4292 darmowe pliki audio dla „Midi”

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: akai ax80patch name (pack): diplodocusnote: c2midi note: 36midi velocity: 7.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: oberheim xpanderpatch name (pack): sinknote: c2midi note: 36midi velocity: 20.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: akai ax80patch name (pack): moogalikenote: c2midi note: 36midi velocity: 16.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: akai ax80patch name (pack): layerednote: c2midi note: 36midi velocity: 16.

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

Ambient noise and sound scape created in a mini midi studio with an akai s01 sampler , roland s10 sampler , korg wavestation sr and some other synth modules.

A-sharp melodic minor scale ascending and descending.

Twelve bar blues in B, block chords. Created by Hyacinth (talk) 09:25, 17 December 2010 using Sibelius 5.

Dominant eleventh on F in fifth inversion: B♭CE♭FGA. V11 resolves to I.

O Tannenbaum, du trägst ein' grünen Zweig

F natural minor scale ascending and descending.

A-sharp harmonic minor scale ascending and descending.

O Bethlehem, du kleine Stadt, Evang. Gesangbuch 55

B-flat harmonic minor scale ascending and descending.

B-flat melodic minor scale ascending and descending.

F melodic minor scale ascending and descending.

F♯ natural minor scale ascending and descending.

Heilig, heilig, Gotteslob (1975) 491, Gotteslob (2013) 196

V/V-V-I in C, in four-part harmony.

Melodie des preußischen Sturmmarschgalopps von August Martin Canthal

O du mein Trost und süßes Hoffen

Kommt her zu mir, spricht Gottes Sohn, Evang. Gesangbuch 363

Es klappert die Mühle am rauschenden Bach

Hänsel und Gretel verliefen sich im Wald

D melodic minor scale ascending and descending.

Whole tone scale on B. Created by Hyacinth (talk) 01:01, 6 July 2010 using Sibelius 5.

Sie ist mir lieb, die werte Magd

Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.

日本語: ビゼー作曲「カルメン」第2幕の「カンツォネッタ」の一部 Part of Georges Bizet's Carmen

Was frag ich viel nach Geld und Gut

D natural minor scale ascending and descending.

Maria, Mutter unsres Herrn (Gotteslob (2013) 530)

I made these loop parts set in ableton live using non sample based midi instruments and heaps of effects.

Johann Löhner: Soll mein Herz die Wahrheit sagen

Septimal minor triad on C (C,E7b,G or 6:7:9)

Es kann ja nicht immer so bleiben

Piano Sonata No. 8 third movement (Rondo: Allegro) 17 KB, 4:25 minutes.

C-sharp melodic minor scale ascending and descending.

Double-time: notice the snare moves to the "&" beats (compared to "regular" time) while the hi-hat begins to subdivide sixteenth notes.

Schubert - D. 759, I mm.60-4, without G.P.

C♯ natural minor scale ascending and descending.

D-sharp melodic minor scale ascending and descending.

Wunderschön prächtige, Marienlied, Gotteslob (2013) Diözesananhang Hamburg-Hildesheim-Osnabrück 898

Just perfect fifth on D = A+. 3:2 = 701.96 cents.

Herr Jesu Christ, du höchstes Gut (Evangel. Gesangbuch 219)

D-sharp natural minor scale ascending and descending.

Hört, ihr Herrn, und lasst euch sagen

F harmonic minor scale ascending and descending.

Melodic and harmonic intervals. Created by Hyacinth (talk) 15:19, 18 March 2011 (UTC) using Sibelius 5.

Wohl denen, die da wandeln, Evang. Gesangbuch 295