2899 darmowych plików audio dla „Notes”

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Electronic sound.
Autor: Mamax
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00:12
After handing out instruments, but before getting down to business, i let the students play one long note on their instruments.
Autor: Incogitatus
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Young man singing vowels with hall reverb.
Autor: Theendofacycle
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00:42
Made with lmms.
Autor: Roloxi
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C not recorded from toy cat piano.
Autor: Meku A
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Chime note on C. In chimes, modes 4, 5, and 6 appear to determine the strike tone and have frequencies in the ratios 92:112:132, or 81:121:169, "which are close enough to the ratios 2:3:4 for the ear to consider them nearly harmonic and to use them as a basis for establishing a virtual pitch."[1]
Autor: The original uploader was Hyacinth at English Wikipedia.
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Wobbles i made using harmor and fast lp. On note a only.
Autor: Nononocp
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Bass note slide on a bass guitar.
Autor: Trapmusicallstar
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Instrument::fluteexercise::overall quality of single notenote::c4.
Autor: Yano
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Blue note from pentatonic minor scale. Note bleue en gamme pentatonique mineure.
Autor: Skippy le Grand Gourou
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00:44
Purcell Fantazia upon One Note
Autor: Purcell
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Blue note from European tonal system. Note bleue en échelle tonale européenne.
Autor: Skippy le Grand Gourou
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A synthetic bass multisample. I created it using the virsyn cube additive synthesizer (vsti). I applied some eq using the sonalksis sv-517 equalizer plugin. The sound was compressed by the sonalksis sv-315 and nomad factory blue tubes cp2s compressor plugins. All great quality plugs. The sound is a nice but rather static emulation of a bass guitar. Use your sampler's velocity and pitch bending options to bring this multisample to life. All samples in a 24 bit, 44. 1 khz resolution. Loop points were added for sustained notes.
Autor: Daven
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Glitch sfx #1. Modify/use however you want. I made this by playing a couple sine waves on different notes, then i added a fruity waveshaper to add harmonics whenever one of the sine waves clips, then filtered out the original sine waves, leaving you with the distorted harmonics you have here. Made with fl studio 12, massive, waveshaper, and edison. If you use this in anything, please put it in the comments, me and other people may want to check it out!.
Autor: Ianstargem
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Regular game sounds 1. -------------------------------------------------------------. You may use these sounds freely ifyou think they're usefull. I made them in nanostudio with the eden's synthsmostly one instrument (the eden) multiple notes some effect(hall i believe) sometimes and here and then multiintstruments. (they are very easy to make in nanostudio (=freeware!))i edited the mixdown afterwards with oceanaudio,to seperate the wav's from the output mixdown, andused a normalise effect for maximum db. If you want to use them for any production or whateverthats ok, they are public domain. 47. Wav sounds. Bye. -------------------------------------------------------------. 20-02-2014lu6np9@kpnmail. Nlhttp://home. Kpn. Nl/lu6np9.
Autor: B Lamerichs
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I was playing around with my sampler fx today and decided to rig up my electric guitar. I use a fender american special stratocaster, hooked up to an akai s2000 sampler with on-board fx - distortion and guitar metal applied in real time, the signal then sent through to amplitube fx rack on my computer with vintage crunch setting. This is a strum of the lower e open. I recorded a number of stabs and thought this clip might come in useful.
Autor: Snapper
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The symmetry of Webern's tone row from Variations, Op. 30, is apparent from the equivalent, P1=IR1 and R12=I12, and thus reduced number of row forms, two, P and R, plus transpositions. Consisting of three related tetrachords: a and c consisting of two minor seconds and one minor third and b consisting of two minor thirds and one minor second. Notes 4-7 and 6-9 also consist of two minor seconds and one minor third. Created by Hyacinth (talk) 23:25, 19 October 2010 using Sibelius 5.
Autor: The original uploader was Hyacinth at English Wikipedia.
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I improvised this over a song of mine but i´m likely to not use it so i´m uploading it here. It´s the first take and not edited so don´t complain about wrong notes. Key: fmin bpm: 75. Feel free to use it in your music but i´d really like to hear what you did with it so if you use it pls also write a link to your song in the comments. Hope you like the sound :). If so pls check out my yt-channel: https://www. Youtube. Com/channel/ucfvticwxelr7iqjw7uhfcoq.
Autor: Dierechnug
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Aud energy chime high note pureenergetic healing sound.
Autor: Asuriya
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December Makes Me Feel This Way ("Joy to the World") performed by the Airmen of Note of the United States Air Force Band. Track 6 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*
Autor: Composition: George Frederick Handel; Arrangement: TSgt Alan Baylock; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
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Synth scary note pitch slides down reverb32bit 48khz.
Autor: Stebbi@Gmail
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Notebook falling. Recorded on samson c01u pro.
Autor: Brlk
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Instrument::clarinetexercise::overall quality of single notenote::c4microphone::iphone5tuning reference::440.
Autor: Yano
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Instrument::clarinetexercise::overall quality of single notenote::c4microphone::iphone6tuning reference::440.
Autor: Masaki
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Instrument::clarinetexercise::overall quality of single notenote::g6microphone::iphone5tuning reference::440.
Autor: Gto
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Instrument::trumpetexercise::overall quality of single notenote::b5microphone::iphone5stuning reference::440.
Autor: Fuannnakimochi
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Instrument::fluteexercise::overall quality of single notenote::d4microphone::iphone5stuning reference::440.
Autor: Sastesty
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Reggae one drop drum pattern, sixteenth note variation.
Autor: Hyacinth
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C note on an old homemade string instrument played with a bow.
Autor: Opalmirage
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Good King Wenceslas and His Merry Band performed by the Airmen of Note of the United States Air Force Band. Track 1 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*
Autor: Composition: traditional; Arrangement: SMSgt Mike Crotty; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
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A short ocarina sample i recorded in my studio. This sample was made to be place into a sampler but you can do whatever you want, the root note is c.
Autor: Thedcheck
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Single note sampled from a moog slim phatty analogue synthesizer. Slim phatty is a monophonic analogue synthesizer designed by moog music. Synthesizer: moog slim phattyfactory preset #: 1note: c-1midi note: 0midi velocity: 16.
Autor: Nereatruiz
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A multi-purpose synth, c note, in 6 different octaves.
Autor: Sgak
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E4 note played with a trumpet using a harmon wow-wow mute.
Autor: Germanio
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Rough note.
Autor: Ingudios
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Small Note Boogaloo performed by the Airmen of Note of the United States Air Force Band. Track 6 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*
Autor: Composition: Master Sgt. Ben Patterson; Arrangement: Master Sgt. Ben Patterson; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
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Another "shoegazey" clip using guitar though many pedals (boss xtortion > danelectro eq > boss me-30 (no effects on, but working as a slight boost) > eh small stone > korg ax3g (on a pitch/harmonizer setting) > boss dd-20 > behringer ultra vibrato > alesis nanoverb > mixer > soundcard. ) it's kind of similar to the beginning of "souvlaki space station", but it is in no way an approximate recreation (or even the same notes, i'm sure) of it. I messed around with levels and soundcard settings and was able to get a much cleaner, less distorted recording (compared to the guitar drone sample uploaded previously. ).
Autor: The Semen Incident
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My childhood piano, an old german upright. Recorded using a studio projects b3 condenser mic through a presonus tubepre into an akai mpc1000. Mic'd from the top with the lid up, closer to the bass end. The piano is old and slightly out of tune, with a crack in the soundboard. The only processing was with analogx autotune to tune the samples, which did a very good job. Sampled 3 notes per octave so each sample only needs to be tuned + or - a semitone to span the whole range. It is a dark and moody sounding, a lot of character but in now way "pristine".
Autor: Meg
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Wrote/recorded a short song about popping zits at 140 bpm in ableton live 9:kontakt player used for the formaggio string sections. My vocals were recorded with a akg 214c mic into a scarlett 18i20. Nothing fancy just get it down. Lyrics "get me now from the skin below, won't you help me out? i am stuck inside"then reverb added to vocals. Percussion is ableton's "percussion 1" setting (wood, shake, cowbell, chimes). Additional notes:-15. 6 lufs integrated. -0. 9 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.
Autor: Bainmack
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I made a synth snare sound by using deflemask to make it. I also did this with the synth kick sound, too. Do whatever you want with this (like sounds or music) and credit me if you want as pk superstar256 (in a fan project) or ismo-kun games (in a commercial project). Yes, you can use this in things that can make you money, just don't make money off of this sound of its entirety in unedited form. Author's notes: "i was thinking of processing this and the kick sound with distortion and bass boosting, but i decided to leave them unedited. ".
Autor: Pksuperstar
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Troopers Tribunal (1905), was a circus march written by Henry Fillmore in 1905. To conceal who it was written for from his conservative father and publisher, Fillmore intentionally misspelt "Troupers", as in, a circus troupe, as something that appeared, at first glance, to be military (according to the liner notes to Front & Center, a Collection of American Marches, U.S. Air Force Band). It is here performed by the US Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
Autor: Henry Fillmore (Composer, 1881–1956) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham – Greeley, CO Manager: Chief Master Sergeant James H. Moseley II – Beaumont, TX PICCOLO MSgt Ardyth Scott – Shreveport, LA FLUTE MSgt Lawrence Ink* – Rockville, MD MSgt Lucille Johnston Snell – Albuquerque, NM TSgt Sharon Weinberg – Philadelphia, PA OBOE MSgt Ronald Erler* – Falls Church, VA CMSgt Robin Forrester-Meadows – Evansville, IN ENGLISH HORN CMSgt James Moseley II – Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried – Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* – Simi Valley, CA TSgt George Stoffan – Norwalk, CT MSgt Carl Long – Hanover, NH MSgt Elizabeth Campeau – Pinckney, MI MSgt Sandra Haton* – Columbia, SC TSgt Richard Drew – Joliet, IL TSgt Brian Jones – Panama City, FL MSgt Kay Schultz – Skaneateles, NY MSgt Lorraine Haddad* – Poughkeepsie, NY TSgt Shawn Buck – Brookside, PA SMSgt Robert Little – Houston, TX BASS CLARINET TSgt David Aspinwall – Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy – Virginia Beach, VA BASSOON CMSgt Danny Phipps* – Annapolis, MD TSgt Lawrence Burke – Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* – Ellisville, MS MSgt William Marr – Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely – Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George – Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* – Dallas, TX TSgt Leslie Mincer – Charlottesville, VA TSgt Kent Wyatt – Arlington, TX TSgt Philip Krzywicki – Philadelphia, PA CORNET TSgt Andrew Wilson* – Gambier, OH SMSgt David Golden – Bethlehem, PA TSgt Michael Bosch – Bethlehem, PA MSgt William Adcock – San Jose, CA TSgt Curt Christensen – Mt. Clemens, MI MSgt Clarence Mitchell – Portsmouth, VA TRUMPET TSgt Robert McConnell – Wadsworth, OH MSgt James Bittner – Harrisburg, PA TROMBONE SMSgt Mark Williams* – Okemos, MI MSgt Jeffrey Gaylord – Western Springs, IL MSgt Lindsey Smith – Williamston, MI TSgt James VanZandt – Austin, TX EUPHONIUM MSgt Ann Baldwin* – Canton, OH TSgt Lance LaDuke – Niles, MI TUBA MSgt Jan Duga* – Columbus, OH SMSgt Edward McKee – Roselle, NJ MSgt David Porter – Alcoa, TN TIMPANI MSgt Patrick Shrieves – Freehold, NJ PERCUSSION MSgt Aubrey Adams* – Medford, OK SMSgt Mark Carson – East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison – Louisville, KY * Principal CREDITS Colonel Lowell E. Graham – Commander/Conductor/Producer Major Frank J. Grzych II – Deputy Commander/Producer Captain Scott A. Guidry – Staff Officer/Co-Producer Mr. Bruce Leek – Engineer/Digital Editing Master Sergeant Kendall S. Thomsen – Assistant Engineer Chief Master Sergeant Dana L. Steinhauser – Director of Public Affairs Master Sergeant William D. Porter II – Recording Production Technical Sergeant Robert K. McConnell – Graphic Layout Master Sergeant Elizabeth K. Campeau – Liner Notes Technical Sergeant Sharon B. Weinberg – Booklet Editor Crabtree + Company (Arlington, VA) – Cover Design Mark Custom Recording Service (Clarence, NY) – Disc Replication Lion Recording Services, Inc. (Springield, VA) – Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807.
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This is a one-note sound from output's exhale vocal synth engine.
Autor: Theargosy
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The first sound effect that i've added. Just a note that continually gets to a higher note.
Autor: Hmmm
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Two guitar note from loud speaker system. Record use sharp smart phone androidone, 2020. 01. 31 10:40.
Autor: Sieuamthanh
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Recorded with smartphone, november 24, 2017.
Autor: Starvingpony
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Created in audacity.
Autor: Creyeo
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Made with beepbox, useful for game over screens!.
Autor: Theboardgameoffun
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Pipe organ c3 note (fondamental frequency = 261,46 hz, i. E. C3 minus 1. 1 cent of semitone). Organ stop named "montre 8". Recorded in france.
Autor: Jebb
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Source was a simple piano note, heavily modified with wobbly reverb and such.
Autor: Herr Klaus
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A three-note doorbell-like sound. Also works as a notification or alert.
Autor: Eqylizer
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