them one by one; they ovelap. At first it resembles overtone singing, but the a, fundamental tone fades out very quickly. May sound annoying.
Just a simple scale arrangement played through dpo and mysteron from makenoise. Standard effects. Mimeophon karplus-strong sequenced from rené. Percussion, i´ll let you guess. . . Enjoy!.
A seven note scale (c c# d# f f# g# a#) over separate octaves. Some notes repeat in the same octave, but are slightly different samples. Each note starts on the grid of 100bpm. Recorded the samples a few years ago. From memory the original sounds are sections of acoustic guitar notes, manipulated, pitched and fx added.
Making a scale of multiple instruments be hmm. . . Should i say "dazed and confused". The "dazed and confused" part has nothing to do with the audio, it is just a reference.
This is the sound of metal dock posts being driven in during maintenance at a marina in vancouver, canada. They pounded some of them a hundred times without out any obvious movement. This is a recording of seven consecutive hits. There is a lot of echo after each strike with the slight sound of rattling chains after each one.
Multiple alternating square waves scaling up in pitch, designed inmilkytracker. -----------------------------------------------------------------------. This sound, as well as everything else i have upload here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.
Composed on the sigil scale c, c♯, e, f, g♯, a at 130 bpm. Wav. The sigil scale has 4 transpositions:. 1. C, c♯, e, f, g♯, a2. C♯, d, f, f♯, a, a♯3. D, d♯, f♯, g, a♯, b4. D♯, e, g, g♯, b, c. Left delay (phased) 25 ms.
This is a sample of a metal kitchen mixing bowl. The first note (c#, not perfect c#) is unpitched and recorded as is. The following notes are the original note pitched up 1 semitone each time to achieve a 13 note scale c# to c#.
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