360 darmowych plików audio dla „Filtr”

Composition made using soundedit 16 on mac. Mainly done using thesoundedit 16 generated tones put through many different filters.

Composition made using soundedit 16 on mac.

Composition made using soundedit 16 on mac. Mainly done using thesoundedit 16 generated tones put through many different filters.

Created using lmms and its triple-oscillator plugin, and lfo automation used on the formant filter (new in lmms 0. 4. 13).

This is a remix for the freesound continuum project. I took the original file:. 150306__corsica-s__the-view-from-a-distant-giant. I played with it by vocoding it, and a bit of filtering and general mucking about in reason6.

The same sound thru two filters. No editing. 100% dry.

Check out other sounds on my website: https://jakeeaton. Bandcamp. Com/.

I was trying to make some fx you can hear in enigma’s tracks (for example ‘the eyes of truth’). Made with audition. P. S. Maybe it’d be a better sound if you listen to a downloaded file.

Yes, my wasp-filter is alive again!.

- reading audio file(stereo sound)-the audio is played with the sharpen function diskin; at a speed 5 times greater;-noise filtered for 8 seconds; in which the butterbp filter is applied so that it can be heard more in one channel on another: in this case, more is heard on the right. During the first 8 seconds you hear the filtered noise with the audio at higher speed. During the next 7 seconds the wav audio is heard only on the right channel and the last 15 seconds the wav audio is heard. For the left channel.

Just a basic single wave form sample from a real roland jp-8080 saw wave in the key of g. Used in making an epic super saw and super arp for these youtube tutorials and project:. Part 1: https://www. Youtube. Com/watch?v=byd_yirefiipart 2: https://www. Youtube. Com/watch?v=wruzgwtmvuqfull ableton project here: http://blnd. Io/1aodggb. The sample is tuned to the key of g, you will have to make sure that the sample is set to the key of c or transpose up 5 semitones. I correct this in the new template update; so that all chords and arps are in sync w/ the correct key.

Made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters.

Heavily processed vst synth sound using various filters, reverbs and phasers.

Atmospheric chords with several effects in the chain. If you like this sound, don't forget to check my soundcloud and share your feedback on my tunes: http://soundcloud. Com/beverlyhillsboy cheers!.

Leftovers from reducing noise on a lavalier mic recording.

A simple square wave, done with chirp generator in audacity. Starts at 200hz then slides until 30hz. Bass booster and phaser added. Then enveloppe manualy modified (enveloppe tool) + fade out processing for the end of the tail. Then normalized.

A simple filter sweep i created using white noise wave and a filter to create the sweep.

Some filtered shaker-like rhythm.

Yep, analog filters. . . Everything is analog!no, wait the reverb is digital. And this recording. But the noise that reaches your ears is analog. My little modular synth is playing a patch just for you. Or world is a big ad/da converter!!!. I failed at the fade out. . . Sorry for that.

A 100 bpm synth perc loop, first without and then with a bandpass with its cutoff on a 3-bar sine lfo.

Very electronic. What else do you need to know. Do something with it. Let me know/hear :-) cut it up. Loop it. This is an unedited recording. (as usual. . . ).

A simple but effective white noise sweep up created using a white noise signal, using automation to change a simple filter and colour to the sound to create a sweep effect.

A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.

This is random noise with low pass filter applied.

Recording of fish tank water (filtered) spilling into the tank. Recorded with tascam dr-05.

I start with a standard reese, next i add a low-pass filter with some attack and a high resonance. Good for drum&bass tracks.

Produced with cubase.

Band pass filters applied to a violin improvisation. Nice and ambient. No fades or other additional post production has been done.

This sound is part of a series and was originally a recorded finger snap. Recording gear:- 2 x behringer c2 small diaphragm condenser microphones with cardioid polar pattern- focusrite scarlett 2i4 audio interfacesoftware:- sound forge pro.

Arpeggiated blips witch have a retro videogame feel. If you like this make sure to check my soundcloud: http://soundcloud. Com/beverlyhillsboy cheers!.

Playing with lfos. 2 lfos are controlling the amplitude of the sample and hold generated blips. . . :-).

Creating slight variations in a simple beat with control voltage. All analog gear in my modular synth. Slightly "mastered" in audacity (normalization, compression, limiter).

This time a more abstract sound clip which in that case was prerecorded (bell 1) altered to the extend and used from mono back to eight channel ending up l+r. Although its abstract atmosphere the modular effects rings on a specific structure using 20th century harmony "rules" and of course tempo. Enjoy!.

A noise, a harmonic, from somewhere beyond space. . . . Then an ugly sound.

Strange guttural alien vocalizations, pops and glitches.

Gently rising above a water surface. Filter applied to the beginning. Foley.

A simple filtered droning sound playing a c. Made with logic pro.

Deep space ambience created by synthesizing noise and applying filters to make it sound like you're cupping your ears.

It does not sound electronic in the way i like, but. . . Sequencing modular etc with fl studio. Totally noob!.

Heavily processed vst synth sounds using various phasers, reverbs and filters.

Cptnal's comment on muffwiggler was an big aha moment. He wrote "you could patch the output of one s&h into the input of the next and get yourself a 12-step shift register. " well i don't have 12 s/h. I have 10. . . I would need a lot of sequenced gates to build that shift register. . . In this patch i use 4 s/h. (s/h or s&h is sample and hold. ).

An short 909-like open hat with "minimal" sonority.

This sound or sounds was created through the help of vst's, time shifting, parametric eq, cutting, sampling, layering and many other methods of sound manipulation. Follow me on youtube for future tutorials and music. Https://www. Youtube. Com/channel/uc3f2acuv1q0hsuaxqqwotrq-------------i make sounds for freesound. Orgi obviously don't get paid anything for uploading and the premise of using freesound. Org is to share sounds for free to everyone. If you could help me make this a sort of go fund me donation so i can continue doing what i love. Any amount donated is greatly appreciated and words can't show how much i appreciate you. Thank you for reading. Https://paypal. Me/pools/c/81iraceqx0.

Composition made using soundedit 16 on mac. This is a human voice saying an unknown word slowed down and looped.

Bass sounds, heavily filtered, slight clipping in places! be careful your ears/equipment!. Might be useful, who knows.

Experimental sound.

Feel free to use it in your music but i´d really like to hear what you did with it so if you use it pls write a link to your song in the comments. Hope you like the sound :). If so pls check out my yt-channel: https://www. Youtube. Com/channel/ucfvticwxelr7iqjw7uhfcoq.

A noise made with a analog modular synth. Used in my submission for disquiet junto project 0504: transform formula.

A bass made with one oscillator and drums from yamaha qy-10. Mixed in a noisy mixer. The qy-10 is also acting as sequencer. The bass sound is made on my modular. 101% analog. Including reverb and delay. Yep, now i have got a midi to cv module.

Weird synth loop heavily utilizing ableton's beat repeat, filtered druggy rave vibe. Used in a now-defunct wip. Add some drums and a cool bass!.