3613 darmowych plików audio dla „3”

Sveriges Radios folkmusikinspelningar. Jämtlandsresan 1951 Dokumentatör: Matts Arnberg SV EN Instrument: Klarinett Radiotjänsts ursprungliga produktionsnummer: B 51/19920:17:3

Sveriges Radios folkmusikinspelningar. Dalaresan 1954 Dokumentatör: Matts Arnberg Instrument: Röst (lockrop) Radiotjänsts ursprungliga produktionsnummer: B/43.157-58:13:3

Sveriges Radios folkmusikinspelningar. Edseleresan 1963 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 63/M/6339:3:6

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:32:3

Sveriges Radios folkmusikinspelningar. Skåneresan 1961 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 61/M/9378:9:3

Sveriges Radios folkmusikinspelningar. Smålandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:5:3

Sveriges Radios folkmusikinspelningar. Östgötaresan 1960 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/249:9:3

Sveriges Radios folkmusikinspelningar. Skåneresan 1961 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 61/M/9378:2:3

Sveriges Radios folkmusikinspelningar. Skåneresan 1961 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 61/M/9378:3:9

Sveriges Radios folkmusikinspelningar. Dalaresan 1954 (tidigare inspelningar gjorda 1952) Dokumentatör: Matts Arnberg Instrument: Horn Radiotjänsts ursprungliga produktionsnummer: B/43.157-58:20:3

Sveriges Radios folkmusikinspelningar. Dalaresan 1954 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: B/43.157-58:3:7

Sveriges Radios folkmusikinspelningar. Östgötaresan 1960 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/249:16:3

Sveriges Radios folkmusikinspelningar. Edseleresan 1963 Dokumentatör: Matts Arnberg, Märta Ramsten SV EN Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: 63/M/6207:3:1

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:25:3

Maximus-simple 1 band limiter. 7 band eq-low filter 2. Delay-3 echoes. Vocodex-reverb 1. Reverb-the venue 2. C3+c4. Tempo140.

ATTENTION !!! file INCOMPLETE, file complete you could find here File:Clementi_Sonata_in_G_Minor_No_3,_Op_50,_Didone_Abbandonata_-_I_Introduzione.ogg Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

The Preislied, "Morgenlich leuchtend im rosigen Schein" from Die Meistersinger von Nürnberg (1868). Sung by Leo Slezak for Edison Records in 1910 This is Edison Amberol #40038

Ah gee. . . . . These are random samples i recorder and am such a lazy i don't want to sort them out. . . . 1 - could be my modified boss ds-1 distortion pedal (i call it the violent ds - 1) (w/ 3 extra capacitors and a transistor or two) going throught it is a boss dr 550. 2 - a yamaha portasound pss - 270 which i cut the fm synth traces too via switch (that was a pain in my ass also!). 3 - a very scary leap frog kids toy named professor quigly. 4 - a speak and math. . . . . . . 5 - sum yamaha thingy i don't know i just call it my raver machine. . . . . . It looks kinda like a cool t. V.

This is track 3 of 3 that makes up the sound file listed as breath of life - full. In releasing individual tracks, you will be able to make an arrangement that works for you. Most of the sounds i upload are from songs where i have lost my direction. In sharing them here, i hope someone can pick them up and make them part of something beautiful. I would love to hear what you make of them as it will be a source of inspiration to me. To see the possibilities beyond my own horizon. Everything starts off as a soundbridge project. I occasionally use aria maestosa for midi composition as the sounds are basic and pure. Audacity can't be beat when it comes to clipping. Engine dj is my library manager.

Create dinosaur sound, use markgia's sound "wah-dealio. Wav" (but have stereo). Audacityfor left channel:- cut section from 0. 709s to 0. 844s. - file new- tracks→add new→mono track (left channel). - paste section cut from source sound at 0. 000s. - effect→change speedspeed multiplier: 0. 150. - effect→change pitch. . . Percent change: 300. - effect normalize✓ remove dc offset✓ normailze maximum amplitude to: 3. 0 db. For right channel:- tracks→add new→mono track (right channel). - paste section cut from source sound at 0. 000s. - effect→change speedspeed multiplier: 0. 150. - effect→change pitch. . . Percent change: 250. - effect normalize✓ remove dc offset✓ normailze maximum amplitude to: 3. 0 db.

I wanted to create a sound that is scary. I was inspired by sounds for jumpscare sequences in horror movies. So here i generated an audio track and i added a « batterie risset » on it. It gaves a sound that sounds like a bell so i duplicated it 3 times more on 3 different audio tracks. Once done, i accelarated and turn up the volume on the second audio track a bit more compared to the first audio track. I repeated it on the 2 other tracks to give the impression that something is getting closer to us. After that, i generated a new audio track with a tone, i put it on overlap with the forth track and i highly turn up the volume to create a saturation in order to strongly surprise the listener. To finish, i checked that the final mixed track was not saturated, except the sequence i wanted to be saturated, and i exported the sound.

Nano/opto-électroniquecours 4 (part 3)09/11/2012. Heterostructuresslijd 4. 1) (00:00)slijd ?) band gap engineering (9:22)slijd ?) croissance d'hétérostructures (17:42)slijd 4. 3) (26:02)pré-slijd 4. 4) travail d'extraction (28:53)slijd 4. 4) (40:09)slijd 4. 5) (45:12)slijd 4. 6) (54:59)slijd 4. 7) (56:40)slijd suivant) difficultés d'interprétation (suite) (58:59)commentaire sans slijd) (1:01:43)slijd suivant) dopage sélectif (1:03:24)slijd. 2) effet de e sur le diagramme de bandes d'énergie (1:05:10). Fin 1:16:53. .

Listed by the w:United States Air Force Band at The Air Force Strings Music page as "Air", which might be confused with Air", but actually Air on the G String. From the 2000 album Collage, recorded at The United States Air Force Band Recording Facility, Bolling Air Force Base, Washington, D.C. 18-26 May, 2000. Catalogue Number BOL-0006, First Lieutenant Keith H. Bland, Conductor. Performed with 7 first violins, 5 second violins, 4 violas, 3 cellos, 1 bass and 1 accordion, according to the liner notes

Drinking water, gulping. Recorded with iphone 6, using the app samplewiz. I recorded this as i drank the water holding phone to neck. The app lets you save the sample and email it to yourself. Its saves the sound file as an aifc. I then brought it into adobe audition cs6 to edit. Recorded on 11/3/2015 in boston ma. Usa.

Birds recorded in my backyard on 3-24-2021 at 6:15 in the morning cst. Some faint road sounds may be audible. If you use it in a project i'd love to hear what you created. Recorded on zoom h6 using built in microphones.

Hello out there. This sound is made with arturia keylab 61. The software is called analoglab 3, and was included in the buy of the keyboard. Hope u like it. I woud raally like to listen/see what you have done with the sound. So please notifi me. :d :d.

May 18, 2017recorded at a tea garden in yong fu temple, hangzhou (30°14'23. 6"n 120°05'52. 3"e), with my samsung galaxy s7. I converted the original 48khz 256kbps aac file to wav with ffmpeg. No other processes.

Three sounds. 1) 2hp sh samples from 25hz bipolar lfo (doepfer a-147-2)2) 2hp sh samples from 25hz looping envelope (intellijel quadra)3) 2hp sh samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Recording i did mercat shopping center in kirkcaldy, scotland. The whole record is going from one end of the market to the other. I made the recording at around 3. 30pm. On the recording you can hear conversations, children, room ambience, etc. I recorded zoom h5 handy recorder. Welcome :).

Dubstep beat programmed with caustic 3 and mixed with ableton. 4 bars at 150 bpm big kick with snappy snare. Reverse snare and reverse spacey crash for extra effect. Busy hi hat pattern. Some gentle eq and mix compression and reverb and slight delay on hats and reverse effects. Ready to go.

A combination of two sounds of wind on a cold december evening. Recorded in ny on 12/23/22 at 5:45 pm and 8:20 p. M. Using a sound devices mix pre-3, a 3dio free space xlr binaural microphone (with wind muffs), and an audio-technica bp4025 microphone (with a rode blimp windshield).

An ak-47 being cocked. Includes 3 takes. This sound was made (surprisingly!) by mixing multiple different takes of an airsoft ak replica i own. Crediting me isn't required if you decide to use my sound, but it would be greatly appreciated if you do!.

Incredibly clear quality of a dvd case opening and closing, i used audacity to remove some of my camera's noise and the result honestly blew me away. At around 3 seconds in i say "again", to clarify that i was opening and closing it one more time, edit where needed.

Inside the kehin-tohoku line train bound for omiya. The train passes through 2 or 3 stations. You can hear the train, doors, crowd, station sounds and announcements. Made with 2 microphones placed at 120 degree angle. Hpf cuts off at about 20hz.

Sveriges Radios folkmusikinspelningar. Värmland/Dalslandsresan 1951 Dokumentatör: Olof Forsén, Qvitt Holmgren (Radiotjänst) Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 51/14284:3:1

Sveriges Radios folkmusikinspelningar. Skåneresan 1961 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 61/M/9378:3:12

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top line.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Bottom line.

Sveriges Radios folkmusikinspelningar. Hälsinglands- och Härjedalsresan 1960 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/120:5:3

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:24:3

Sveriges Radios folkmusikinspelningar. Gotlandsresan 1956 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 56/10126:3:6

Sveriges Radios folkmusikinspelningar. Dalaresan 1954 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: B/43.157-58:3:2

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång)

Sveriges Radios folkmusikinspelningar. Hjort Anders Olsson 85 år - Röjås Jonas och Pål Olle spelar låtar efter Hjort Anders. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 50/13.000:3

Sveriges Radios folkmusikinspelningar. Skåneresan 1961 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 61/M/9378:3:6

John Philip Sousa's "Revival" (1876) as performed by the United States Marine Band. Track 3 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

Sveriges Radios folkmusikinspelningar. Smålandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:8:3

Sveriges Radios folkmusikinspelningar. Ålandsresan 1962 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 62/M/6247:3:6

Sveriges Radios folkmusikinspelningar. Västmanlandsresan 1961 Dokumentatör: Matts Arnberg Instrument: Klarinett Radiotjänsts ursprungliga produktionsnummer: 61/M/9341:3:11

Sveriges Radios folkmusikinspelningar. Gotlandsresan 1956 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 56/10126:3:5