2907 darmowych plików audio dla „Notes”

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: tenortbn_sus_a#1_v1_1. Wavinstrument family: brassinstrument: tenor trombonearticulation: sustainnote: a#2midi note: 46midi velocity (center): 20location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, mixed close micsperformer: sam gossner.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: tuba3_stac_a#0_v1_rr1_sum. Wavinstrument family: brassinstrument: tubaarticulation: staccatonote: a#1midi note: 34midi velocity (center): 31location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, mixed close micsperformer: sam gossner.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: sum_shtrumpet_sus_a#3_v1_rr1. Wavinstrument family: brassinstrument: trumpetarticulation: sustainnote: a#4midi note: 70midi velocity (center): 31location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, mixed close micsperformer: sam hebert.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: sum_shtrumpet_susvib_a#3_v1_rr1. Wavinstrument family: brassinstrument: trumpetarticulation: vibrato sustainnote: a#4midi note: 70midi velocity (center): 31location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, mixed close micsperformer: sam hebert.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: tuba3_sus_a#1_v1_rr1_mid. Wavinstrument family: brassinstrument: tubaarticulation: sustainnote: a#2midi note: 46midi velocity (center): 20location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, mixed close micsperformer: sam gossner.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: tb_hit_f5_v3_rr1. Wavinstrument family: percussioninstrument: tubular bellsnote: e#5midi note: 77midi velocity (center): 63location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, mixed close micsperformer: sam gossner.

I have played this and drive mannually on juno di. . . Note that works well with rhodes i have uploaded. Feel free to use. U can message me with your final result.

A powerfull super saw that you can use for your songs. Note :the key of this sound is actually f# min not f# maj my apologies :(.

Heavy on the filter and modulation. With plenty of plink/clink/ping like sound at the end of the notes. Strange, weird and noise.

1000 Hz tone, created by Denelson83 Note on playing this audio clip This audio clip is an en:Ogg Vorbis file. For a list of compatible media players, see the article at [1].

Sound recorded of an automatic door closing. Typologie (p. Schaeffer):x' :impulsion complexe. Morphologie:*masse: son seul principal accompagné d'un léger spectre musical composé de deux notes aigües correspondant chacune aux deux étapes de pré-fermeture de la porte. *allure: son final très sec quand les deux notes précédentes sont assez aériennes. *dynamique:entrée en matière très douce qui débouche très rapidement sur un crescendo brutal.

Song bird chirping in an urban backyard, distant cars bus passes. Ambisonic four channel b-format recording recorded with the coresound tetramic in pittsburgh, pa. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

This is part of a set of samples demonstrating the capabilities of the diy version of the hexinverter mutant clap module (eurorack/modular synth). Of particular note is the noise bleed present in some hexinverter diy products as discussed on the muffwiggler forum. Except where noted as "with vca," all samples are recorded without added effects or processing. "with vca" samples have been tidied up with an envelope modulated vca. One may choose to see the bleed as a feature or flaw. . .

Series of car/truck/bus passes recorded on the side of a night time city street. At :21 two guys on bikes with a boombox pass - one of the weirdest sounding things i've recorded. Ambisonic b-format recording recorded with the coresound tetramic in pittsburgh, pa. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Building-site noise recorded from a window in front of it, using my smartphone's voice notes app. There's some hammer sounds, and a continuous drilling or sawing sound (not clear).

F#2 played on the lowest string (e) of an acoustic guitar with an hammer-on technique on the left hand and with a mediator for the right hand. Recorded with a zoom h2n.

This is a very short phrase for a hindustani raag that i recorded for my audio signal processing class. The notes are far from perfect but they should be the equivalents of f3 f# g# a# f# f.

Note: credit not required but it is appreciated, and i'd love to see what you create with this if you use this!. Impact delay i made with a kick, delay, reverb, some other source sounds and effects :).

Roland CR-78, Rhumba beat with metallic effect. Note on playing this audio clip This audio clip is an en:Ogg Vorbis file. For a list of compatible media players, see the article at [1].

Played from 64th note upwards in duration at 60bpm at middle c (c3) using mixcraft pro 7 daw and using a journey synth using two voices.

On the saxophone, using a specific set of fingerings one can "play" two notes at once. This creates a clashing, almost chewbacca-like sound that can be utilized in some specific settings to create a certain effect.

Simple recording of the low b string of a 5-string electric bass guitar. Captured with an rme babyface and cubase 10. 5.

Used dsk music box, processed with some lofi vst fx and reverb. The midi sequence was aided by randomization of notes. #randomization #musicbox #eerie.

Radio noise: costant single note, then distorted by voice. Frequency: 21227. 50 khz. Recorded from twente university online radio tuner: http://websdr. Ewi. Utwente. Nl:8901/.

An orchestral violin track. The notes of these short compositions were picked entirely at random, but produce an intelligent and interesting, classical feel.

Two-note call of the black-capped chickadee, late summer insects, traffic. Mono.

A low bass guitar note, played with a pencil as a percussion. It resembles the hit of the piano hammers on the strings. Recorded using a samson c02 pointing at the strings and a di box.

Distorted glass pads on a 3 note sound. Recorded and processed in audacity.

Triple osc transformed notes with echo effect. Mixed in audacity.

La (a) au pipeau irlandais note tenue. Typologie:n:continu tonique. Morphologie:*masse:son seul tonique*timbre harmonique: clair*allure:débit régulier,sans saccade*dynamique: attaque franche , son droit.

One note from an antique wind-up toy. Recorded with a relatively low-quality mic at a close distance; you can hear the machine of the music box churning and some faint ambient humming.

Radio: shifting down notes, obtained with manual changes of frequency widenessfrequency: 12892. 59 khzrecorded from twente university online radio tuner: http://websdr. Ewi. Utwente. Nl:8901/.

A bass note created with the free version of the "dronos" vstturned down to 10 bpm. Effects: reverb, compressor.

Me ripping another piece of paper out of a college ruled notebook.

Pages of thick paper being turned in a notebook; close to microphone, deep and crisp.

Simple recording of the f# string of an 8-string electric guitar. Captured with an rme babyface and cubase 10. 5.

Classic moog bass. Middle c octave, each note recorded separately.

A gibson sg with custom-59 pickups playing the open a string. Signal was captured using the bridge pickup exclusively. Length of sound capped at 10 secs and fade out effect added in audacity.

Water being poured from a bottle to a plastic mug filling it up. The water is being poured from some height, so you can note that the water is kind of splashing more.

This is a sound i made by placing a low sound effect on lmms continually with another note lower right under it. Then i edited it in audacity with a bassboost, amplify, and fade out.

Fluttery filter of two bars of bangra style drum beat. Loops. My notes say this was using a ring mod plug in but it sounds more like a v. Fast phasey trem.

Music box cranked slowly on a big metal tin so that individual notes are heard, with some cranking noise. Recorded indoors on a zoom h1n.

Half-assed multisampling of highly damaged toy piano in my grandmother's attic. One strike of each key, then some random hits and glissandos. Recorded with a sony pcm-d50.

An ad hock recording of a helicopter taking off. Good luck i had my rig with me ;). Tech note: sennheiser mkh8040 in ortf into sounddevices 702.

Hps model was used to transform a few notes from a flute. Frequency stretching was used without timbre preservation. Has an old analog cassette/lp vibe. Mono track at 44100 = fs.

Sawtooth osc note c5, maximus-no saturation in high, eq-low-filter2, retro sound, amplio2-distort.

Originally a recorded trumpet-note. Sound design is fun. Original trumpet found here: https://freesound. Org/people/samulis/sounds/374143/.

Synthetic creature soundscape which sound as howling or moaning, a bit melancholic. Created with clavia nord modular[note to self] old morpheus again (clavia - voicehrip03).

Hark, the Herald Angels Sing performed by the Airmen of Note of the United States Air Force Band. Track 4 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

It's a repetition of 3 medium notes in an old and unadjusted piano in a tourism house in the camping montseny, near to barcelona. Sound take with compact camera olympus stylus 820.