779 royalty-vrije audiotracks voor "Modulaire"

Don’t know if my english is correct. . . Butt i guess you get it, dear reader. Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 70%. What happens. . .

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. The vco is also tuned to 270hz. In this test i connect the same lfo to cv1 on the vcf and 1v/oct on the module i use as vco (intellijel μvcf). I let the lfo run. Cv1 on vcf pot at 100%. They are playing together. The vco is connected to the in on the vcf. Confused explanation. . . But at least not in swedish.

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 100%. Hmmm interesting. . . .

I let both the vco (intellijel μvcf) and the uoki-toki polivoks vcf play a little melody, the same. The vcf is in self-oscillation and cv1 at 100%. It does not track perfectly, but could be useful.

Dark bass sound made with the following modules as main actors dinsync modseq, doepfer a-124 special edition, uoki-toki polivoks vcf, intellijel μvcf and synthrotek dirt. I'm exploring my filters and try to use them in different ways.

Classic modular sounds - i think. . . Sound sources are intellijel μvcf and uoki-toki polivoks vcf. A little reverb (ladik r-330) added.

This recording is inspired by alienxxx http://freesound. Org/people/alienxxx/sounds/345510/made a little patch on my modular, still missing its (main) oscillators. I let the patch sound thru a pair of cheap computer speakers that i use as monitors. In an adjacent room, close to an open window, i put my phone and record. This is the unedited outcome. The recording was made 09:00 (16-05-11). Unfortunately nothing happened outside the window. Even the birds was quiet. I think there is a hint of feedback in the sound? first i planned to record with an old tape recorder, but i couldn’t find it. . . I think this recording should be listened to with low volume. May by it was a mistake to amplify the sound in audacity? but i think there is a nice room ambiance to the recording. Ideas for next time. Use guitar amp. Find old tape recorder. Don’t put recording device to close to window.

Patching with eurorack analog modular synth. No external effect or computers used here.

Patching with eurorack analog modular synth. No external effect or computers used here.

Patching with eurorack analog modular synth. No external effect or computers used here.

Kick from analog modular synth.

From analog modular synth.

Snare-ish sound from analog modular synth.

Modular blips.

A modular synth piece. Extra point if you can find a nice part to loop and use :-).

The yamaha qy-10 is playing a cm chord thru zoom ms-70cdr and the modular synth plays a patch that improvises around a cm7 chord. Well, thats it. . .

I use a voltage controlled lfo (vclfo) for this experiment. When i send a trigger to the lfo it resets and start over again. In this example i'm using a sinus wave output. I send the output, the sinus wave, to1 - a sample and hold (s/h) module2 - a quantizer3 - straight to vco. The s/h and the quantizer are triggered at the same time. Even an envelope a generated with the same trigger. All three sounds are controlled by this envelope. First out we have s/h (left)second straight to vco (right)third the quantized (center). As usual its fun to take a real close look at the wave!.

Warning: harsh noise with resonant malefactors. Bad q ! bad q!. Noise sound through analog phase shifter and steiner parker filter through a holtech-based delay. I imagine this as a soundtrack to an ultraviolent horror movie scene.

I'm trying to find a place for "rnd modul logistische gleichung" in my modular. Okay this is a to long sequence. . . ? and unstable. But interesting. Makes it a little generative.

Captured sounds from a bugbrand modular system for use in the make noise morphagene.

Really simple patch. Cv from nlc sloth to quantizer (doepfer a-156), via attenuverter. Triggers from doepfer a-160(161). But a tone is only generated if there is a change in cv from sloth. Its not 100% generative :-) first there is no cv connected to the oscillators. I connect them one at a time. The noise is also controlled by the same sloth. The analog delay is connected to barton musical circuits (bmc) 4 quadrant multiplier and panner acting as a panner, controlled by nlc jerk off (still a sick name on a great module). The ehh drum sound is generated by bmc decaying analog noise.

Created using a dr-110 clone in a small intellijel eurorack system.

Vcv rack patch.

No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.

Intended to do some sort of tape echo, but. . .

Acid intermission.

Electronic minute no 145 - pattern 2 with some wave shapingpattern 2 with some wave shaping. Simple graphic score. Fun. Well this pattern and patch wasnt that interesting. More to come. The pattern is here: https://www. Instagram. Com/p/bms6mpeg4n8/?taken-by=gis_sweden.

A fun patch. Notice the connection between speed and tone.

It's sooo hot in sweden right now! 30 c where i live. Luckey me having a cool modular synth. All previous records are gone. This is the hottest may since 1850-ish.

I have started to read a certain book written by allen strange, "electronic music: systems, techniques, and controls". It's about time i dig into it. Probably it will result in some sounds. . .

I tried to create a feedback loop with my delay. It'a a simple analog stomp box delay.

Testing/documening my nonlinearcircuits timbre!. "this is basically a clone of the buchla timbre found in the easel. ". Sound:1. Sine wave not going throught wave folder2. Sine wave though wave folder3. Triangle though wave folder4. Square through wave folder5. Saw through wave folder. An lfo is modulating the bias. No, when going through the folder the there is never a sinus wave. . . Next time. . . Also it is a matter of calibration. I should check it out.

Making shift register with sample and hold modules!.

5 tones equal interval scale5 oscillators tuned to: 110, 132, 154, 176 and 198hz. Not that bad?.

nonlinearcircuits jerkoff chaos circuit is based on sprott's chaotic jerk equation. This sound is long and boring. . . But i wanted to test the nlc jerkoff. This might be of interest to someone. . . I upload an mp3 file to save disc space. . . The single module has 3 outs. 2 of them are controlling vcaa and one is connected to an envelope follower that generates a trigger when the cv is high enough. The signals in to the vca are the same (1. 5v). A way to illustrate the work of the module. Maybe.

In this sound i'm using a phonogene version of mithimightbe's sound https://freesound. Org/people/mithimightbe/sounds/407072/.

Morphagene reel from modular synth. Audio signal and wavefolder from mn maths processed in mn lxd lpg plus some reverb and delay.

Time for electronic minute no 301. A relatively structured sound and patch. It's not exact, not exactly repeating. Sometimes an electronic high-hat sound i heard.

Building a complex waveform in vcv-rack. Down load - patchhttps://app. Box. Com/s/a6wno4rr8x6ab9qrttuf9uu3s8w5a5ei. Down load file to examine waveform.

Playing around. . . Find your sample! check out around 5 min. . . .

An engine sound (propeller plane maybe?) that i synthesised using my modular synthesiser and a complex fm patch. It is thunderous. Hope you enjoy and please send me a comment if you use it in one of your projects :).

More work with vclfos and lopping envelopes. And i'm using a one component rectifier. . .

1 looping envelope and 2 vclfos in a dance (chain connected). I think its harder for this combination to find a nice pattern - equilibrium. It happens sometimes. Maybe the mixture between positive and negative cv confuses the modules. Makes it harder. I start the recording with one of the vclfos in vco-mode. After about 17 sec i swith to lfo-mode. Records and hope that a pattern should emerge. I have been listening, and looking at the wave form, in different modes, but i'm not sure if there is a pattern in this recording. . . Maybe to advanced for me. There is - some -sort of pattern repeating every 22 sec. Or?.

Some random and a "bad" analog delay.

Cool sounds from filter. The two filters filter a tri-wave. The filters are almost self oscillating and are modulated by an lfo. Natural tones. And some spring reverb and analog delay.

Machine composed electronic music. The result made me think of a pedestrian crossing. I desired to mix my sound with a field recording of a swedish crossing. A recording madeby dobroide. Thanks. Stockholm » 20100806. Stockholm. Traffic. Light. Flachttps://freesound. Org/people/dobroide/sounds/102873/machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Machine composed electronic music. Searched for a sound to mix it with. Found this lovely sound recorded by unfa. Noise » intel got crazy - psychedelic soundcard buzzing noiseshttps://freesound. Org/people/unfa/sounds/274221/machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Bacteria music made with modular synth.

Dirty fmaj7 cycling envelope variations. 2nd inversion. Lazy chord patch.

Impro wit redsquare v2 (semi modular/analog synth).