Short, clean, funky notes. Great for disco, or cool funk. Notes are provided both fretted and muted. Have fun!recorded with a "fender twin reverb" by an "sm58". Standard fender strat in the bridge+middle pickup position. No reverb. Use your own!.
Half time: notice the snare moves to beats 3 of measure one and two (beats 3 & 7) while the hi-hat plays only on the quarter notes. Note also, for example, that the quarter notes 'sound like' eighth notes in one giant measure.
Recording of my kalimba tuned to c-major (give or take a few cents), striking the lowest possible note. Recorded on a rode nt1-a through a scarlett 2i2 interface. Noise-reduced for clarity.
A seven note scale (c c# d# f f# g# a#) over separate octaves. Some notes repeat in the same octave, but are slightly different samples. Each note starts on the grid of 100bpm. Recorded the samples a few years ago. From memory the original sounds are sections of acoustic guitar notes, manipulated, pitched and fx added.
Using moog synth c2 note and c2 session strings notes with a pizzicato and that same note reversed. Added distorsion, reverb, delay and three lfos. Recording settings:48 [khz]24-bit.
Scale of g played slowly, 2 octaves, each note detached, on a reed quena (south american flute). Might be useful to sample notes. Recorded with zoom h4n, unprocessed.
Small, six note marimba, recorded wide stereo with a sony pcm-d50. The notes are, from low to high, f, g, a, c#, d#, and f. Two samples were taken per note.
Sum and difference tones of A220 and unison, just perfect fifth, and octave. Note that this is not produced through ring modulation of two notes, but is four separate notes.
Simple phrase in concert g dorian with a clearly ghosted note around the 2 second mark that shows up clearly when viewing the amplitude or spectrogram.
Just some random, bad and sloppy shredding type of playing. Lots of fast notes and some heavy power chords. Call it the lead guitar player having a bad day.
An edited version of my upload uke_single_notes. Wav. I shortened that recording to its last four notes, then included a fade out to eliminate most of the non-ukelele sound at the end. This recording has notes as follows: g4 g4 a4 d4. This sound was originally created for the coursera course "audio signal processing for music applications. " i recorded this sound myself with a zoom h2 microphone and a kala classical ukelele.
