3651 darmowych plików audio dla „Las”

Pieza compuesta por dos sonidos, uno agudo y uno grave, en el cual el primero marca el pulso y el segundo la clave. Piece made with two sounds, one high and one low. The first one marks the pulse and the second one the compasses.

Pieza compuesta por dos sonidos, uno agudo y uno grave, en el cual el primero marca el pulso y el segundo la clave. Piece made with two sounds, one high and one low. The first one marks the pulse and the second one the compasses.

Ambience de la reproducción y cambio de varios vinilos. Es un. Wav de 1st order ambisonics grabado con una zoom hr-vr handy recorder. El equipo fue cedido por sae institute barcelona.

Sonido capturado a través de una grabadora zoom f4 con micrófono lavalier sennheiser ew 100 g3y procesado en pro tools 12. -la fuente proviene de un desplazamiento de un bote de plástico sobre piso de cerámica.

Duo de cors de chasse pour orgue (bombarde et trompette) - de la Suite pour Orgue en ré majeur de Jean-François Dandrieu

Outdoor swimming pool. Children are smimming, playing and diving. Some adult voices, birds arround. St mars la jaille, france, 2012. Recorded with schoeps ab ortfrecorded on sounddevice 744t24 bits, 48khz.

Grabación realizada el 27/04/2020 en cali, valle del cauca. Biofonia, jugando con mi mascota al interior de la casa. Detalle de captura:altura: casa - piso 2frecuencia: 44. 100grabadora: iphone xs.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three published in 1893, and the third piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Recording of "Hostias Et Preces" by Eugenio Terziani (1824-1889), sung by the last surviving castrato of the Pope's choir, Alessandro Moreschi (1858-1922). Duration of recording: 2 minutes 9 seconds Català: Una gravació de "Hostias Et Preces" d'Eugenio Terziani (1824-1889), cantada per un dels últims castrato del Cor de la Capella Sixtina, Alessandro Moreschi (1858-1922). La gravació de Moreschi, és la única existent d'un cantant castrato, sent un testimoni sonor únic d'aquesta tradició musical. Una grabación de "Hostias Et Preces" de Eugenio Terziani (1824-1889), cantada por uno de los ultimos castrati de la historia, Alessandro Moreschi (1858-1922) del Coro de la Capilla Sixtina. La grabación de Moreschi, es la única existente de un cantante castrato, siendo un testimonio sonoro único de esta tradición musical Suomi: Eugenio Terzianin (1824-1889) tallenne viimeisen paavin kastraattikuoron jäsenen Alessandro Moreschin (1858-1922) laulamasta kappaleesta "Hostias Et Preces". Enregistrement de Hostias Et Preces par Eugenio Terziani (1824-1889), interprété par Alessandro Moreschi (1858-1922). Italiano: Una registrazione di "Hostias Et Preces" di Eugenio Terziani (1824-1889), cantata da uno degli ultimi castrati della storia, Alessandro Moreschi (1858-1922) del coro del Cappella Sistina. Le registrazioni di Moreschi, essendo le uniche esistenti di un cantante castrato, forniscono una testimonianza sonora unica di questa tradizione musicale Македонски: „Нафора и молитви“ (Hostias Et Preces) од Еугенио Терцијани (1824-1889), во изведба на кастрат на папскиот хор, Алесандро Морески (1858-1922). Морески е единствениот кастрат од кого постои снимка, и претставува единствен увид во оваа некогашна музичка традиција. Запись песни "Hostias Et Preces" Евгенио Терзиани (1824-1889), в исполнении последнего оставшихся в живых кастрата хора Папы, Алессандро Морески (1858-1922). Морески, как единственный записанный кастрат, воспитанный в старой традиции, даёт нам представлене о том, на что была похожа утерянная музыкальная традиция. Tiếng Việt: Một bản thu "Hostias Et Preces" của Eugenio Terziani (1824-1889), được hát bởi castrato cuối cùng trong ca đoàn của Giáo hoàng, Alessandro Moreschi (1858-1922). Moreschi, là castrato được huấn luyện duy nhất được thu âm lại, cho chúng ta một cái nhìn tổng quan về một truyền thống âm nhạc nay đã không còn.

Midnight, mont de marsan (france), november 23 is the day of the wild cranes migration. It is fabulous! the fog is settled in the city, and these cranes are invisible! close but invisible. The nearby military airbase gives rhythm to the soundsc@pe with its take-offs and landings of fighter planes, which make the acoustics of the city resonate. Minuit, mont de marsan (france), ce 23 novembre est le jour de passage des grues sauvages en migration. C'est fabuleux! le brouillard est posé dans la ville, et ces grues sont invisibles! proches mais invisibles. La base aérienne militaire proche rythme le p@ysage sonore de ses décollages et atterrissage d'avions de chasse, qui font résonner l'acoustique de la ville. Original recording 96khz/32b sd mixpre6ii, stéréo ab dpa4041 dans cinela pia2.

Crickets and rain drops in the beautiful state of veracruz mexico. April 3, 2013 recorded with my tascam dr-5.

Forest walk recorded with zoom hd4.

Impulse responses of the forest in winter, taken from about 20 to 100 ft from the mic, made with firecrackers.

Recorded with a zoom h2n via it's xy configuration. Afterwards the ambient noise surrounding the cicadas was removed. A great timing, led to a wide arrangement of cicadas perfectly balanced at right and left.

Impulse responses of the forest in winter, taken from about 20 to 100 ft from the mic, made with firecrackers.

This is the end of a song (just the last crash and the last guitar note). It was recorded inside a medium size room where we were playing. This sound was produced by my friends and i, so it does not belong to any commercial recording. This sound is original content. Este sonido es el final de una canción (el crash de la batería y una nota sostenida por la guitarra). Fue grabado en una sala de tamaño medio por mis amigos y yo, de modo que no pertenece a ninguna grabación comercial. Es contenido original.

Cows, freshly released from a long trip, roams about in a swedish forest, lowing to each other while stepping heavily through the underbrush.

A simple forest ambience recorded in monte gelato (italy) during summer, using a zoom h4n.

Recorded with a zoom h5 on a tram l1 between benedorm and alicante approaching and passing the following stations la vila joiosa, paradís and venta lamus at around 6pm 5th april. No processing but cut using garage band originally recorded in wav format.

Sound recorded by the participants of the workshop "sons de la barcelona intercultural". Phonos, pla bcn interculturalitat, sons de barcelona, casal dels infants del raval. Zoom h1. Grabé un video cantando con mis amigos en casa, música arabe mezclada.

I made a ball of aluminium paper. This is the sound when i undid the ball and tried to make it smooth. // sonido cuando deshago y aliso una bola de papel de aluminio.

Paisaje sonoro del campus de la universidad europea de madrid. European university of madrid campus soundscape. Sonido de varios casilleros cerrados uno detrás de otro. Locker closing sound.

An audio recording of Ferdinand Büchner. Nocturne, op.20, performed by the first flautist of "La Scala" Arrigo Tassinari. Recorded in Milan in 1931 Аудиозапись - Фердинанд Бюхнер. Ноктюрн, op. 20 в исполнении флейтиста солиста Ля Скала - Арриго Тассинари.

Paisaje sonoro del campus de la universidad europea de madrid. European university of madrid campus soundscape. Sonido de una persona corriendo a diferentes intensidades. Sound of a person running with different intensities.

This is the sound of soap bubbles, it was not recorded directly from the bubbles, it was made using beatbox. Este es el sonido de burbujas de jabón, no fue grabado directamente de las burbujas, fue hecho usando beatbox.

Pieza compuesta por dos sonidos, uno agudo y uno grave, en el cual el primero marca el pulso y el segundo la clave. Piece made with two sounds, one high and one low. The first one marks the pulse and the second one the compasses.

Pieza compuesta por dos sonidos, uno grave y uno agudo, en el cual el primero marca el pulso y el segundo la clave. Piece made with tow sounds, one low and one high. The first one marks the pulse and the second one the compasses.

El benteveo es un pajaro de america. Grabado en argentina. Popularmente se dice que en su canto se reconocen las palabras "bicho feo" // the benteveo is an american bird. Recorded in argentina. Popularly it is said that the words "bicho feo (ugly bug)" are recognized in their song.

Grabación realizada el 22/04/2020 en cali, valle del cauca. Geofonia, una noche de sonido de la lluvia sobre el tejado. Detalle de captura:altura: casa - piso 2frecuencia: 44. 100grabadora: iphone xs.

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper

De la wiki en inglés. Sound example from fourth movement of Beethoven's 5th Symphony, recorded by Opus33 using an acoustic piano. This music is in the public domain. This recording is released into the public domain by Opus33.

Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three published in 1893, and the second piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Hymne National de la République de Côte d'Ivoire (instrumental).National anthem of the Republic of Côte d'Ivoire (instrumental).

Registro de geofonía realizado en las escaleras que conectan el primer y segundo nivel de una torre de apartamentos, de un conjunto residencial, ubicado en el norte de la ciudad de cali, colombia, el día martes 28 de abril a las 7:00 a. M. En él, se puede escuchar el sonido de una lluvia ligera que golpea los tejados plásticos, que cubren los patios de los apartamentos del primer nivel. Dispositivo y programa de grabación: celular huawei p20 lite + lexis audio editor. Geophony recording, captured between the first and second floor of an apartment building in a residential complex located in the north área of cali, colombia, on tuesday april 28th at 7:00 a. M. In this recording we hear the sound from light rain falling on plastic roof tiles, the kind of roof that's used to cover the first floor’s apartment patios. Device and software: huawey p20 lite + lexis audio editor.

Pieza compuesta por dos sonidos, uno grave y uno agudo, en el cual el primero marca el pulso y el segundo la clave. Piece made with tow sounds, one low and one high. The first one marks the pulse and the second one the compasses.

El sonido grabado es para la utilización para el efecto sonoro de una carta que fue arrojada sobre una mesa, en un juego de naipe. Se lo logro al golpear con el dedo sobre una hoja de cuaderno ligeramente levantada.

Grabación del ambiente ruidoso de la cafetería del campus de upf-poblenou. Grabado con zoom h2 y editado con audacity. Recording of the cantina of upf-poblenou campus. Recorded with zoom h2 and edited with audacity.

Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)

Enregistrement de l'exposition coloniale

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the seventh piece of what ultimately became seven works that shared the name Gnossienne. It was recently discovered, was not dated, and was not explicitly named Gnossienne or numbered as such. This rendition was performed by the La Pianista.

Impulse responses of the forest in winter, taken from about 20 to 100 ft from the mic, made with firecrackers.

Impulse responses of the forest in winter, taken from about 20 to 100 ft from the mic, made with firecrackers.

Impulse responses of the forest in winter, taken from about 20 to 100 ft from the mic, made with firecrackers.

Ir - impulse response of a forest (5m). Ir - forest (10m) : https://freesound. Org/s/558824/ir - forest (20m) : https://freesound. Org/s/558823/. Gear : rode nt4file: 96khz, 24 bit, stereo, wav.

Title/Work: Casse-Noisette Suite (Part 2) Content: a) Danse de la Fée Dragée, b) Danse des Mirlitons Genre(s): Ballet music Author(s)/(Composer(s): Pyotr Ilyich Tchaikovsky (1840-1893) Music arranger(s): none Lyricist(s): none Performer(s): American Symphony Orchestra Conductor: none Place of recording: West Orange, New Jersey (United States) 1st release date: 1 April 1921 1st recording date: 24/30 June 1918

Das Gebet einer Jungfrau, Op. 4 (Tekla Bądarzewska (1834–1861), 3:05) "A Maiden's Prayer", Op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05 minutes) « La prière d'une vierge », op. 4 (Tekla Bądarzewska (1834–1861), 3:05) Italiano: "La preghiera di una vergine", Op. 4 (Tekla Badarzewska (1834–1861), 3:05) Nederlands: "Het gebed voor een maagd", op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05) "Modlitwa dziewicy", op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05) Română: "Rugăciunea unei fecioare", Op. 4 (Tekla Badarzewska (1834–1861), 3:05)

Sound recorded by the participants of the workshop "sons de la barcelona intercultural". Phonos, pla bcn interculturalitat, sons de barcelona, casal dels infants del raval. Zoom h1. El sonido de agua en raval de barcelona.