5235 darmowych plików audio dla „Bits”

Sound of the interior of the train between sóller and palma in mallorca. Passengers, rails and, above all, squeaks. Passing through two tunnels. 24 bit / 48 khz, sony pcm-d100.

There was this heavy wind warning the other night, so i have captured the sound from inside the house. The recorded was lying near the window in the bathroom. I have processed it a bit. . . .

This is a clipof my cat, echo, purring. She was about 6 months old when i recorded this. You can also hear me moving around a bit as i had to chase her. Enjoy :).

Sounds of a balloon being inflated and deflated several times. The deflation has various characteristics from high squeals to fluttering stutters. All sounds recorded in 192khz, 24 bit undithered. Enjoy :).

Drum break from easin' in by edwin starr. Processed a bit with a eq and a compressor. Best used for hip-hop but it's also fine with anything else. 87bpm creative commons 0.

You can use this sound in any project you want, if you want to support mepatreon (1$) : https://bit. Ly/patreon22.

Musical sound effect (logo, bumper, sweeper, drop) to be used in radio or podcast production. 32 bit wav file, normalized to (around) -20db rms.

Title say most of it. Recorded on aria pro ii bass through iostation and studio one v5 24 bit. Bass and drums panned l/r so bass could be used without reference drum track.

A remix of this ::. Https://freesound. Org/s/172681/. Slow3d it down to 70/140, pitched it up a bit (preserve tempo), added another loop from looperman. Com.

Me operating with keys. Throwing up and catching, shaking etc. Recorded with zoom h6 and slightly processed. 48khz, 24 bit, stereo, wav. Use it anyway you like. Enjoy).

Sonified with goldwave in 24-bit big endian raw from this image. Rainbow lace.

Cut up a recording of an old grandfather clock, removed the noisy whirring in between ticks, and added long dreamy reverb that grows a bit towards the end. .

Best useses: film ambiance / atmosphere. ______________________________________________________________________________________. A field recording of night time ambience, very little wind noise. Easily loopable in production. There is a very very light sound of rain in the file but could easily be overlooked and would be covered with dialog. No credit is required, but is appreciated!. _____________________________________________________________________________________. Other tech stuff:. Field recorded with a zoom h4n at a 120 degree focus. Samples taken at 44. 1k sample rate and 16 bit depth.

This morning i woke up to the sound of a city crew jackhammering concrete just outside my window. I grabbed my h2 and recorded for a while. This file is an edit of the full recording. It contains two bursts of jackhammering, one fairly short and one longer. The background noise is the sound of the air compressor. Toward the end the compressor is turned off and the last of the pressure is released by the jackhammer as it sort of "putters out". This last bit is a bit unique.

Semi-auto rifle simulation, created using zoom h1. Artificial gun shots to simulate a semi-auto weapon in battle. Mic capsules were tapped with a popsicle stick to create this sound. Recorded at 24 bit 96khz, exported to 16 bit wav. Added pop compression filter for a theater like experience in post. Feel free to use this were ever you need it. A little credit wouldn't hurt. Thank you and stay tuned for more improving sounds. :).

Plucking the rim of an empty wine glass with my finger. Recorded a bunch of samples then isolated the ones i liked into this file. Left a small gap of silence between them for separation later. While all the samples were initially recorded at 16-bit 44100hz, some of the later ones compiled into this wav were accidentally saved at 8-bit and have gathered some noise as a result. All samples recorded using a blue yeti microphone. Used audacity's noise removal filter to to remove background noise. Attribution appreciated but not required.

A hyundai ix35 can be heard. It is started, runs a bit with isolated revs, and is turned off again. Before and after startup you can hear the car's control electronics. Feel free to use the sound; no attribution required. Feel free to write me in the comments what you used the sound for. Equipment:beyerdynamic mce 86 n(c)zoom h4n. File:wavmono48 khz24-bit.

An sennheiserme66 and me67 on opposite channels, i don't remember which was which(sorry). . But i could tell no real difference during recording (samecapsule, different tube). The mics were near coincident next to canarycage, though shure fp24 and tascam hdp1. Original at 24 bit 96k, down converted to 16 bit 48k. It took allot of intimidation to get the stinking birds to sing. . I threatened violence, finally when alanis morsette played, they gave it up. Otherwise birds would have died (though that may have been an interesting recording too). .

Here's a sound of me opening a beer can. The stages are separated, but you can edit them together if you want to have the initial pressure release and the rest of the procedure. Or you could take each part separately and make something completely unexpected from this recording. Captrued using behringer b-1 microphone into presonus studio 24c interace into audacity using pipewire on arch linux at 48khz 24-bit. The audio is unprocessed, each bit straight from the adc. Cheers!.

Recorded my dog chewing a dental treat. Signal flow:zoom h6 > rode ntg2 (phantom power provided by h6)mic placed approximately 7 inches from mouth. Audio has been processed to remove hum/noise.

This is a file prepared for being used with makenoise's morphagene eurorack module. It is a pierre schaeffer interview cut with markers in files directly. It is a nice mise en abîme if you use it for musique concrète works as it is an interview about musique concrète.

Clean, dry recording of a roughly half-filled metal can (the ribbed kind used for most canned food - probably steel, tin, or a blend of the two) containing dry oatmeal being shaken. A variety of forces and speeds were used to create a diverse assortment of sounds. Originally recorded specifically for canned oatmeal sounds, but could easily work for shaken cans containing most kinds of tiny, dry granules such as rice, nuts, grains, etc. A metal can was used for the unique, metallic timbre it produces - a glass jar or plastic container would sound different. Recorded with a behringer xm8500 directly into a steinberg ur22c interface at 48khz, 32-bit float. True 32-bit, not just 24-bit upconverted.

Got around to putting a swish noise on my punchy_evolution 2 snare and the result was alright, then i compressed it a little bit and put a little bitcrushing on it to maximize the volume.

Heavy rain on a suburban house back porch. A bit of thunder and a couple of cars pass by also a motorcycle. The rain changes from light to heavy. Recorded with a zoomh4n under a tshirt.

Pop and suck sounds. Various different versions. Made with the mouth but applicable for many other applications. Great for animations, comedy etc. . . Audia technica series 40 mic slight natural room reverb. 24 bit 48khz wav file.

I needed the sound of pouring / falling sand so i heavily edited this recording of gravel http://freesound. Org/people/lolamadeus/sounds/179341/ to make it sound a bit more like sand. Edited with audacity.

Same sound as connersaw8's "coach whistle," but the factory noise has been removed from the background. Additionally, the amplitude has been dropped a bit with a touch of reverb thrown in to round out the ending.

My first recording with the tascam dr-05. Was taken out the window. At minute 0:48 you can hear the strong wind sensitivity of the recorder. Stereo; 96000 hz; 24 bit; microphone up to max.

Electric desk fan startup, run and stop with clicky buttons. Recorded using a tascam dr-05 24 bit 96000 hz. If you appreciate the cc0 leave a comment.

A recording of tadpoles in my pond in manchester uk. You can hear them scraping against the hydrophone hoping to find algae. The tadpoles were very quiet and hence the recording is a bit hissy.

Close miking of a cow eating hay. Mic got a bit wet from saliva. . . Recorded in the rural village of lunz, austria for this project: http://www. Collabor. At/projects/lunzsennheiser mkh-418 onto minidv panasonicagv100.

Although still labled as a "phone bump" this one sounds a little bit more like a snippet of human speech. It is in e, and is to brief to be intelligible at all.

A cat eating a mouse indoors. Managed to record this from a distance of 10 centimeters from a cat´s mouth. Little bit of traffic noise from open window in the backround.

Me overdubbed 14 times trying to get that sort of "heave ho, row them oars!" type sound for a song. Not so much "heave-ho" but a fast "hee-haa-whoo" yell. In tempo at 145bpm. 24-bit stereo.

A supermarket ("billa") in krottendorf, styria, austria. Blue snowball -> apple macbook -> soundtrack pro. . Aif, 16 bit integer (big endian), 44,100 khzwe bought two "extrawurstsemmeln", mozzarella, tomatoes and water. There's some people talking, alarm ringing, cars, and stuff.

Sonified with goldwave in 24-bit big endian raw from this image rainbow.

I played a bit with the filters and oscillators of a free vst synth. This sound is useful for cutting and applying different effects over it. I think that it can be used standalone as well.

A short field recording of rain outside my house in bangalore, india. It's a short sample taken with a tascam dr-100 mkii (24 bit/48 khz). Some wind disturbance towards the end.

About thirty english children counting from 1 to 20. Each number is isolated so that it can be used separately. Recorded in 16-bit 44khz mono on a laptop using an alesis io2 express interface.

Typing on a loud, clacky m-series keyboard. There's a little bit of white noise in the background; if there's an interest i'd be willing to re-record without the white noise. Just leave a comment.

Primera disc publisher doing a full cycle of picking up a disc, printing and then depositing in the output bit - the robotic arm makes some cool noises. Recorded with m-audio microtrack 2 and the onboard stereo microphone.

The wolves howl under the moon at night. Synthesizer used: v-station, 3 sine vcos, filter: just a little bit resonance, pitch modulation with lfos and wheel, eq and delay.

This is a very brief sample obtained by opening a zip file with audacity. It sound a bit like a dial-up modem. It seems to work well for melodic solos and playing two or three note chords sounds good, too.

Fat square wave sub bass made with z3ta+ and a korg ea-1 mixed through a behringer mixer, recorded with an mpc. 44. 1k 16-bit.

Small wind-up toy being wound up and allowed to walk by the mic. The wind-up key is then abused a bit, making a sound not entirely unlike a scratching record (but not much like one, either).

Rhythm guitar bit in bb. Made on a homemade 4-string "rhythm stick"(that's what i call 'em. It's like a cigar box guitar)tuned to bb. This is raw version.

Recorded early september 2016, midnight, kashiwa, japan. Equipment: zoom h2n on ms stereo mode.

Boy saying "hey" for video games clear and hd. Skyraevoicing, if you need any other work done let me know. Even big projects. Http://skyraevoicing. Sitey. Me/. Sounds a bit like madfather.

Two pieces of granite rock are scraped over one another. . Great "rocky" sound. . . A mono file at 44. 1 khz 16 bit. . . Recorded interior. . . . With sony mini-disc recorder 2005.

A yellow jacket flying around the inside of my basement window. Though the recording was made at close range, it's a bit noisy. Nice stereo movement as the bug flies around the zoom h2 recorder.